Antique Furniture, Clocks & Scientific Instruments

David Muirhead Bone (1876-1953), Falmouth from the Holmwork Pendennis, pencil and monochromatic watercolour, 16.5 x 35.5 cm unframed (s

Emily Sabine, (late 18th century), Calvi in Corsica, pencil and watercolour, 18.5 x 30.5 cm unframed Provenance: from an album signed a

Warwick Goble (1862-1943), Cornish coastal view, signed lower right, bears annotation in the artist's hand in pencil verso, pencil, waterc

A** Gross (early 20th century), Study of a group of Native Africans, signed in pencil lower right, indistinctly inscribed in pencil with sitters

English School, (early 20th century), Campanile, Venice, inscribed with title in pencil upon the mount lower left, watercolour, 34 x 23 cm

Myles Birket Foster, (1825-1899), Bregenz, July19th 1854, Lake Constance, inscribed lower centre, pencil, 12.5 x 17.5 cm unframed (s

Charles Edmund Rowbotham, (1858-1921), In the woods above Bellagio, inscribed with title lower left, watercolour, 9 x 11 cm unframed<

Col. Robert Charles Goff, (1837-1922), House of Albrecht Durer and Old City Walls, Nurnberg, signed and inscribed '2 Sept 1902' in pencil lo...

English School, (19th century), A steeplechase; two studies, A hunt; two studies, all pencil and watercolour, various sizes, all unfram

Dudley Hardy (1865-1922), Study of a peasant woman carring a child on her back, standing on a windswept shore, signed lower left, pencil and

Hercules Brabazon Brabazon, (1821-1906), Mediterranean bay, signed in pencil lower left, coloured washes heightened with white, 24 x 32 cm

Attributed to Joseph Pennell, (1860-1926), Rio,Ca'Bernardo, Campanile of S. Polo, pencil and coloured chalks, 35.5 x 22.5 cm unframed

English School, (mid 19th century), Richmond Hill, inscribed in pencil with title verso, watercolour, 30 x 40.5 cm unframed (see il

Attributed to William Turner of Oxford (1789-1862), View of a river on the outskirts of Oxford, pencil and watercolour, 23.5 x 37.5 cm un

English School (mid 19th century), Bellagio, Lake Como, inscribed in pencil with title and dated 1837 lower right, inscribed with title in penc

English School, (late 19th century), Hilton House, Hilton, Cambridgeshire, pencil and watercolour, 22 x 33.5 cm unframed (see illustra

Thomas Bush Hardy (1842-1897), View of Dover in the early morning, signed and inscribed 'September 5th, 1878, Morning' lower left, watercolou

Hugh 'Grecian' Williams (1773-1829), View of Old and New Bothwell Castles, Lanarkshire, watercolour, 19 x 27.5 cm unframed Provanance:

William Linton, (1791-1876), View of Florence from near San Miniato, watercolour, heightened with body colour, inscribed in pencil lower left

Charles Napier Hemy (1841-1917), Crab Quay, Falmouth, watercolour, signed with initials lower left and inscribed in another hand verso, 23

Gilbert Spencer, (1892-1979), Sketch for 'Scene from a window', oil on panel, signed and inscribed verso 'Painted at Box, Minchinhampton...

William Linton, (1791-1876), View of Florence from near San Miniato, watercolour, heightened with body colour, inscribed in pencil lower lef

Andrew MacCallum (1821-1902), The Fortress of Bard, Val D'Aosta, N. Italy, watercolour, signed and dated 1864 lower right, inscribed lower le

John Stanton Ward, (1917-), Salzberg, pencil and watercolour, signed, inscribed and dated August 1973 lower right, 32 x 47.5cm (see il

E** Macuirine (...?...), Portrait of Jane Theresa Bouts, watercolour, signed and dated 1870 lower left , 46.3 x 31.7cm (see illustratio

Albert Goodwin, (1845-1932), Bologna, watercolour, signed and dated 1902 lower left, inscribed 'Bologno' lower right, 24.8 x 28cm (see

John Frederick Lewis, R.A., (1805-1876), A Greek warrior seated, watercolour and pencil, 36 x 27cm (see illustration) £800-1,200

James Duffield Harding (1797-1863), Chatillon, Val D'Aosta, watercolour, 24.8 x 17.7cm Provenance: The Haldimand Collection of Watercolo

John Stanton Ward, (1917-), Mostar, pencil and watercolour, signed and dated 1974 lower right, inscribed Mostar No.2 verso, 23.5 x 32.5cm<

Myles Birket Foster ( 1825-1899), Cadennabbia, Lake Como, watercolour and bodycolour heightened in white, signed with mongram lower left and

F**M** Bruford, Study of a cottage in spring, signed in pencil lower right, 23 x 33 cm (see illustration) £80-120

Attributed to Richard Henry Wright (1854-1930), Venice, 76 the Rialto, inscribed in pencil with title verso, pencil and watercolour, 28.5

