20th Century Decorative Arts

Charming Twentieth Century sculpture, bronze woman with children, good original patina, artist signed, 6.5”h, well done

Nice Theodore Rivière (French 1857-1912) sculpture, bronze, woman wearing a cape, signed, 3”h, nicely detailed, excellent patina

Dramatic Art Nouveau sculpture, bronze, nude female figure in motion, artist signed, unknown mark, nice original patina, good detail, 4.5”h, excellent

J. Jozon (French 1868-1946) sculpture, French, bronze head of a girl, excellent original patina, signed, 9”h, nice Art Nouveau bronze, a pupil of Petr

D. Chiparus sculpture, carved girl in ivory on an alabaster tray, signed, 5”h

Decorative C. Vez (20th Century) sculpture, bronze, stylish designed dancer, good original patina, signed, 13”h, has a secessionist look, very nice

Wilhelm Bormann (German 1885-1938) sculpture, good bronze child with a cat resting on her shoulder, original patina, signed, 12.5”h, very nice

Exceptional Edouard Drouot (French 1859-1945) sculpture, attribution, bronze with nice detail, Pan, excellent original patina, mounted on a marble bas

Large and nicely executed Ouline (20th Century, European) sculpture, bronze, nicely executed seagull soaring over tossing waves, signed, great origina

Torolf Engstrom (Swedish, 1909-1987) sculpture, bronze, “Alskande”, good original patina, signed, paper labels, 7”h

Exceptional Harriet Frishmuth sculpture, bronze nude, signed, dated 1918, #173, great original patina, 20”h, descended from the original owner's...

Rare and fine Zsolnay vase, petite shape with two beautifully sculpted figures at the shoulder, all covered with a red glaze, marked, 3.5”h, great det

Exquisite Rozenburg vase, bulbous form with flaring square rim crafted from a delicate porcelain body, beautifully detailed painting of stylized flowe

Exceptional Zsolnay handled vessel, tapering cylindrical form with an elaborate design of oak leaves and acorns in iridescent gold with green highligh

Exceptional Tiffany Studios lamp, bronze base with its original patina supporting a leaded glass shade with colorful poppy designs overlaid on interio

L.C. Tiffany vase, flower form in gold favrile glass with iridescent purple and blue highlights held by a bronze base with green enameled designs, ori

L.C. Tiffany vase, flower form in gold favrile glass with overall iridescence, signed L.C. Tiffany Favrile 1778D, 14"h

Good Handel lamp, bronzed metal base supporting an obverse painted shade with numbeorus saiboats and windmills, shade signed Handel 5936, marked at fi

Exceptional Tiffany Studios lamp, bronze base with its original gold dore patina supporting a Greek Key design leaded glass shade, shade signed Tiffan

Emile Gruppe (American, 1896-1978), “Gloucester Fog”, c. 1960; oil/canvas, 30” x 36”, signed; titled verso. Important New England impressionist, well

Pleasant Ray McIntosh (American, b. 1897 ), “The Dunes, Indiana”, c. 1930; oil/board, 16” x 20”, unsigned; accompanied by a letter from the artist’s s

Anthony Buchta (American, early 20th century), “Bean Blossom Landmark”, c. 1930; oil/board, 16” x 20”, signed. Buchta at the Art Institute of Chicago

474. Karl C. Brandner (American, 1898-1961), “Floral Still Life”, c. 1930; oil/canvas laid down on board, 30” x 27”, signed, unframed, imperfections.

Ollie Cole (American, 20th century), “Red Barn”, c. 1950; oil/canvas, 12” x 16”, signed Cole worked in Illinois and Indiana. She studied at the Art In

Ernest Fredericks (American, 20th century), a pair of works, one pictured: “Path through Autumn Woods”, c. 1940; oil/canvas, 11” x 14”, signed; with a

James Eccles (American, 1909-1969), “Summer Day (Banana Port)”, c. 1960; oil/canvas, 20” x 24”, signed, original artist frame. Eccles worked in Chicag

Paul Turner Sargent (American, 1880-1946), “Illinois Farm”, c. 1925; oil/canvas, 20” x 28”, signed. Landscape painter from Charleston, Illinois. Sarge

