Torex October 2006

1870 LCW CCCS VF-30. Medium toned

1870 LCW ICCS VF-20. Medium toned

1870 LCW CCCS VF-20. Lightly toned

1870 LCW CCCS VF-20. Lightly toned

1870 LCW CCCS VF-20, Harshly Cleaned

1870 LCW VF, Cleaned

1870 LCW ICCS F-15. Lightly toned

1870 LCW CCCS F-15. Medium toned

1870 LCW CCCS F-12. Medium toned

1870 LCW CCCS F-12. Lightly toned

1870 LCW, Cleaned, 1881H, Scratches, 1892 Obverse 4 and 1900, all CCCS VG-8, lightly toned

1870 LCW EF, Whizzed. Light-medium toned

1871 CCCS G-6, Scratches, 1898 CCCS G-6, 1899, two pieces, CCCS Fair-2 and CCCS AG-3 and 1900 CCCS G-6. Total five lightly toned pieces

1871, 1911 and 1929, all ICCS VG-8. Plus 1872H ICCS VG-10. Four lightly toned pieces

1871H PCGS EF-45. This is a sharp piece with medium-dark slate toning

1871H CCCS VG-10, Rim Nicks. Light toned

1872H ICCS and PCGS MS-64 PQ+. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned in light gold

1872H ICCS EF-40. This is a sharp piece with much remaining lustre and a pale golden toning

1872H CCCS VF-20, Cleaned

1872H CCCS F-12, Rim Bumps

1881H ICCS and NGC MS-63 PQ. This is a fully struck and superbly lustrous piece with rather flawless surfaces that are beautifully toned in light gold

1881H PCGS MS-63. This is a fully struck example with great lustre and rather flawless surfaces that have a very even pale golden toning. It is tied a

1881H ICG MS-63. A fully struck and strongly lustrous piece with pale golden toned surfaces. Only three examples have been graded higher by the major

1892 Obverse 4 Norweb PCGS AU-58 and ICCS AU-55. This is a very sharp and near fully lustrous piece with rather attractive light golden tan toning. It

1892 Obverse 4 and 1898, both CCCS VG-8. Two lightly toned pieces

1892 Obverse 4, CCCS F-12 Lightly Cleaned and 1900, CCCS VG-10, Cleaned, both lightly toned

1892 Obverse 4, VG, Scratches

1900 CCCS VF-20, Mark. This lightly toned piece long ago received a heavy hit on Victoria’s cheek

1902 ICCS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are beautifully toned in light golden olives with ir

1902 PCGS MS-64. This fully struck piece has great lustre and near flawless surfaces that are very attractively toned in light golden ambers with pale

1902 ICCS MS-60. This is a fully struck piece with great lustre and attractive toning in pale golds with light ambers toward the rims

1906 CCCS EF-40, Lightly Cleaned, Scratches. Pale golden toning with light slate rim accents

1906 ICCS VF-20. Lightly toned

1906 CCCS VF-20. Lightly toned

1909 ICCS AU-50. This is a very sharp piece with much lustre and a pale golden toning

1910 Victorian Leaves ICCS AU-55 Cleaned. A very sharp piece with light hairlining from an unfortunate cleaning. Now retoned in light golds

1910 Victorian Leaves PCGS AU-50. A sharp piece with considerable residual lustre and an attractive light golden toning with iridescent blue overtones

1910 Victorian Leaves ICCS F-15. Light-medium golden gray toning

1910 Edwardian Leaves ICCS VF-20 Scratches. Pale golden toning

1910 Edwardian Leaves CCCS VF-20, Cleaned and 1936 CCCS VF-20 Scratches. Lightly toned

1911 PCGS SP-62. A fully detailed Specimen Strike with attractive light golden toning

1911 PCGS MS-64. This is a near fully struck and strongly lustrous piece with quite flawless surfaces that are beautifully toned in light golden olive

1913 CCCS VF-20. Light-medium toning

1914 ICCS F-15. Light golden toning

1916 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning. It is tied as the seventh highest by ICCS

1916 PCGS AU-50. Light golden toning

1916 ICCS VF-30. Light-medium toning

1917 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning. The obverse was struck from a rather freshly refinished d

