Antique Furniture and Works of Art Pictures and Books

Attributed to Julius Caesar Ibbotson, Coastal scene with figures mending the net, watercolour, 17 x 23 cm £250-350

New Zealand School, SW Christmas(?) - Southern Alps, New Zealand, watercolour and gum arabic, inscribed with view lower right, inscribed i

Conrad H. Leigh (late 19th/early 20th century), Graciosa and Persinette, pencil and watercolour, signed lower right, apparently inscribed

Ernest Albert Chadwick (1876-1955), Off the coast at Porlock, pencil and watercolour, signed lower left, titled lower right, 18 x 24 cm

Samuel Phillips Jackson (1830-1904), Land's End, watercolour heightened with white, signed and dated 1869 lower left, 46 x 75 cm, bears

Attributed to William Turner of Oxford (1789-1862), Falls of Tivoli, Rome, watercolour, 82 x 64.5 cm, bears inscription verso detailing to

Dorothy May Barker (early 20th century), Romeo and Juliet; The Dance, each watercolour, the first signed with monogram and dated 1912 lowe

Danish School (early 17th century), Portrait of a bearded gentleman wearing a ruff and holding a bible, believed to be Jesper Brachmand (1585-1652)

School of Thomas Webster (1800-1886), The Lesson in the Village School Room, oil on canvas, 40.5 x 50.5 cm bears indistinct inscription on

Danish School (late 19th century), A rough track bordering a river with houses beyond, oil on canvas, 42 x 63 cm £300-500

Continental School (18th century), Extensive wooded landscape with a group of three figures paused to talk, oil on canvas, 45.5 x 58 cm £1

Continental School (late 19th century), Fishermen returning from the catch at sunset, oil on canvas, 41 x 61cm £100-120

Dutch School (17th century), The Flight into Egypt, oil on panel, 58 x 75.5 cm (see illustration) £700-900

Ernest Parton (1845-1933), River landscape with silver birch on the bank, a man rowing beyond, oil on canvas, signed lower right, 40.5 x 5

Frank Earnest Beresford (1881-1967), Farthing, oil on canvas, signed, inscribed with title and dated October 18th 1934, lower right, inscr

Walter Harrowing (fl. 1877-1904), A bay in a stable interior, oil on canvas, signed and dated 1889 lower left, 56 x 69 cm £600-800

William Sidney Cooper (1854-1927), Morning on the Leith, oil on canvas, signed and dated 1900 lower left, with paper label verso inscribed

Eric Henri Kennington (1888-1960), The woodland path, oil on canvas board, 29.5 x 34.5 cm Provenance: From the family of the artist, by de

English School (early 19th century), A Irish stately home in an extensive country landscape, believed to be Shannon Gove, Pallaskenry, Co. Limerick

Circle of Edwin Thomas Roberts (1840-1917), The young pig-farmer, oil on canvas, 112 x 86 cm (see illustration) Provenence: Christie's

William Francis Longstaff (1879-1953), Windsor in winter, oil on canvas, signed lower right, 40.5 x 50.5 cm £150-200

**Craig (20th century), The Landing, oil on canvas, signed lower left, 113.5 x 104 cm £200-300

English School (19th century), Portrait of a gentleman, half length, seated at his desk, oil on canvas, 128.5 x 103 cm (see illustration)<

English School (19th century), Lady praying in church, oil on canvas, 93 x 71.5cm, bears indistinctly inscribed paper label verso, and lab

Bonnington, Two children on a beach, surveying the remnants of the catch, oil on panel, 24 x 20 cm bears paper label verso for the Fine Ar

Fred Hall (1860-1948), Switzerland (Bernese Oberland) from near Murren, oil on board, signed lower right, 32.5 x 40.5 cm Provanance: Th

David Bennett (20th century), Cottage in Woodland, The Forest of Dean, oil on canvas, signed lower right, 61.5 x 91 cm bears paper labe

Ken Turner (20th century), Egrets and wildebeast, oil on board, signed lower right, 18.5 x 23 cm £200-250

English School (19th century), Bay in a stable with a bull terrier, a spaniel, and four hares, a pair of greyhounds beyond, oil on canvas, be

Italian School (late 18th century), River landscape with a foreground youth reclining, a castle beyond, oil on canvas, 48 x 65 cm £300-500

Sigismund Christien Hubert Goetze (1866-1939), Portrait of a young girl, bust length, wearing a white top, believed to be Francis L. Mond, aged two

Samuel John Barnes, (1847-1901), Highland river landscape with sheep grazing beyond, oil on canvas, signed and dated 98/99 lower left, 76.

