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Barrie Cooke-TAMAK'S CLEARING (EDGE OF THE JUNGLE), 1975

Currency:EUR Category:Art / General - Paintings Start Price:0.00 EUR Estimated At:5,000.00 - 7,000.00 EUR
Barrie Cooke-TAMAK'S CLEARING (EDGE OF THE JUNGLE), 1975

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Auction Date:2012 May 21 @ 18:00 (UTC+1)
Location:Serpentine Hall, RDS, Anglesea Road entrance, Dublin, Dublin, ., Ireland
Barrie Cooke-TAMAK'S CLEARING (EDGE OF THE JUNGLE), 1975

oil on canvassigned, titled and dated on reverse; with descriptive passage by the artist inscribed on reverse; also with David Hendriks exhibition and framing labels on reverse
39.75 by 39.75in., 100.965 by 100.965cm.
Orientation of Image: P

Provenance: David Hendriks Gallery, Dublin; Whence purchased by Mr & Mrs W. O'Sullivan, May 1976;Adam's, 27 September, 2001, lot 84 as Edge of the Jungle

Exhibited: 'Barrie Cooke', David Hendriks Gallery, Dublin, 22 April - 15 May, 1976, catalogue no. 11 (as Tamak's Clearing)

Literature:

Notes: Artist's descriptive passage verso reads: "Edge of the jungle (Tamak's clearing). This is just as you step up out of black. Where Sinak & Tamak had made a hole, a plantation. On the way to Pa Umor. A log track over. His grove of the ubi cayu. (All chickens killed by leopard so we ate mushrooms!) & ubi! More difficult to walk out jungle than inside it."
Jim O'Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O'Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation. This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks.