European and American Furniture and Decorations, Including Asian Works of Art

Group of Sixteen Chinese Export Teawares Jiaqing-Daoguang Period (1796-1850) Consisting of a grisaille-decorated tea caddy and helmet-form cream

Chinese Export 'Canton' Blue and White Covered Tureen and Platter Daoguang-Xianfeng Period (1821-1861) Restorations to rim of platter; lid n...

Pair of Chinese Export 'Pseudo Tobacco Leaf' Pattern Dessert Plates Qianlong Period (1736-1795) Each with gilt highlights. Diameter: 8-3/4 in

Chinese Export Canton 'Rose Medallion' Gu-Form Vase Xianfeng Period (1851-1861) Mounted as a lamp. Some wear to gilt and painted decoration.

Two Chinese Export Cabinet Articles Jiaqing Period (1796-1820) Consisting of a fu-puppy form taper stick decorated in the 'Famille Rose' pal...

Chinese Export 'Sacred Bird' Pattern Assembled Dinner Service Daoguang Period (1821-1850) Consisting of: 1 Small covered tureen 2 Covered

Chinese Export 'Canton' Blue and White Pierced Fruit Basket and Undertray Xianfeng Period (1851-1861) Undertray not original to fruit basket...

Chinese Export 'Famille Rose' Punch Bowl Jiaqing Period (1796-1820) Having blue and white scrolling floral borders, the interior with centra...

Chinese Export 'Mandarin Palette' Coffeepot Jiaqing Period (1796-1820) Repair to spout. Height: 9 in (22.9 cm) $500 - $700

Group of Four Chinese Export 'Canton' Blue and White Table Articles Daoguang-Xianfeng Period (1821-1861) Consisting of two covered entrTe di...

Six Chinese Export 'Orange Fitzhugh' Table Articles Jiaqing-Daoguang Period (1796-1850) Consisting of a covered entrTe dish, a soup bowl, a ...

Chinese Export 'Canton' Blue and White Covered EntrTe Dish Daoguang Period (1821-1850) The shaped oval body flanked by entwined strap handle...

Pair of Chinese Export Vases Xianfeng Period (1851-1861) Each decorated in orange-red with gilt highlights. Chip to rim of one vase; restoration

Pair of Chinese Export 'La Dame Au Parasol' Plates Qianlong Period (1736-1795) After the design by Cornelis Pronk; each decorated in the Ima...

Group of Thirteen Chinese Export Table Articles Jiaqing-Daoguang Period (1796-1850) Consisting of two teacups with saucers, a cream jug, a small

Chinese Export Blue and White Covered Tureen Daoguang Period (1821-1850) The circular body flanked by peaked loop handles surmounted by a perfor

Chinese Export 'Blue Fitzhugh' Rectangular Platter Daoguang Period (1821-1850) Having pinched corners and raised on short shaped feet. Length

Pair of Chinese Export 'Mandarin Palette' Wall Pockets Qianlong Period (1736-1795) Some losses to applied vine and berry decoration; restora...

Chinese Export 'Sacred Bird' Pattern Oval Soup Tureen and Platter Daoguang Period (1821-1850) The tureen with gilt floral knop and entwined ...

Pair of Chinese Export 'Famille Rose' Beaker Vases Qianlong Period (1736-1795) Each mounted as a lamp. One with rim chips and crack; wear to...

Pair of Chinese Export 'Famille Rose' Oval Platters-on-Stands Qianlong Period (1736-1795) Each mounted within a Regency style mahogany stand...

Chinese Export Gilt Decorated Black Lacquer Tea Caddy Daoguang Period (1821-1850) The interior with pewter liner. Some chips. Height: 4 in (1

Chinese Export Gilt Decorated Black Lacquer Tea Caddy Daoguang Period (1821-1850) The interior with pewter liner, the pewter lift-top lid engrav

Chinese Export School, Last Half 19th Century The German Three-Masted Ship 'Europa' Unsigned Oil on canvas 18 x 23-1/2 in (45.7 x 59.7 cm)

Two Japanese Lacquered Wood Four-Case Inro 19th Century The first decorated in gold takamaki-e with ivory manju netsuke and orange agate ojime;