Samuel John Barnes, (1847-1901), Highland landscape with stags paused on rough track, oil on board, signed lower right, 45.5 x 60.5 cm

Samuel John Barnes (1847-1901), Highland landscape with river, mountains beyond, oil on panel, inscribed with signature lower left, 16.5 x

English School (19th century), Portrait of a lady, bust length, wearing a white bonnet and collar, believed to be Mrs Denies(?); Portrait of an

English School (19th century), Portrait of a gentleman, bust length, believed to be Edward Kilpatrick, oil on canvas, 61 x 52.5 cm, bears

English School (mid 19th century), Coastal landscape with a figure walking across a bridge, oil on canvas, 47.5 x 66 cm and a gilt frame s

J** Bictbichiels(?)(19th century), Girl in a barn washing a copper pan at a barrel, oil on panel, 40 x 32 cm, unframed (see illustratio

Alfred Palmer (1877-1951), Nude study of the back of a man, standing full length, oil on board, 54.5 x 30.5 cm, bears clipping from a cata

Lance Calkin (1859-1936), Portait of a gentleman, three-quarter length, believed to be Lord Godolphin, 10th Duke of Leeds, in yachting attire, o

English School (19th century), Portrait of a young lady, half length, holding a plate of peaches and grapes, oil on canvas, 77 x 64 cm £20

Jaro Prochazka (1886-1949), Winter landscape with a river and farm buildings beyond, oil on canvas, signed indiscintly lower right, 61 x 9

Circle of George Chinnery (1774-1852), Two odalesques beside a pool in a woodland clearing, oil on canvas, 29 x 22 cm bears later inscript

After Andrea del Sarto, Portrait of a young man, oil on canvas, inscribed indistinctly in pencil verso, dated 1889, 71 x 56 cm The orig

Sarah Louise Kilpack (c. 1840-1909), Watching the shipwreck from the rocks; The rocky coastline with figures and beached dingy; Strolling alo

P** Stainton, Mackarel Boats, oil on canvas, signed lower right, inscribed with title on the canvas verso, 30.5 x 45.5 cm, bears pap

C** Brenner (?) (late 19th century), River landscape with waterfall, oil on canvas, indistinctly signed and dated 1884 lower right, 41.5 x

French School (late 18th century), Fete champetre, oil on canvas, 213 x 295 cm (see illustration) £4,000-5,000

Valentine Thomas Garland (?-1914), A winter sketch at Winnall Moor, oil on panel, signed lower right, 21 x 17 cm included with this lot

Cecil Kennedy (1905-1997), Autumn Flowers: still life with two vases of flowers including roses, and carnations, oil on canvas, signed lower

George Barrell Willcock (1811-1852), Landscape with figure leaning against a wooden fence beside a stone bridge, a parish church beyond, oil on

Jozef Jodocus Moerenhout (1801-1874), A toast to the journey, oil on panel, indistinctly signed and dated 1831 lower left, 50 x 68 cm (

** Bald (late 19th century), French yacht caught in a swell, oil on canvas, signed and dated 1882 indistinctly upon the sail lower centre,<br

After Wouvermans (20th century), Landscape with travellers awaiting a small boat, oil on canvas, 76 x 102 cm £400-600

English School (18th century), Portrait of a lady, half length, wearing a fur-trimmed robe and a satin dress applied with jewels; Portrait of a

Italian School (mid 19th century), Landscape with figures upon a loggia, oil on panel, 35 x 45.5 cm £600-800

W** J** Nuyan (late 19th century), Landscape with a ruined manor, oil on panel, signed lower left, 27.5 x 50.5 cm £200-250

Paul Louis Delance (1848-1924), St. Malo, oil on canvas, signed lower left, inscribed with title lower right, 50 x 81 cm (see illust

Harold Goldthwait (act.1895-c.1925), Landscape with wooden footbridge beyond; River landscape with punt, each oil on panel, each signed lo

G** Dechamp (20th century), Mediterranean harbour landscape, oil on canvas, signed lower left, 46 x 55 cm £150-200

Attributed to Hugh Barron (1747-1791), Portrait of Miss Harvey, full length, standing in a landscape wearing a white silk dress tied loosly at the

Attributed to Thomas Campbell (1865-1943), September Sunshine: Ben Nevis, oil on board, 31 x 40.5 cm, bears paper label verso detailing ar

Charles Thomas Bale (act. c.1864-c.1891), Still life with bierkrug, peaches, grapes, plums and other fruit, oil on canvas, signed lower left,

Jan Willem van Borselen (1825-1892), Faggot gatherers in a woodland clearing, oil on canvas, signed lower right, 42 x 31 cm (see illust

Sylvia Laura Gosse (1881-1968), Woods at Dieppe, oil on canvas, signed lower right, 51.5 x 61.5 cm £200-300

H** Desvignes, Study of the race horse 'Sweet Meat' with the jockey Mr Whitehouse up, oil on canvas, inscribed with title, artist and dated 1

