Torex October 2006

1870 LCW CCCS VF-30. Medium toned

1870 LCW ICCS VF-20. Medium toned

1870 LCW CCCS VF-20. Lightly toned

1870 LCW CCCS VF-20. Lightly toned

1870 LCW CCCS VF-20, Harshly Cleaned

1870 LCW VF, Cleaned

1870 LCW ICCS F-15. Lightly toned

1870 LCW CCCS F-15. Medium toned

1870 LCW CCCS F-12. Medium toned

1870 LCW CCCS F-12. Lightly toned

1870 LCW, Cleaned, 1881H, Scratches, 1892 Obverse 4 and 1900, all CCCS VG-8, lightly toned

1870 LCW EF, Whizzed. Light-medium toned

1871 CCCS G-6, Scratches, 1898 CCCS G-6, 1899, two pieces, CCCS Fair-2 and CCCS AG-3 and 1900 CCCS G-6. Total five lightly toned pieces

1871, 1911 and 1929, all ICCS VG-8. Plus 1872H ICCS VG-10. Four lightly toned pieces

1871H PCGS EF-45. This is a sharp piece with medium-dark slate toning

1871H CCCS VG-10, Rim Nicks. Light toned

1872H ICCS and PCGS MS-64 PQ+. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned in light gold

1872H ICCS EF-40. This is a sharp piece with much remaining lustre and a pale golden toning

1872H CCCS VF-20, Cleaned

1872H CCCS F-12, Rim Bumps

1881H ICCS and NGC MS-63 PQ. This is a fully struck and superbly lustrous piece with rather flawless surfaces that are beautifully toned in light gold

1881H PCGS MS-63. This is a fully struck example with great lustre and rather flawless surfaces that have a very even pale golden toning. It is tied a

1881H ICG MS-63. A fully struck and strongly lustrous piece with pale golden toned surfaces. Only three examples have been graded higher by the major

1892 Obverse 4 Norweb PCGS AU-58 and ICCS AU-55. This is a very sharp and near fully lustrous piece with rather attractive light golden tan toning. It

1892 Obverse 4 and 1898, both CCCS VG-8. Two lightly toned pieces

1892 Obverse 4, CCCS F-12 Lightly Cleaned and 1900, CCCS VG-10, Cleaned, both lightly toned

1892 Obverse 4, VG, Scratches

1900 CCCS VF-20, Mark. This lightly toned piece long ago received a heavy hit on Victoria’s cheek

1902 ICCS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are beautifully toned in light golden olives with ir

1902 PCGS MS-64. This fully struck piece has great lustre and near flawless surfaces that are very attractively toned in light golden ambers with pale

1902 ICCS MS-60. This is a fully struck piece with great lustre and attractive toning in pale golds with light ambers toward the rims

1906 CCCS EF-40, Lightly Cleaned, Scratches. Pale golden toning with light slate rim accents

1906 ICCS VF-20. Lightly toned

1906 CCCS VF-20. Lightly toned

1909 ICCS AU-50. This is a very sharp piece with much lustre and a pale golden toning

1910 Victorian Leaves ICCS AU-55 Cleaned. A very sharp piece with light hairlining from an unfortunate cleaning. Now retoned in light golds

1910 Victorian Leaves PCGS AU-50. A sharp piece with considerable residual lustre and an attractive light golden toning with iridescent blue overtones

1910 Victorian Leaves ICCS F-15. Light-medium golden gray toning

1910 Edwardian Leaves ICCS VF-20 Scratches. Pale golden toning

1910 Edwardian Leaves CCCS VF-20, Cleaned and 1936 CCCS VF-20 Scratches. Lightly toned

1911 PCGS SP-62. A fully detailed Specimen Strike with attractive light golden toning

1911 PCGS MS-64. This is a near fully struck and strongly lustrous piece with quite flawless surfaces that are beautifully toned in light golden olive

1913 CCCS VF-20. Light-medium toning

1914 ICCS F-15. Light golden toning

1916 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning. It is tied as the seventh highest by ICCS

1916 PCGS AU-50. Light golden toning

1916 ICCS VF-30. Light-medium toning

1917 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning. The obverse was struck from a rather freshly refinished d

1917 Pittman Sale, 1918, 1919 and 1931, all ICCS VF-20 with pale golden toning

1918 ICCS MS-62. This is a strongly struck piece with great lustre and a pale golden toning