Group of Six Japanese Iron Tsuba Kyoto-Nara School, 18th-19th Century Each with thick hammered surface. Diameter of largest: 4-1/4 in (10.8 c

Shibiyama and Enameled Silver Covered Urn Signed Getsuzan, Late 19th Century Having six ivory panels inlaid with colored ivory, mother-of-pearl

Japanese Satsuma-Type Large Earthenware Vase Attributed to Kawamoto Eizan, Late 19th Century Molded in high relief with a frieze of monkeys. Tog

Two Imari Chargers Meiji Period (1868-1912) Diameter of each approximately: 18 in (45.7 cm) $600 - $800

Pair of Japanese Midnight Blue Ground CloisonnT Enamel Vases Meiji-Taisho Period (1868-1926) Together with hardwood stands. Height: 14-3/4 in

Pair of Japanese Powder Blue Ground CloisonnT Enamel Vases Meiji-Taisho Period (1868-1926) Together with hardwood stands. Height: 22-3/4 in (

Utagawa Kunisada (Toyokuni III, Japanese 1786-1865) Actors: Group of Eleven Woodblock Prints Each with artist's brush signature and seal, some w

Mizuno K. Toshikata (Japanese 1866-1908) Scenes of Women in the Bathhouse: A Pair of Woodblock Prints Each with artist's brush signature and sea

Takahashi Hiroaki (Shotei, Japanese 1871-1944) Five-Storied Pagoda and Lake at Nikko: Two Woodblock Prints The first, 1936, and the second, c. 1

Various Japanese Artists Group of Three Woodblock Prints Two by Shiro (1898-1991), the first, The Great Lantern of the Asakusa Kannondo, 1933, f

Various Japanese Artists Group of Three Woodblock Prints The first by an unidentified artist, The Remaining Light, 1928; the second by Koitsu (1

Enthronement of the 124th Emperor of Japan: A Commemorative Volume Published by the Japan Advertiser Press, Tokyo, 1928, documenting the enthroneme

Hiroshi Yoshida (Japanese 1876-1950) El Capitan and Niagara Falls: Two Woodblock Prints Each 1925, with brush signature, stamped signature and t

Hiroshi Yoshida (Japanese 1876-1950) Group of Five Woodblock Prints The first Tomono Ura, 1927, the second Hakubasan, 1926, the third Hodokayama

Hiroshi Yoshida (Japanese 1876-1950) Group of Six Woodblock Prints The first A Calm Day, 1930, the second Waiting for the Tide, 1930, the third

Hiroshi Yoshida (Japanese 1876-1950) Group of Six Woodblock Prints The first Night in Kyoto, the second Evening in Nara, the third Kinkaku, the

Hiroshi Yoshida (Japanese 1876-1950) Hirosaki Castle and Toshogu Shrine: Two Woodblock Prints The first, 1935, the second, 1937, each signed in

Hiroshi Yoshida (Japanese 1876-1950) A Glimpse of Ueno Park: Two Woodblock Prints Each, 1937, the first an artist's proof signed in pencil, with

Hiroshi Yoshida (Japanese 1876-1950) Group of Five Woodblock Prints The first Misty Day in Nikko, 1937, the second Yomei Gate, 1937, the third C

Hiroshi Yoshida (Japanese 1876-1950) Carp and Tortoises and Misty Day in Nikko: Two Woodblock Prints The first, 1940, with stamped signature, th

Hiroshi Yoshida (Japanese 1876-1950) Group of Eight Woodblock Prints The first Avenue of Cherry Trees, 1935, the second, Farm House, 1946, the t

Hiroshi Yoshida (Japanese 1876-1950) Sailing Boat Afternoon and Sailing Boat Morning: Two Woodblock Prints Each 1926, with artist's brush signat

Kawase Hasui (Japanese 1883-1957) Ochanomizu and Tazawa Lake: Two Woodblock Prints Each 1925, with artist's and publisher's seals. Each fram...

Toshi Yoshida (Japanese 1911-1995) Heirinji, Temple Bell and Vail, Colorado: Two Woodblock Prints The first, 1951, an artist's presentation oban

Toshi Yoshida (Japanese 1911-1995) Group of Eight Woodblock Prints The first Okaramon, 1940, the second Pagoda in Kyoto, 1942, the third Sinjuku