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ALFRED SISLEY (1839-1899) Petit pont sur l’Orvanne signed and dated “Sisley 90” (lower right) oi...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:360,000.00 - 500,000.00 USD
ALFRED SISLEY (1839-1899) Petit pont sur l’Orvanne signed and dated “Sisley 90” (lower right) oi...

ALFRED SISLEY

(1839-1899)

Petit pont sur l’Orvanne

signed and dated “Sisley 90” (lower right)

oil on canvas

38 x 55 cm (15 x 21 3⁄4 in.)

painted in 1890

Estimate: £250,000–350,000

$360,000–500,000




Provenance

Marcel Keezer, Amsterdam

Albert Kahn, Detroit, Michigan

Dr. Edgar A. Kahn, Ann Arbor, Michigan (by descent from the above)

Clara du Plessis Whelan, New York (sale: Parke-Bernet Galleries, New York, November 7, 1946, lot 67)

Richard A. Loeb, New York (acquired at the above sale; sale: Parke-Bernet Galleries, New York, March 26-27, 1952, lot 181)

Wildenstein & Co., New York

Anon. sale: Christies, London, March 30, 1987, lot 10

Acquired at the above sale by the present owner




Literature

François Daulte, Alfred Sisley, Catalogue raisonné de l’oeuvre peint, Lausanne, 1959, no. 751 (illustrated)

<p>
Unlike his fellow Impressionists, who applied themselves to figurative subject matter, Sisley retained a marked preference for landscape painting. Inspired by the work of the seventeenth century artists Claude Lorrain (1600-1682) and Nicolas Poussin (1594-1665), through the tradition of French landscape painting as practiced by Camille Corot (1796-1875) and the Barbizon School, Sisley developed his own harmonious compositions incorporating the principal Impressionist agent, the play of natural light. As Sisley remarked:
<p>“You see that I am in favour of a variation of surface within the same picture. This does not correspond with contemporary opinion, but I believe it to be correct, particularly when it is a question of rendering a light affect. Because when the sun lets certain parts of the landscape appear soft, it lifts others into sharp relief” (quoted in R. Goldwater and M. Treves, Artists on Art from the XIV to the XX Century, London, 1947, pp. 308-10).