167
1707 ca. LIBRO: (AMERICA). ACOSTA, JOSE: ONTDEKKING VAN WEST-INDIEN, VLIJTIG ONDERSOFT, EN NAAUW-KEU
Currency:EUR
Category:Antiques / Books & Manuscripts
Start Price:2,200.00 EUR
Estimated At:NA
NOT SOLD (BIDDING OVER)
0.00EUR+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2012 Jan 26 @ 11:00UTC+2
All Absentee Bids will be sent to the live auction floor 2 hours prior to the auction starting.
1707 ca. LIBRO: (AMERICA). ACOSTA, JOSE: ONTDEKKING VAN WEST-INDIEN, VLIJTIG ONDERSOFT, EN NAAUW-KEURING AANGETEEKEND, DOOR JOSEP D´ACOSTA, SOC. JESU. Leiden: Pieter van der Aa, sa. Folio. Portada grabada, 106 columnas en 53 hojas, hoja de índice y un mapa plegado grabado. Ilustrado con 16 grandes grabados. de De Bry. Encuadernación en cartoné de protección. Alguna discreta sombra de humedad. Tercera edición holandesa de la Historia Natural y moral de las Indias del Padre José de Acosta, publicada en el tomo segundo de la Colección de Aan merkenswaardige Voyagien. Los catorce grabados de De Bry fueron utilizados inicialmente por su autor en la empresa editorial y son de un gran detalle y belleza. Representan escenas de caza y pesca, de minería, ceremonias religiosas y funerarias, batallas y fiestas tradicionales y banquetes. Théodore de Bry (1528-1598) inició en 1590 la publicación de la Collectiones peregrinationum in Indiam Occidentalem, auténtico Tesauro de los viajes a las Indias Occidentales y Orientales, verdadero best-seller de la época y monumento editorial de la visión protestante del mundo de aquél tiempo, cuya influencia encontrará sucesores inocográficos hasta bien entrado el siglo XIX. Compuesta de 25 partes. De Bry se ocupa personalmente de parte de la realización de América, mientras que sus dos hijos, Juan Teodoro y Juan Israel, llevarán a cabo la serie dedicada a las Indias Orientales, Asia y Africa. De Bry acerca a Europa una imagen recreada de América, fruto de las noticias y crónicas de viajes, entre otras las de Jean de Léry, Hans Staden, Antonio de Herrera, Sebald de Weert, Jerónimo Benzoni y Fray Bartolomé de Las Casas. Se trata de la visión gráfica más difundida a finales del S. XVI, y durante del XVII, hecha desde una perspectiva cultural eurocéntrica, por lo que las formas anatómicas de los indígenas y la arquitectura de las escenas no se ajustan con fidelidad a la realidad que se dice describir.
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