NOT SOLD (BIDDING OVER)
0.00EUR+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2005 Nov 29 @ 18:00UTC
Aloysius C. O'Kelly (1850-1929) BRETON CHURCH INTERIOR WITH FIGURES signed lower right oil on canvas 91 by 64cm., 36 by 25in. This painting is evidently a large oil sketch for the painting dated 1905, exhibited Cynthia O’Connor (1994) as Brittany, the Stained Glass Window; and the Hugh Lane Municipal Gallery of Modern Art (1999-2000) as Inside the Chapel. From the subject matter, and in the knowledge that O’Kelly rarely dated his paintings, (and then only those exhibited publicly), it is reasonable to suggest that Inside the Chapel is the painting exhibited as Devotion at the New York Watercolor Club (no. 3) in 1906, and the Corcoran Biennial, Washington (no. 178) in 1907, and that this painting is a large scale preliminary work. O’Kelly painted several versions of this theme of devotion, set in the same location, the lovely pilgrimage church, Chapelle Locmaria-an-hent, in the commune de Saint Yvi (between Pont-Aven and Quimper). These paintings span a twenty-five year period. Both Church Interior Brittany and Inside the Chapel relate to an earlier version, probably painted in the late 1870s, and taken from a different angle. Although this version was probably not painted until the early years of the twentieth century, the subject matter harks back to traditional patterns of Catholic conservative worship, not dissimilar to that in Ireland at the same time. Renowned for its stained glass, the church was built in the sixteenth-century and dedicated to the Virgin Mary. There is a seventeenth century statue of the Virgin to the left of the altar. Although clearly closely related, there are a number of differences between the two paintings. In the more finished version, the mother and child kneel devoutly in front of the altar. In this painting, there is only one young woman, now on the right of the man. Here the artist has attempted to include the arch but, finding the composition unsatisfactory, moved in closer to the altar in the dated, more finished painting. Although the brushwork is broad, loose and fluid and, therefore, inimical to detail, O'Kelly manages to imbue the stained glass with a vibrant prismatic quality typical of this series. Dr Niamh O'Sullivan, Dublin, October 2005
Auction Location:
Minverva Suite, RDS, Ballsbridge (beside Main Hall, Merrion Road), Dublin, Ireland
Previewing Details:
Exhibition: Saturday and Sunday November 26 and 27, 10am to 6pm; Monday November 28, 10am to 9pm; Tuesday, November 29 (day of sale) 10am to 2pm. NO VIEWING AFTER 2pm ON DAY OF SALE.
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Buyer's Premiums:
| From (Incl.) | To (Excl.) | Premium |
| 0.00 |
999.00 |
15% |
| 1,000.00 |
9,999.00 |
15% |
| 10,000.00 |
Infinite |
10% |
Additional Fees:
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