90

EUGÈNE ATGET, (French, 1857-1927), COCHETIER ET FLEURISTE, "PHOTO BY E. ATGET / COLLECTION BERENI...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:7,000.00 - 10,000.00 USD
EUGÈNE ATGET, (French, 1857-1927), COCHETIER ET FLEURISTE,  PHOTO BY E. ATGET / COLLECTION BERENI...
EUGÈNE ATGET
(French, 1857-1927)
COCHETIER ET FLEURISTE
"PHOTO BY E. ATGET / COLLECTION BERENICE ABBOTT / 1 W. 67TH ST." stamped in purple ink
on verso of mount
"JULIEN LEVY GALLERY INC" stamp
in black ink on verso of mount
gelatin silver print mounted on board
81/2 x 67/16 in. (21.6 x 16.4 cm)
mount: 141/4 x 111/4 in. (36.2 x 28.6 cm)
circa 1898-1900
ESTIMATE: $7,000-10,000
<p>PROVENANCE
Private Collection
<p>LITERATURE
"Un précurseur de la photographie moderne: Adjet [sic]," L'ART VIVANT,
vol. 5 (1 January 1929), pp. 20-21 (illustrated)
ATGET: PHOTOGRAPHE DE PARIS, New York, E. Weyhe, 1930, pl. 74
(illustrated)
EUGÈNE ATGET: LICHTBILDER, Leipzig, Henri Jonquières, 1930, pl. 74 (illustrated)
LES GRANDS MAÎTRES DE LA PHOTO: EUGÈNE ATGET, Paris, Union des Éditions Modernes, 1984, p. 52 (illustrated)
Judith Keller, WALKER EVANS: THE GETTY MUSEUM COLLECTION, Malibu, J. Paul Getty Museum, 1995, p. 64, fig. 2 (illustrated)
Guillaume Le Gall, ATGET, PARIS PITTORESQUE, Paris, Hazan, 1998, p. 33 (illustrated)
In the middle of his life, Eugène Atget abandoned his career as an actor and turned to record the theatre of the street with a camera. Made during his earliest years as a photographer, this photograph belongs to Atget's series of petits métiers, a common pictorial tradition since the seventeenth century. Made between 1898 and 1901, Atget published about 80 of these portraits of street merchants as postcards in 1905. For this group of pictures, Atget used a relatively long lens and wide aperture. Not only did this allow him to maintain a distance from his subjects, but it also let him isolate figures against unfocused backgrounds. Atget never returned to the genre of petits métiers but all of his work may be characterized as a baroque theatre of shape, form and chiaroscuro.