Auction Date:2012 Mar 12 @ 18:00 (UTC+1)
Location:Clyde Hall, Royal Dublin Society (RDS), Ballsbridge, Dublin, ., Ireland
Charles Edward Perugini - LOVERS IN A GARDEN
(1839-1918)
oil on canvas laid on board
signed in monogram lower right
116.205 by 140.97cm., 45.75 by 55.5in.
Private collection, New York;
Private collection, Westport , Co. Mayo
"Elegance, purity, and correctness of draughtsmanship, perfect refinement and dignity, grace and charm, delicacy in colour, and the
tenderness of harmonious line - these are the qualities of his academic art which are now, it must be recognised outside, the sweep of
the modern movement, but which has delighted two generations of picture-lovers who look for sound scholarship severely disciplined and veiled by melodious sweetness and distinction."From Perugini's obituary recorded in The Times on 23 December 1918.Although Charles Edward Perugini was a boy when the Pre-Raphaelite movement began in 1848, its effects had far-reaching consequences and were felt late into the 1890s with the beginning of the Arts and Crafts movement; a development which had its roots in England but which spread rapidly throughout Ireland and the British isles. The Pre-Raphaelite Brotherhood was a secret society formed by artist's who had found themselves disenchanted by the Royal Academy and who, in their disillusionment, turned to the art of the early Renaissance and late medieval age, finding solace in its moral message, truthful depictions of nature and minute attention to detail all of which were in stark contrast to the mass industrialisation of their own era.Perugini, born "Carlo" in Naples relocated with his family to London at an early age but he returned to his native Italy and later Paris to
begin his artistic training. While on the Continent he met Lord Frederick Leighton, an associate of the Brotherhood, to whom he would become protégé. Under Leighton's tutorage from the 1850s Perugini submitted to the RA, garnered numerous commissions and gained financial success. In 1873 Perugini married Charles Dickens' daughter, Kate, an artist and muse to members of the Brotherhood including John Everett Milliais (1829-1896) and widow of Charles Allston Collins, also a Pre-Raphaelite. An accomplished portrait and genre painter, Perugini, was her second husband who she both posed for and collaborated with on artistic projects during their marriage. It is possible that the lovers depicted here are an idealised portrayal of husband and wife, the figure of the man with his distinctly Italianate colouring and aquiline nose point to a possible self-portrait while images of Kate are comparable to the present "child-bride".Lovers in a Garden may date to the late 1880s or early 1890s. The classical setting and abundance of delicate foliage complement the
tender romantic scene between the man and his young love and are comparable with the setting for The Green Lizard 1902 which he exhibited in the RA that year. The subject and sitters' dress echo literary inspirations of the time and while not as overt in their affections as depicted by his Irish counterpart, Sir Frederic William Burton in The Meeting on the Turret Stairs, 1864 (National Gallery of Ireland) for
example, theirs is a shared sentiment.
Auction Location:
Clyde Hall, Royal Dublin Society (RDS), Ballsbridge, Dublin, ., Ireland
Previewing Details:
Saturday & Sunday 10-12 March 10am to 6pm
Buyer's Premiums:
| From (Incl.) | To (Excl.) | Premium |
| 0.00 |
Infinite |
20% |
Additional Fees:
Shipping Details:
No Info Available
Payment Details:
No Info Available
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