1917 Pittman Sale, 1918, 1919 and 1931, all ICCS VF-20 with pale golden toning

1918 ICCS MS-62. This is a strongly struck piece with great lustre and a pale golden toning

1918, AU-Uncirculated. A very sharp and near fully lustrous piece with pale golden toning

1919 ICG MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It was struck from eroded and lightly pit

1919 ICCS MS-62. This is a fully struck piece with great lustre and a light golden toning

1929 NGC MS-64. This is a fully struck piece with great lustre and a light golden toning with iridescent blues at the rims. It is the solo highest gra

1931 ICCS MS-67 PQ+. This is a fully struck piece with superbly lustrous and virtually flawless surfaces that have a wonderfully balanced light amber

1932 ICCS F-12. Light-medium toning

1934 ICCS AU-55. A very sharp and near fully lustrous piece with pale golden toning

1934 ICCS AU-55. A very sharp and near fully lustrous piece with pale golden toning

1934 ICCS VF-30. Considerable remaining lustre and a light golden toning

1936, two pieces, CCCS VF-20 and CCCS F-15, both pale toned

1937 ICCS MS-63. Pale golden toning

1938 ICCS MS-62. Pale golden toning

1939 ICCS MS-64. A strongly struck piece with some of the typical weakness on the reverse. It is strongly lustrous and has a pale golden toning

1939 ICCS MS-64. A strongly struck piece with some of the typical weakness on the reverse. It is strongly lustrous and has a light golden toning

1939 ICCS MS-63. Pale golden toning

1939 CCCS MS-60, 1949 CCCS MS-62 and 1953 Small Date ICCS MS-63. Plus 25 Cents 1947 Maple Leaf CCCS MS-63. The 1953 medium toned

1940 ICCS MS-64 Cameo. A near fully struck piece with light golden toning

1940 ICCS MS-63. Near untoned

1941 NGC MS-65. A near fully struck piece with great lustre and near flawless surfaces that are attractively toned in medium orange ambers and blues w

1941 ICCS MS-63. Near untoned

1942 ICCS MS-63. Pale golden toned

1942 PCGS MS-63. Amber rim toning

1943 ICCS MS-63. Pale golden toned

1944 Near 4 ICCS MS-63. Pale toned

1944 Near 4 ICCS MS-63. Pale toned

1945 ICCS MS-63. Pale golden toned

1946 ICCS MS-64. Light golden toned

1946 ICCS MS-63. Nice multicolour toning

1946 ICCS MS-63. Amber rim toning

1946 ICCS MS-63. Light golden toned

1946 Design in 6 PCGS AU-55. This is the full design with the Die Break. A sharp piece with much remaining lustre, near untoned. Tied eighth highest b

1947 Straight 7 ICCS MS-64. This piece has a fully struck obverse with a typically soft reverse, great lustre and near flawless untoned surfaces. It i

1947 Straight 7 ICCS MS-63. A near fully struck and near untoned piece with a Doubled 7

1947 Straight Doubled 7 ICCS MS-60. An untoned piece with a different doubling than the above lot

1947 Curved 7 ICCS MS-63. A near fully struck pale golden toned piece

1947 Curved 7 CCCS MS-62. A typically struck pale golden toned piece

1947 Curved 7, 7 Over 7 CCCS MS-62. A near fully struck lightly toned piece

1947 Maple Leaf ICCS MS-63. A slightly soft strike and a Doubled 7 similar to Lot 1583 above

1947 Maple Leaf ICCS MS-63. A slightly soft strike and a Doubled 7 similar the previous lot

1947 Maple Leaf, Doubled 7, EF. A sharp piece with much remaining lustre. The 7 as in the above lot

1948 ICCS MS-64. Struck with a typical soft reverse, this piece has great lustre and near flawless surfaces and light amber rim toning. It is tied as

1948 ICCS MS-63. A slightly soft reverse, great lustre and rather flawless untoned surfaces

1948 CCCS VF-30. Pale golden toning

1948 ICCS VG-8. Lightly toned

1949 ICCS MS-63. Pale golden toning

1949 Hoof Over 9 ICCS AU-50. Untoned

1950 ICCS MS-64. Light gold rim toning

1950 and 1952, both untoned ICCS MS-64

1950 No Design ICCS MS-62. Untoned

1950 No Design ICCS MS-60. Untoned