Hercules Brabazon Brabazon, (1821-1900), Segovia, pencil and watercolour, signed with initials lower right, 23.5 x 25.5cm Provenance: L

Paul Sandby (1725-1809), Study of a standing girl, pencil, 14.5 x 7.5cm Provenance: Fry Gallery (see illustration) £150-200

Edna Clarke Hall (1879-1979), Cat with piano stool, sepia wash, signed with initials, inscribed and dated 1916 lower left, 31 x 24.7cm

Hercules Brabazon Brabazon, (1821-1906), Street scene in Venice, signed with initials in pencil lower right, watercolour heightened with whit

Hercules Brabazon Brabazon, (1821-1906), Landscape with building beyond, signed in pencil with initials lower right, watercolour heightened w

Walter Greaves (1846-1930), Chelsea from Old Battersea Bridge, pencil and watercolour, signed lower left, and inscribed in the margins 21

John Piper (1903-1992), East Street in Bridport Dorset, gouache and ink, signed lower right, 38 x 57cm Provenance: Brook Street Gallery

J** Harris after James Pollard (1792-1867), The Four-In-Hand Club, Hyde Park, hand coloured engraving, s. 40 x 55.5 cm (see illustration)

James McBey (1883-1959), Distant Salute, signed in pen within the margin lower right, signed and inscribed '20 October 1925, Venice' within ...

James McBey, (1883-1959), Venice 20 October1925, etching, signed by McBey and numbered XXVII in pen, inscribed in another hand, The Riva at d

Benjamin Herring II (1830-1871), The Bowker family with hunters and groom at Lankhills, Winchester, oil on canvas, signed and dated 1862 lowe

Attributed to William Turner of Oxford (1789-1862), An Oxford landscape with foreground figures, cattle grazing beyond, oil on canvas, 25 x 3

English School, (18th century), Portrait of three ladies seated at a table taking tea, oil on canvas, 37 x 33 cm (see illustration) £30

English School, (early 20th century), Pollarded willows beside a river, oil on board, 20.5 x 30 cm (see illustration) £60-80

Norman Wilkinson (1878-1971), Vessels moored on the Thames, oil on panel, 12.7 x 20cm (see illustration) £600-800

Continental School, (early 18th century), Portrait of a gentleman with a deep red coat and sword, oil on canvas, 42.5 x 31cm (see illustra

Terrick Williams (1860-1936), Venice, Sirocco Morning, oil on canvas, signed lower left, inscribed and dated 1925-1926 verso, 71 x 91.5cm<

Sir Gerald Festus Kelly (1879-1972), Jungle Girl carrying a Chatty, oil on panel, signed lower right, inscribed and dated 'Mandalay, March 6t

Terrick Williams (1860-1936), San Giorgio, Venice, oil on board, signed lower right, 14.5 x 23cm Provenance: Fine Art Society, May 1969

James Baker Pyne (1800-1870), Italianate landscape, oil on canvas, signed lower left and numbered 514, 47.5 x 64cm (see illustration)<b

John Brett (1830-1902), Off Falmouth, oil on canvas, 17 x 35cm Provenance: Agnew's, label number 21939 (see illustration) £1,000-1,5

Cecil M** Round, (fl. 1884-98), Shawford Park, oil on canvas, signed and dated 1926 lower left, inscribed, signed and dated verso, 41 x 61

Ken Turner, (20th century), Cock Pheasants, oil on board, signed lower left, 61 x 121cm £250-350

Continental School, (19th century), A full-rigged steamship, oil on canvas, 44.5 x 71 cm £300-500

Attributed to George Smith of Chichester, (1714-1776), A courting couple in the garden of a farmhouse, oil on canvas, 39.5 x 46.5 cm £600

Jack M** Ducker, (fl.1910-1930), Highland river landscape with sheep, signed and dated 1929 lower right, oil on canvas, oval 61 x 76 cm<br

Christien Gotthard Hirsch, (1889-1977), An extensive alpine landscape, signed and dated 1938 lower left, oil on canvas, 62 x 82 cm £40

Attributed to Adolf Schrodter, (1805-1875), Figures before a cottage in a wooded river landscape, signed with monogram and dated 1836 lower left

Pius Ferdinand Messerchmitt, (1858-1915), '1870 Offizier, Bay 2, Kurassier Reg.t', gouache and oil on board, signed and inscribed lower righ

Manner of Julius Caesar Ibbetson, (1759-1817), River landscape with figures fishing on a bridge, an Inn on the bank, oil on canvas, 32 x 41.5

Manner of Richard Wilson, (1714-1782), River landscape with washerwomen in the foreground, classical ruins on a hill beyond, oil on canvas, b

English School, (19th century), Portrait of a lady, half-length, admiring her mourning brooch in a hand mirror, oil on canvas, 54 x 43 cm <br

A** Cooper, (20th century), Study of a park, possibly Chelsea, inscribed indistinctly in pencil verso, 'A** Cooper, A.R.**, 4 Jubilee Place, Ch

Campbell A** Mellon, (1876-1955), 'Sketch - St. Olaves'; Cattle grazing beside a Suffolk river, a windmill beyond, inscribed verso, 'Ske...

