Torex October 2006

1947 Blunt 7 ICCS MS-62. Pale toned

1947 Blunt 7, Doubled HP ICCS MS-62. A near untoned example

1947 Blunt 7 ICCS MS-60. Pale toned

1947 Blunt 7 Uncirculated. Untoned

1947 Blunt 7, Doubled 7, Zoell No. R508a, CH Bl Rev.-003, AU. Near untoned

1947 Blunt 7, Doubled HP CCCS AU-50. Pale golden toning with darker rim accents

1947 Pointed 7 Quadruple HP ICCS MS-60. A near untoned example

1947 Pointed 7, Doubled HP ICCS AU-55. A light golden toned example

1947 Pointed 7, Doubled HP ICCS EF-40. A light golden toned example

1947 Pointed 7, Quadruple HP ICCS EF-40. A pale toned example

1947 Pointed 7, Quadruple HP, VF-EF. A light-medium golden mauve toned example

1947 Maple Leaf Doubled HP PCGS MS-64. This is a fully struck piece with great lustre and rather flawless and near untoned surfaces

1947 Maple Leaf Doubled HP ICCS MS-62. A pale golden toned example

1947 Maple Leaf ICCS MS-62, Lacquered. A near untoned example

1947 Maple Leaf ICCS EF-40. A very sharp, pale golden toned example

1948 NGC MS-64. This is a fully struck piece with great lustre and rather flawless and surfaces that are very beautifully toned in light medium golden

1948 ICCS MS-62. This is a strongly struck and superbly lustrous near untoned piece

1948 ICCS AU-55. Pale golden toning

1949 ICCS SP-64. This is a fully detailed and superbly lustrous Specimen Strike with a light golden mauve toning. It is tied as the ninth highest by I

1949 PCGS PL-67. This is a superbly lustrous and virtually flawless untoned piece that is tied as the second highest graded by PCGS

1949 PCGS PL-66. A superbly lustrous and virtually flawless pale toned piece

1949 CCCS PL-63, Hairlines. Untoned

1949 ICCS MS-66. Light rim toning

1949 ICCS MS-66. Blue rim accent

1949 PCGS MS-66. Pale golden toned

1949 PCGS MS-66. Pale golden toned

1949 PCGS MS-66. Near untoned

1949 ICCS MS-65. Light golden toning

1949 PCGS MS-65. Pale golden toned

1949, two pieces, Choice to Gem Uncirculated, one with light rim toning

1949, four untoned to pale toned pieces, Uncirculated to Choice Uncirculated

1950 Short Waterlines ICCS SP-65. This is a fully detailed Specimen Strike with satiny and rather matte near flawless surfaces that are toned in ligh

1950 ICCS MS-66. This is a fully struck and superbly lustrous piece with near flawless pale golden toned surfaces. It is tied second highest graded by

1950 ICCS MS-65. Pale golden toning

1950 PCGS MS-65. Near untoned

1950 Arnprior ICCS MS-64. This is a fully struck piece with great lustre and near untoned surfaces. It is tied as the highest graded by ICCS

1950 Arnprior ICCS MS-63. Light toning

1950 Arnprior, 1952 No Water Lines, 1952 Waterlines, 1965 Type 4 and 1965 Type 5. Five pale to lightly toned pieces, all ICCS MS-62

1950 Arnprior, Doubled HP ICCS MS-60 and 1951 Doubled HP ICCS MS-62. Both near untoned

1950 Short Water Lines ICCS MS-64. Pale golden toned, and tied as the third highest by ICCS

1950 Short Water Lines and 1951 Short Water Lines. Two near untoned pieces, both ICCS MS-63

1951 Doubled 1 ICCS SP-65. This is a fully detailed Specimen Strike with superbly lustrous and virtually flawless surfaces that have some dark toning

1951 ICCS PL-66. This is a superbly lustrous piece with near flawless pale toned surfaces

1951 ICCS PL-65. Near untoned

1951 PCGS PL-65. Pale golden toning

1951 ICCS PL-64. Near untoned

1951 PCGS PL-63. Light rim toning

1951 PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light golden mauves

1951 ICCS MS-64. Pale golden toning

1951 PCGS MS-64. Light golden toning

1951, 1953 No Shoulder Fold and 1953 Shoulder Fold, all ICCS MS-63, the Shoulder Fold with light mother-of-pearl toning, the others pale

