2002 November Santa Clara Signature Sale - Session 2

1952-D 50C MS65 Full Bell Lines PCGS. The obverse of this originally preserved Gem is overlaid in dappled crimson-russet Mint Set toning. The reverse

1952-S 50C MS66 PCGS. A highly lustrous example that has attractive toning on each side that may not be of mint set origin. We just aren't quite...

1952-S 50C MS65 Full Bell Lines PCGS. Frosty and original, the smooth, Gem quality surfaces are toned in silver-gray shades that give way to orange-ru

1953 50C MS65 NGC, speckled mint set toning with strong underlying mint luster; 1953-D MS65 NGC, lovely pinkish-rose and lilac toning and good luster

1953 50C MS65 PCGS, two examples, both displaying similar toning schemes with splashes of copper-russet patina over otherwise silver-gray features. A

1953-D 50C MS65 Full Bell Lines PCGS. Rich, mottled, copper-orange patina overlays much of the obverse and the lower left reverse periphery. Undeniabl

1953-S 50C MS65 PCGS, lovely, dappled, crimson-copper toning is seen on both sides with the most vibrant shadings over the lower and left obverse; 195

1954 50C Full Bell Lines MS65 PCGS, full mint luster shimmers beneath antique-copper, blue, and gold Mint Set toning; and a 1959-D MS64 Full Bell Line

1954-D 50C MS66 Full Bell Lines PCGS. Wisps of golden-brown patina visit the lustrous and gorgeously preserved surfaces. Well struck in the centers, a

1957-D 50C MS66 Full Bell Lines PCGS. The base color on both sides is a medium gray shade, over which dappled olive-copper and reddish-orange hues hav