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A FRENCH NEOCLASSICAL GILT BRONZE AND COBALT-BLUE PORCELAIN THREE-PIECE GARNITURE SET, F. BARBADIENN

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A FRENCH NEOCLASSICAL GILT BRONZE AND COBALT-BLUE PORCELAIN THREE-PIECE GARNITURE SET, F. BARBADIENN

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Auction Date:2008 Dec 11 @ 10:00 (UTC-05:00 : EST/CDT)
Location:128 The American Road, Morris Plains, New Jersey, United States
<b>A FRENCH NEOCLASSICAL GILT BRONZE AND COBALT-BLUE PORCELAIN THREE-PIECE GARNITURE SET, F. BARBADIENNE ET CIE, 19TH CENTURY</b>
The centerpiece consisting of a magnificent boule-mounted clock topped with a grape-laden cherub holding a tortoiseshell lyre, the handles of large ram heads with elaborately curving horns, swags of oak leaves and acorns depending from their mouths, the case adorned with an oak leaf, acorn, flaming torch and quiver of arrows surround, the base a stepped riot of foliate elements, flowers, Pan pipes, trumpets and cameos, the clock face inscribed "F. Barbedienne/A. Paris/Boul`d Poissonniere 30". The pair of seven-light candelabra adorned with scrolls, flowers and ribboned swags, the ram head handles crowned with arching boughs of leaves and arrows, the bodies mounted with staffs, roses, flaming torches, quivers of arrows and garlands of florals and roses. Ferdinand Barbedienne (1810-1892) was a famous French metalworker and manufacturer. The son of a farmer, he was apprenticed in 1822 to a Parisian paper maker, and by 1834 was a successful wallpaper manufacturer. However, his desire to recreate and reproduce "masterpieces from Antiquity and the Renaissance" precipitated his partnership in a foundry with Achille Collas, who had invented a method for making reductions of sculpture. The firm, called Collas et Barbedienne, specialized in reproductions of antique and modern sculpture, eventually employing some 300 artisans who reproduced as many as 1200 subjects such as the works of Michelangelo, Luca della Robbia and Antoine-Louis Barye, as well as busts of historical notables like Voltaire and Benjamin Franklin. By 1850 they were also producing a wide range of decorative objects - chandeliers, vases, garnitures and furniture - in a variety of revival styles such as Greek, Gothic and Louis XVI, and were tapped to provide furnishings in the Renaissance Revival-style for Paris`s exclusive Hotel de Ville. The firm, which by 1851 was known simply as F. Barbedienne, received numerous medals at international exhibitions, including London`s 1862 International Exhibition. Barbedienne`s enamelwork, which was at the forefront of the 19th century French revival of the art, was shown for the first time at this exhibition; the gilt metal champleve enamel vase they displayed was later acquired by the Victoria and Albert Museum. In 1886 the firm was awarded the Jean Goujon Gold Medal by the Societe de Encouragement pour la Industrie Nationale. Clock 33"h x 21 1/2"w x 10 1/2"d, candelabra 34"h x 15"dia. A 1" portion of swag missing on one candelabra, tight hairline crack to porcelain surrounding clock face, various loose pieces.