Attributed to Edward Haytley, Portrait of a gentleman standing full length, wearing a red coat in a garden landscape, oil on canvas, 53.5 x 4

David Green (20th century), Pilton Manor, Northants, oil on board, signed lower right, 41.5 x 56.5 cm, bears paper label verso detailin

James Ramsay, Portrait of the Hon. Master Henry Clifford, oil on board, inscribed verso with artist, title dated August 1st 1833, and present

Circle of James Seymour, Study of a bay horse with jockey up, facing left; Study of a bay horse with jockey up, facing right, each oil on can

Attributed to George Hayter, Portrait of a gentleman , full length, standing with his dog, oil on canvas, 45 x 33.5 cm, unframed £350-4

Attributed to Thomas Gooch, Three beagles in a landscape, oil on canvas, 19.5 x 24 cm, bears paper label verso detailing provenance Pro

Circle of Nicholas Condy, The Royal Yacht at the entrance to a harbour, oil on panel, 27.5 x 37 cm and English School, Yacht racing;<br

Flemish School (18th century), Rhineland view with foregound horse and cart; Gate House with figures and cattle, each oil on canvas, each

Circle of Francis Alleyne, Portrait of a gentleman standing full length with his pointer within a landscape, oil on canvas, 75.5 x 63 cm (

English School (mid 19th century), Portrait of a young boy, three quarter length, standing with his dog, oil on canvas, 75.5 x 63 cm £200-

Catherine Mary Wood (c.1860-1939), Still life with a vase of wild flowers, oil on board, signed lower left, 19.5 x 16.5 cm, inscribed 4

John Wells Smith, Country girl reading a letter on a grassy knoll, whilst knitting, oil on canvas, signed with monogram lower left, 43.5 x

Attributed to Charles Towne (1763-1840), Study of a hound, oil on panel, 19.5 x 25 cm (see illustration) £300-500

Dutch School (17th century), Portrait of a young child with a goat, oil on copper, 16 x 12 cm £50-100

English School, Landscape with sheep driven along a track; Landscape with beehives, oil on canvas, 61 x 107 cm (see illustration) £2

English School (mid 18th century), Portrait of King George II; Portrait of Queen Caroline, each oil on canvas, each 94 x 51 cm (see ill

Charles Napier Hemy (1841-1917), Clearing..., oil on canvas, signed and indistinctly dated 1900 lower left, 47.5 x 86 cm, bears remains

Daniel Sherrin (1868-1940), Autumnal woodland glade, oil on canvas, signed lower left, 76.5 x 127 cm (see illustration) £1,500-2,000

Dutch School, Town scene with canal and soldiers, oil on canvas, 43 x 60.5 cm (see illustration) £3,000-5,000

After Teniers, Figures carousing before an inn, oil on canvas, inscribed with artist verso, 102.5 x 146 cm, £300-500

Continental School, Townscape viewed across a river, a house burning beyond, oil on canvas, 98.5 x 144 cm (see illustration) £1,000-1,5

After Daniel Maclise, Death of Nelson, oil on canvas, 70.5 x 91 cm (see illustration) £600-800

English School (19th century), Portrait of a gentleman, half length, wearing a black coat, oil on canvas, 76 x 63 cm £300-500

Luny, Man o' war caught on a stormy sea, oil on canvas, 61 x 92 cm (see illustration) £800-1,200

C**J** Harding (early 19th century), Fishing boats off shore in a storm; Sailing boats off shore in a storm, each oil on canvas, the first

Abraham Cooper (1787-1868), The Smithy: an interior with figures, horses, a goat and a dog, and a horse skeleton mounted upon the wall, oil on c

Oscar Nemon (1906-1985), Portrait bust of Harold MacMillan, painted plaster on an ebonised base, 47 cm high overall Oscar Nemon met Winsto

Barbara Hepworth (1903-1975), Linear abstract with orange ground, limited edition lithograph, signed in pencil within the margin lower right,

Paul Lucien Dessau (1909-), Harbour scene with a row of buildings, oil on canvas, signed lower right, 38.5 x 64 cm £100-150

Richard Eurich (1903-1992), Desert landscape with mountains beyond, coloured chalks, signed lower left, 39 x 56 cm (see illustration)<b

Frank Dobson (1888-1963), Reclining female nude, coloured chalks, signed and dated 47 lower left, 31 x 46 cm and Emmanuel Levy (20th

Kenneth William D. Jack (1924-), Methodist Church, Orange, New South Wales, pen, ink, watercolour and coloured chalks, signed and dated 65 lo

Colin Ross Parker (1941-), Morning Frost, Sofala, oil on board, signed lower right, 46 x 51 cm, inscribed verso with title, artist and

Marysia Donaldson (fl. from 1950s), Still life with a basket of fruit upon a table, oil on board, signed indistinctly lower left, 48.5 x 4