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David Clarke (1920-2005) and Micheal MacLiammoir (1899-1978) - SET DESIGNS FOR "HOME FOR CHRISTMAS"

Currency:EUR Category:Art Start Price:0.00 EUR Estimated At:300.00 - 400.00 EUR
David Clarke (1920-2005) and Micheal MacLiammoir (1899-1978)  - SET DESIGNS FOR  HOME FOR CHRISTMAS

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Auction Date:2011 Dec 11 @ 14:00 (UTC+1)
Location:The Freemasons Hall - 17 Molesworth Street, Dublin, Dublin, ., Ireland
David Clarke (1920-2005) and Micheal MacLiammoir (1899-1978) - SET DESIGNS FOR "HOME FOR CHRISTMAS" or "THE GRAND TOUR" BY MICHEAL MAC LIAMMOIR

gouache over pencil on Goodall's Bristol board; (6); (unframed); (3 with tracings squared up for transfer)
variously inscribed and annotated with colour and set instructions
33 by 56cm., 13 by 22in.



Home for Christmas or The Grand Tour was written by Mícheál Mac Líammóir and its first production was on Stephen’s Day, December 1950 by Edwards-Mac Liammoir Gate Theatre Productions at The Gate, Dublin.

The synopsis of the play is described as follows:
Sir Roderick Killjoy has three immensely eligible young daughters, who are being pursued by three entirely unacceptable suitors, and he decides to take his daughters on a grand tour of Europe, away from such distractions. Leaving his house in the capable hands of his cousin, Prudence Pockett, he embarks pursued by the three young men, who are being assisted in the chase by the girls tutor, Mr. Wogan.

The play is set in Sir Roderick's House in Mountjoy Square, Dublin in 1885 and the original cast included its producers in the lead roles of Sir Killjoy (Edwards) and Mr Wogan (Mac Líammóir) with Maureen Cusack as one of Killjoy’s daughters.

Mac Líammóir is credited as Designer for the original production. The provenance of these works however suggests a second hand at work in the play’s artist direction. These drawings originate from the collection of David Clarke who worked for a time at The Gate under Mac Líammóir. According to Clarke’s family, due to differences with Mac Líammóir Clarke was removed from his role in this play and subsequently his artistic responsibilities were never credited.

A desirable and intriguing collection of Irish theatre archival material.