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Carl Nielsen

Currency:USD Category:Collectibles / Autographs Start Price:NA Estimated At:4,000.00 - 6,000.00 USD
Carl Nielsen

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Auction Date:2018 Oct 10 @ 18:00 (UTC-05:00 : EST/CDT)
Location:236 Commercial St., Suite 100, Boston, Massachusetts, 02109, United States
ALS - Autograph Letter Signed
ANS - Autograph Note Signed
AQS - Autograph Quotation Signed
AMQS - Autograph Musical Quotation Signed
DS - Document Signed
FDC - First Day Cover
Inscribed - “Personalized”
ISP - Inscribed Signed Photograph
LS - Letter Signed
SP - Signed Photograph
TLS - Typed Letter Signed
Important Danish composer (1865–1931) best known for his six grandly scaled symphonies, a number of which bear such evocative subtitles as 'The Expansive' (No. 3) and 'The Inextinguishable' (No. 4). Collection of eleven ALSs from Nielsen to his student, the later composer, director, and organist Knud Harder (1885–1967), who tried to popularize Nielsen’s work in Germany, dated from 1905 to 1909. On May 3, 1905, Nielsen encourages Harder to write an article about him in the periodical 'Die Musik.' On July 1905, Nielsen writes that he will unfortunately no longer be able to teach for free, but will charge Harder a reduced price of six crowns per hour. On June 7, 1907, Nielsen reports about family trouble and his wife’s severe illness; he is grateful that Harder visited Schillings, but is uncertain which work to show him: he suggests “Maskerade” [opera, 1904–06] and “Søvnen” [choral work, 1903–04]. On December 2, 1907, Nielsen thanks Harder for trying to make his work known in Germany, although he is pessimistic because he is convinced that the Germans will consider his music too harsh, too tedious, and too uninteresting; Nielsen requests Schillings’s address so that he can send him his “Symphonic Suite” and “Saul og David” (1898–1901).

In an undated letter draft, possibly intended for translation, to Max von Schillings, Nielsen refers to the “youthful and genial” string quartet sent by Schillings and to his beautiful songs, which Nielsen has already studied. He is enthusiastic about Schillings’s musical tragedy “Moloch” (completed in 1906), beside which all other works pale. He praises its structure, severity and earnestness. He adds that he hopes the Copenhagen audience will be able to enjoy this work; he has noticed that German musical drama has not ended with Richard Wagner. In overall fine condition. Accompanied by an unsigned cabinet photo of Nielsen.