7

Charles Tyrrell-UNTITLED, 1981

Currency:EUR Category:Art / General - Paintings Start Price:0.00 EUR Estimated At:5,000.00 - 7,000.00 EUR
Charles Tyrrell-UNTITLED, 1981

Bidding Over

The auction is over for this lot.
The auctioneer wasn't accepting online bids for this lot.

Contact the auctioneer for information on the auction results.

Search for other lots to bid on...
Auction Date:2012 May 21 @ 18:00 (UTC+1)
Location:Serpentine Hall, RDS, Anglesea Road entrance, Dublin, Dublin, ., Ireland
Charles Tyrrell-UNTITLED, 1981

oil over acrylic and mixed media on woodsigned, inscribed and dated on reverse; with inscribed Taylor Galleries exhibition label on reverse
39 by 39in., 99.06 by 99.06cm.
Orientation of Image: P

Provenance: Taylor Galleries, Dublin

Exhibited: 'Charles Tyrrell, paintings + drawings', Taylor Galleries, Dublin, 19 June - 4 July, 1981, catalogue no. 9

Literature:

Notes: The artist's inscription on reverse reads, "reworked in oil March 2003 Charles Tyrrell '03".
The National Irish Visual Artist's Library's [NIVAL] copy of this exhibitIon catalogue records that paintings numbered "4" and "8" (diptych) from this series were purchased by AIB. Untitled, 1981 is an example of the artist's early work after graduating from the National College of Art and Design in 1974. It shows the influence of his trips to the United States in both its subject matter and scale, both of which were a break from the norm for Irish audiences at the time. In his note in May 2010, Aidan Dunne remarked on the artist's distinctive style in reference to Slow Turn, 1987, formerly in the O'Driscoll collection. "He developed a personal, grid-based pictorial vocabulary based on rhythmic subdivisions of the picture plane, combining textural painting with lines, angles and arcs..." Jim O'Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O'Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation. This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks.