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EDWARD WESTON (American, 1886-1958) CABBAGE FRAGMENT signed and dated "Edward Weston 1931" in pencil
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:25,000.00 - 35,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2002 Apr 15 @ 16:00UTC-08:00 : PST/AKDT
EDWARD WESTON (American, 1886-1958) CABBAGE FRAGMENT signed and dated "Edward Weston 1931" in pencil on mount artist's negative code "42V" inscribed in pencil on verso of mount dated "1931" in pencil on verso of mount The Photographic Arts Society, Inc. exhibition stamp adhered to the reverse of mount San Francisco Museum of Art exhibition inventory label adhered to verso of mount editioned "15/50" in pencil on verso of mount vintage gelatin silver print mounted on board 97/16 x 71/2 in. (24 x 19.1cm) mount: 17 x 14 in. (43.2 x 35.6 cm) 1931 In the early thirties, Weston thought he might make as many as 50 prints from a negative but he rarely ever did. There are only 19 prints from this negative recorded in the printing log in Edward Weston's archive at the Center for Creative Photography. ESTIMATE: $25,000-35,000 PROVENANCE Private Collection, North America EXHIBITED SAN FRANCISCO, San Francisco Museum of Art (now San Francisco Museum of Modern Art), EDWARD WESTON, September 24, 1937-October 29, 1937 (on loan from the artist) SAN DIEGO, organized by the Photographic Arts Society, exhibited in the Photographic Arts Building, August 1939 LONDON, Annely Juda Gallery, ANDRé KERTéSZ AND THE AVANT-GARDE PHOTOGRAPHY OF THE TWENTIES AND THIRTIES, February 25-April 10, 1999 LITERATURE Richard W. Westwood, "Beauty and the Vegetable as Caught by Edward Weston's Camera," NATURE, vol. 19, March 1932, p. 156 (illustrated) CORONET, November 1936, p. 26 (illustrated) Beaumont Newhall, "Edward Weston in Retrospect," POPULAR PHOTOGRAPHY, vol. 8, March 1946, p. 45 (illustrated) Kathy Kelsey Foley, EDWARD WESTON'S GIFTS TO HIS SISTER, Dayton, 1978, p. 45 (illustrated) Beaumont Newhall, SUPREME INSTANTS: THE PHOTOGRAPHY OF EDWARD WESTON, Boston, 1986, pl. 37, cat. no. 138 ( illustrated) Amy Conger, EDWARD WESTON: PHOTOGRAPHS FROM THE COLLECTION OF THE CENTER FOR CREATIVE PHOTOGRAPHY, Tucson, 1992, fig. 652/1931 (illustrated) ANDRé KERTéSZ AND THE AVANT-GARDE PHOTOGRAPHY OF THE TWENTIES AND THIRTIES, London, 1999, pl. 30 (illustrated) Edward Weston continually pushed himself to improve his work and surpass what he had achieved before. External stimuli often provoked these advances. On April 23, 1931, while photographing vegetables, Weston became excited about his work for the first time in months, and recorded in his daybook, "Cabbage has renewed my interest, marvelous hearts, like carved ivory, leaves with veins like flame, with forms curved like the most exquisite shell. These forms-which Sonya [Noskowiak] discovered-came to me, coincident with a letter from Alma Reed in which my next N.Y exhibit is discussed! I knew it was coming, but to see the words 'I am already thinking of your next exhibition here,' made me sit up and take notice. I have 'some' reputation to live up to! I cannot fail to give even more than last year,-must not fail my friends!" He returned to work and on April 28th he wrote: "I worked again with the cabbage fragment, bettering my first efforts. I enlarged this bit, of an inch high, to almost 8 x 10. It will go in my next exhibit" (The Daybooks of Edward Weston, Vol II: California, New York, 1966, pp. 213-214). Indeed, in his next New York exhibition at the Delphic Studios in 1932, a print of this image was included. This particular print was included in his retrospective exhibition in 1937 at the San Francisco Museum of Art.
Auction Location:
United States
Previewing Details:
Tuesday April 9, 2002 10:00am to 5:00pm; Wednesday April 10, 2002 10:00am to 5:00pm; Thursday April 11, 2002 10:00am to 5:00pm; Friday April 12, 2002 10:00am to 5:00pm; Saturday April 13, 2002 10:00am to 5:00pm; Sunday April 14, 2002 1:00pm to 5:00pm
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