1951 Arnprior ICCS MS-60. Pale toning

1951 Arnprior ICCS AU-55. Pale toning

1952 Water Lines ICCS MS-64. A pale golden toned example

1952 Normal Waterlines CCCS MS-64. A light golden toned example

1952 Short Water Line ICCS MS-64. Pale toned with light amber and blue accents

1952 No Waterlines PCGS PL-66. Great lustre and near flawless surfaces with pale golds at the rims. It is tied sixth highest graded by PCGS

1952 No Waterlines ICCS PL-65. A pale golden toned example

1952 No Waterlines Gem Proof-Like. This is a superbly lustrous and near flawless piece with light golden amber rim toning

1952 No Waterlines ICCS PL-64. A near untoned example

1952 No Waterlines PCGS MS-66. This is a fully struck piece with great lustre and near flawless surfaces that have an attractive light golden toning.

1952 No Water Lines and 1952 Water Lines, both ICCS MS-63. Plus 1965 Small Beads Pointed 5 ICCS MS-64. Three untoned pieces

1953 No Shoulder Fold ICCS SP-64. This is a fully detailed Specimen Strike with great lustre and near flawless pale golden toned surfaces. It is tied

1953 Shoulder Fold PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light golden ambers. It is

1954 ICCS PL-66 Heavy Cameo. This is a superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest HC, with only thre

1954 PCGS PL-66. A superbly lustrous, near flawless and near untoned piece with a heavy cameo

1954 PCGS PL-66. Light golden toning

1954 ICCS PL-65. Near untoned

1954 ICCS PL-64 Heavy Cameo. Untoned

1954 ICCS PL-64 Heavy Cameo. Untoned

1955 Arnprior ICCS PL-65. This is a pale golden toned example

1955 Arnprior with Die Breaks ICCS MS-62. A near untoned example

1955 Arnprior with Die Breaks ICCS MS-62. A pale golden toned example

1955 Arnprior with Die Breaks ICCS MS-62 and 1955 ICCS MS-60. Two pale toned pieces

1955 ICCS PL-66. Light golden toned

1955 PCGS PL-66. Light gold rim toning

1955 ACG PL-66 Cameo. Light rim toning

1955 ICCS PL-65 Heavy Cameo. A near flawless and near untoned example

1955 ICCS PL-65 Cameo. Untoned

1955 ICCS PL-65. Near untoned

1955 PCGS PL-65. Light golden toning

1955 ICCS MS-64. Light golden toning

1956 PCGS PL-68, ICCS PL-67 Ultra Heavy Cameo. This is a fully struck and superbly lustrous piece with virtually flawless surfaces and a light golden

1956 ICCS PL-67 Ultra Heavy Cameo. This is a second fully struck and superbly lustrous piece with virtually flawless surfaces, this with very pale gol

1956 ANACS MS-67 PL. Pale toned

1956 PCGS PL-66. Lightly toned

1956 ICCS PL-65 Heavy Cameo. Untoned

1956 ICCS PL-64 Heavy Cameo. Light golden rim toning accents

1956 ICCS PL-64 Cameo. Untoned

1956 PCGS PL-64. Lightly toned

1956 and 25 Cents 1956. Two untoned pieces, both ICCS MS-63 Heavy Cameo

1957 PCGS PL-67. This is a superbly lustrous and near flawless untoned piece

1957 PCGS PL-67. This is another superbly lustrous and near flawless untoned piece

1957 ICCS PL-65 Cameo. Untoned. Only two Heavy Cameo examples graded higher by ICCS

1957 ICCS PL-65. Untoned

1957 ICCS PL-65. Pale golden toned

1958 PCGS PL-67. Pale golden toning

1958 PCGS PL-67. Medium rim accents

1958 ICCS PL-66 Heavy Cameo. Light rim toning accents

1958 ICCS PL-65 Cameo. Untoned