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This item WAS NOT SOLD. Auction date was 2002 May 13 @ 16:00UTC-8 : PST/AKDT
DAMIEN HIRST (b. 1965) BEAUTIFUL DARK AND EERIE VOID PAINTING (WITH GHOST OF A MILKSPLASH) gloss household paint on canvas d: 84 in. (213.4 cm) painted in 1998 Estimate: - $120,000-180,000 PROVENANCE White Cube, LONDON Illustrious enfant terrible among contemporary British artists, Damien Hirst has cultivated shock throughout his career. As Jerry Saltz has claimed, Hirst "has done more to reignite the British art scene than any other individual of his generation, while in the process raising more English eyebrows than any artist since Francis Bacon." (J. Saltz, "More Life: The Work of Damien Hirst," ART IN AMERICA, June 1995, p. 83.) In hybrid installations that have included sculpture, painting and photography, the artist has challenged audiences with animal dissections, snuffed-out cigarettes, pharmaceutical pills and ping-pongs. Among these, his spin painting might seem surprisingly traditional. Even with their hyper colors and dynamic surfaces they retain vestiges of Abstract Expressionist canvases. Hirst even carries this ethos in the creation process: "The part of Damien's Brixton studio dedicated to making beautiful spinning paintings is a possibly unwitting paradox of a kind of purist ethos: floor and walls and furniture awash in angsty, patinating, painterly-looking paint. The atmosphere in the which paintings are created - less Wordworth emotion recollected in tranquility than kindergarten splatter fight - is reflected in [his] titles ...." (G. Burn and D. Hirst, Damien Hirst, I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, London 1997, p. 11.) At the same time, their enigmatic and humorous titles introduce unexpected imagery that seems to undermine the gentle, kaleidoscopic effect of their polychromatic splendor. If Hirst's vitrines of mammals floating in formaldehyde elicit contemplations on life cycles by capturing these animals in a strange stasis between growth and decomposition, his spin paintings, with their implosive and explosive undulations of color, visually perpetuate a cyclical movement, refuting immobility.
Auction Location:
United States
Previewing Details:
Viewing in Chelsea Saturday May 4, 2002 - Sun
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