Charles Francis Browne (American, 1859-1920), “Liberty Hill”, c. 1915; oil/canvas, 16” x 20”, signed. Browne studied at the Pennsylvania Academy of Fi

480. Joseph Tomanek (American, b. 1889), “Winter Landscape”, c. 1920; oil/canvas, 19” x 16” , signed. Chicago area artist, well known for his nudes. H

Kathryn Cherry (American, died 1931), “Gloucester Harbor”, c. 1920; oil/canvas laid down on board , 18’ x 16”, unsigned. Important St Louis impression

Frederick Oakes Sylvester (American, 1869-1915), “Forest Park, St Louis”, c. 1898; oil/canvas, 13” x 19”, signed, dated, and inscribed, “St Louis”; pr

Carl Krafft (American, 1884-1938), “The Camp, c. 1936; oil/canvas, 16” x 20”, signed

Alfred Jansson (American/Swedish, 1863-1931), “Summer Garden”, c. 1924; oil/canvas, 32” x 38”, signed and dated, excellent original hand-carved frame.

Carl Rudolph Krafft (American, 1884-1938), “Winter Sledding”, c. 1920; oil/canvas, 18” x 20”, signed; label from Grable’s Art Shop, Oak Park verso, or

Will Vawter (American, 1871-1941), “Brown County Landscape”, c. 1920; oil/board, 14” x 17”, unsigned, stamp on verso "Leota W. Loop Studio"...

Alexis Fournier (American, 1865-1948), “Spring Landscape”, c. 1920; oil/canvas, 24” x 20”, signed. Fournier was a member of the Roycrofters in East Au

Karl Albert Buehr (American, 1866-1952), Spring Landscape” , c. 1918; oil/canvas, 20” x 24”, signed, fine carved frame. Important Chicago landscape pa

Frank V. Dudley (American, 1868-1957), “Duneland Grasses”, c. 1930; oil/canvas, 27” x 30”, signed; Chicago Galleries Association label verso with titl

David Livingston Adam (American, 1883-1924), “Young Girl in the Shade of a Tree”, c. 1917; oil/board, 16” x 12”, signed and dated. Adam was born in Sc

Alexis Fournier (American, 1865-1948), “Old Homestead, (Birthplace of Mrs. Hermann)”, c. 1928; oil/board, 22.25” x 26”, signed; signed, titled, and da

Don Louis Ruf (American, 1905-1982), lot of four oils, one pictured: “Landscape”, c. 1940; oil/canvasboard, 16” x 20”; with three other landscapes, al

William Bauer (American, b. 1888), “Winter Landscape”, c. 1930; oil/canvas, 17” x 19”, signed. St Louis painter and illustrator. He studied with Oscar

Edward Elsperman (American, b. 1875), a lot of three oils, one pictured: “Autumn Landscape”, c. 1930; oil/canvas, 14” x 14”, signed, unframed; with tw

American School , “Bathers”, c. 1920; oil/board, 16" x 13", unsigned; in the style of John W. Bentley. Very well painted.

Henry Hobart Nichols (American, 1869-1962), “Mending the Sails”, c. 1940; watercolor/paper, 21” x 29”, signed. Nichols was President of the National A

John Cowan Templeton (American, 1880-1958), “Indiana Dunes”, c. 1930; oil/canvas 24” x 30”, signed. He worked in Chicago, Hammond (IN), and Saugatuck

Hudson Mindell Kitchell (American, 1862-1944), “Meadow Brook”, c. 1928; oil/board, 12” x 16”, signed and dated. Kitchell’s address in 1924 was New Yor

F.H. McKay (American, 20th century), “Small New England Town”, c. 1940; oil/canvas, 24” x 30”, signed.

William Clusmann (American, 1859-1927), “Landscape with Figures”, c.1900; watercolor, 18” x 12”, signed. Chicago painter. Clusmann exhibited at the Ho

Fred Nelson Vance (American, 1880-1926), “Guardian of the Banks”, c. 1923; oil/board, 20” x 16”, signed and dated; titled verso. Indiana painter. Indi