English School, (18th century), Lime Kilns near Countess Wear; a river landscape with figures on a path; Cottages at Ide; a scene with two thatc

Follower of Carlo Maratta, (1625-1713), The Virgin within a floral bower of tulips, roses, peonies, lily-of-the-valley and other flowers, oil on

Romyn, (20th century), Study of a man wearing an eyemask and wide-brimmed hat, possibly representation of Tartiglia from the Commedia dell' Arte...

Dutch School, (18th century), Portrait of a Spanish gentleman, bust length, wearing a suit of armour with a thick ruff, oil on canvas, 48 x

Continental School, (19th century), Study of a dwarf, oil on unstretched canvas, 24 x 18 cm bears notes of purchase in a 20th century ha

W** Wate, (early 19th century), Landscape with travellers seated beside a track running past a rustic cottage, signed and dated 1824 lower right

Attributed to Joseph Highmore, (1692-1780), Portrait of a lady, half-length, wearing a cream silk dress, the bodice wound with pearls, painted with

English School, (19th century), The arms of Pestell of Leicestershire, oil and gilt on vellum, 44.5 x 35 cm The arms are recorded in Burke

English School, (19th century), Portrait of a young girl standing before an extensive landscape, holding a black cat, oil on canvas, 57 x 44.

C** Halford Thompson (?), (20th century), A study of eight jockeys and their horses in a race, initialed lower left, indistinctly inscribed i

Willem Cornelius Rip, (1856-1922), River landscape with cattle watering beside a woodland lake, signed lower right, oil on canvas, 36 x 54

St Clair Augustin Mulholland (1839-1910), Cattle watering in an extensive landscape, signed indistinctly lower right, oil on canvas, 61 x

St. Clair Augustin Mulholland, (1839-1910), Tha last catch of the evening, signed lower right oil on canvas, 61 x 92 cm (see illustrat

Owen Waters, (19th/20th century), Looking towards Blofield, signed lower right, oil on board, 38.5 x 48.5 cm £150-200

Continental School, Portrait of a young women, seated half-length, in a low-cut silk evening dress, oil on tin, 26 x 21 cm £200-300

Lewis Bosworth Hurt, (1856-1929), Extensive landscape with a rocky watercourse in the foreground, signed lower left, oil on canvas, 50.5 x

English School, (19th century), Still life with plums and bananas, signed with monogram lower left, and dated 87, oil on canvas, 23 x 30.

Harry M** Jonas, (1893-1990), A capriccio of an Italianate harbour, signed lower left, oil on board, 69.5 x 94 cm £150-200

James Holland, (1799/1800-1870), Evening after a thunderstorm, signed, dated 1850 and inscribed with title in pen, verso, oil on board, 33

Arthur Trevor Haddon, (1864-1941), Moorish Waterwheel, Toledo, signed lower right, and signed, dated 1889 and inscribed with title in pen, verso

Reginald Grange Brundrit, (1883-1960), Extensive open landscape with hay stacks in the foreground, signed lower left, oil on board, 26 x 3

English School, (19th century), Extensive landscape with ruins and grazing sheep in the foreground, an island beyond, oil on canvas, 30 x 40

John Rabone Harvey, (1866-1933), Wayside Gossips; A study of a cattleherd talking to a milkmaid beside a meandering brook, signed lower mid-rig

Ary Scheffer, (1795-1858), The Tragedy, signed lower left, oil on canvas, 41 x 32.5 cm (16 1/4 x 12 3/4 in) £300-400

Continental School, (17th century), Portrait of a young girl, half-length, carrying a spaniel and wearing an elaborate 17th century costume, with a

Lester Sutcliffe, (c.1850-c.1930), Fleet by moonlight, signed lower left, oil on panel, 30 x 46 cm £300-400

Josephus Gerardus Hans, (1826-1891), Estuary scene with a steamship beyond, indistinctly signed and dated '50 lower left, oil on panel,

J** Haines, (20th century), The track through Cannock Chase; A river in Cannock Chase at sunset, each signed lower right, oils on canvas,<

School of Thomas Webster, (1800-1886), The Lesson in the Village School Room, oil on canvas, 40.5 x 50.5 cm bears indistinct inscription o

James Edwin Meadows, (1828-1888), Fishing boats in a breeze, oil on canvas, 21 x 41 cm (see illustration) £600-800

William Shayer Senior, (1788-1879), Study of a farmstead with two figures conversing beside the gate, signed lower left, oil on canvas, 26

Dutch School, (17th century), Study of a family with an interior, the father seated at a cloth-covered table and reading from a book, the mother se

J** A**, (18th century), Italianate river landscape, initialled, dated 1774, and numbered 'No. 4', oil on panel, 10.5 x 13.5 cm £150

John Holland Senior, (?-c.1879), The Yorkshire Coast near Scarborough, inscribed with title and artist verso, oil on canvas, 46 x 76.5 cm