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ANDRÉ KERTÉSZ, (American, b. Hungary, 1894-1985), SÉCURITÉ, BOULEVARD DE LA MADELEINE, PARIS, "Pa...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:25,000.00 - 35,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2003 Apr 24 @ 19:00UTC-05:00 : EST/CDT
ANDRÉ KERTÉSZ
(American, b. Hungary, 1894-1985)
SÉCURITÉ, BOULEVARD DE LA MADELEINE, PARIS
"Paris, Grand Boulevard"
inscribed in pencil on verso
Paris copyright stamp on verso
gelatin silver print
7 x 93/8 in. (17.8 x 23.8 cm)
1926
ESTIMATE: $25,000-35,000
<p>PROVENANCE
Private Collection
<p>LITERATURE
André Kertész, Day of Paris, New York, J.J. Augustin, 1945, pp. 48-49 (illustrated)
André Kertész, J'AIME PARIS, PHOTOGRAPHS SINCE THE TWENTIES, New York, Grossman, 1974, p. 193 (variant cropping with more visible on the left of the figure)
Nicolas Ducrot, ed., ANDRÉ KERTÉSZ: SIXTY YEARS OF PHOTOGRAPHY, New York, Penguin Books, 1972/1978, p. 128 (illustrated)
Ben Lifson, ANDRÉ KERTÉSZ: A LIFETIME OF PERCEPTION, New York, Harry N. Abrams, Inc., 1982, p. 60 (illustrated)
Thomas Walther, ed., ANDRÉ KERTÉSZ, Cologne, Galerie Wilde, 1982, pl. 5 (illustrated)
ANDRÉ KERTÉSZ: SEVENTY YEARS OF PHOTOGRAPHY, Tokyo, Iwanami Shoten, 1986, pl. 46 (variant cropping illustrated with more visible on the left of the figure)
ANDRÉ KERTÉSZ: SOIXANTE-DIX ANNÉES DE PHOTOGRAPHIE, Paris, Éditions Hologramme, 1987, pl. 46 (variant cropping illustrated with more visible on the left of the figure)
Cornell Capa and Hal Hinson, ANDRÉ KERTÉSZ: DIARY OF LIGHT, New York, Aperture in association with the International Center of Photography, 1987, pl. 46 (variant cropping illustrated with more visible on the left of the figure)
André Kertész, MA FRANCE, Paris, La Manufacture, 1990, p. 211 (illustrated) STRANGER TO PARIS, Introduction by Robert Enright, Toronto, Jane Corkin Gallery, 1992, pp. 40-41 (illustrated)
Pierre Borhan, ANDRÉ KERTÉSZ: LA BIOGRAPHIE D'UNE OEUVRE, Paris, Seuil, 1994, p. 193 (variant cropping illustrated with more visible on the left of the figure)
Pierre Borhan, ANDRÉ KERTÉSZ: HIS LIFE AND WORK, Boston, Little, Brown and Company, 1994/2000, p. 193 (variant cropping illustrated with more visible on the left of the figure)
Kertész clearly appreciated the irony of a clochard passing a billboard that featured the word "sécurité." Such interplay of word and image is uncommon in Kertész's work. A print of this image was included in his first solo show at the Au Sacre du Printemps gallery, which was a significant boost to his reputation in Parisian artistic circles.
Auction Location:
United States
Previewing Details:
Wednesday April 16 - Sunday April 23
Additional Fees:
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