Torex October 2006

1913 ICCS MS-60. Fully struck and strongly lustrous pale golden toned piece with darker accents

1918 ICCS AU-55. Pale golden toning

1919 ICCS MS-63. Fully struck and strongly lustrous with very attractive light-medium toning

1921 CCCS VF-20. Medium rim toning

1927 ICCS EF-40. Light gold-tan toning

1928 NGC MS-63. A strongly struck piece with great lustre and attractive light-medium toning

1929 ICCS MS-63. Full strike, great lustre and pale golden toning with light blue and amber accents

1930 PCGS MS-65. A well struck piece with great lustre and rather flawless surfaces with an attractive light golden toning. It is tied as the fifth hi

1930 ICCS MS-63. Near fully struck and strongly lustrous with pale golden toning

1931 PCGS MS-63. This is a fully struck and superbly lustrous pale golden toned piece that was struck from freshly refinished dies, which have imparte

1932 ICCS MS-63. A strongly struck and nicely lustrous piece with attractive light golden toning

1933 PCGS MS-63. This is a near fully struck piece with strongly lustrous surfaces that are attractively toned in light golds with ambers toward the r

1933 ICCS MS-62. This is a near fully struck piece with strongly lustrous pale golden toned surfaces. The date is re-punched and this piece appears to

1933, 1935 and 1936. Three pieces, all VF with some residual lustre and lightly toned

1934 ICCS MS-60. Strongly struck with great lustre and pale golden toning

1935 ICCS MS-62. Strongly struck with great lustre and pale golden toning

1936 ICCS MS-63. Fully struck with great lustre and near untoned

1937 ICCS MS-64. Near untoned

1937, 1942, 1943, 1945, 1950 and 1952 Low Relief, all ICCS MS-63 and untoned to lightly toned

1938 ICCS MS-64. Fully struck with great lustre and attractive light golden amber toning

1938 ICCS MS-62. Near untoned

1938 ICCS MS-62 pale toned and 1939 ICCS MS-60 near untoned

1939 ICCS MS-64. Near untoned

1940 ICCS MS-64 Cameo. Pale toned

1941 pale toned and 1944 light rim toning. Two pieces, both ICCS MS-64

1942 NGC MS-66. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light-medium golden ambers and

1942 and 1956, both ICCS MS-64. Two light-medium toned pieces

1943 light golden toning and 1945 near untoned, both ICCS MS-63 Cameo

1945 ICCS MS-65 PQ. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned in light golds with mauv

1946 ICCS MS-64. Light golden toning

1947 ICCS MS-62. Lightly toned

1947 Dot ICCS EF-40. A very sharp and near untoned piece with much remaining lustre

1947 Maple Leaf near untoned and 1949 light-medium toned obverse, both ICCS MS-64

1947 Maple Leaf ICCS MS-62 and 1948 ICCS MS-60. Two near untoned pieces

1948 ICCS MS-63. Pale golden toning

1949 PCGS SP-66. A superbly lustrous and untoned piece that is among the ten highest by PCGS

1949 PCGS MS-66. This is a fully struck piece with great lustre and an attractive medium multicoloured toning. It is tied as the second highest by PCG

1949 ICCS MS-64. Lightly toned

1951 High Relief ICCS SP-64. Superbly lustrous and near flawless with medium magenta toning

1951 Low Relief PCGS PL-66. Superbly lustrous and virtually flawless untoned surfaces with a nice cameo. It is tied as the fifth highest by PCGS

1951 Low Relief ICCS PL-64. Near untoned

1951 Low Relief ICCS PL-64. Near untoned

1952 High Relief PCGS MS-63. Pale toned

1953 Shoulder Fold ICCS PL-64 Cameo. Light amber rim toning

1953 Shoulder Fold ICCS MS-64 Cameo. Plus 5 Cents 1953 Shoulder Fold ICCS MS-64

1953 Shoulder Fold ICCS MS-63 Heavy Cameo, 1955 ICCS MS-64 and 1961 ICCS MS-64 Heavy Cameo and 1968 Silver ICCS MS-64. Untoned to pale toned

1953 Shoulder Fold and 1954, both ICCS MS-63 Cameo and both near untoned

1954 PCGS PL-64. Pale golden toning

1954 ICCS PL-64 Cameo and 1957 ICCS PL-65. Two pale toned pieces

1955 ICCS PL-67 Ultra Heavy Cameo. This is a superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest graded by IC

1955 ICCS PL-66 Ultra Heavy Cameo. A superbly lustrous, near flawless and near untoned piece

1955 ICCS PL-66 Cameo. Untoned

1955 pale toned and 1956 near untoned, both ICCS PL-65 Cameo

1956 PCGS PL-67. A superbly lustrous and virtually flawless pale toned piece with heavy cameos. It is tied as the fifth highest by PCGS

1956 ICCS PL-66 Cameo. Pale toned

1956 ICCS PL-65 Heavy Cameo. Pale toned

1956 and 1957, both ICCS PL-65 Cameo and both near untoned

1957 ICCS PL-65 Cameo and 50 Cents 1957 ICCS PL-65. Two near untoned pieces

1957 ICCS MS-65. Pale golden toning

1958 and 1959, both ICCS PL-65 Heavy Cameo and both near untoned

1958, 1961 and 1962, all ICCS PL-64 Heavy Cameo. Three near untoned pieces

1958 ICCS MS-65. Pale golden toning

1959 1963, 1964, 1966, 1969 and 1970, all ICCS PL-65 Heavy Cameo, near untoned

1959 plus 50 Cents 1959 two pieces. Total three pale toned pieces, all ICCS PL-65 Heavy Cameo

1960 ICCS PL-66 Cameo and 1965 ICCS PL-66 Heavy Cameo, near untoned

1960 ICCS PL-66 Cameo. Plus 1956 and 1962, both ICCS PL-65 Cameo. Three pale toned pieces

1961, two near untoned pieces Choice to Gem Uncirculated with heavy cameos

1962 ICCS MS-65. Pale golden toned

1963 ICCS PL-65 Ultra Heavy Cameo. Near untoned, and tied with one as the fourth highest by ICCS

1963 and 1964, both ICCS MS-65. Total of two pale toned pieces

1964 ICCS PL-65 Ultra Heavy Cameo. Untoned and tied highest graded by ICCS

1965 ICCS PL-65 Ultra Heavy Cameo. Untoned and tied second highest graded by ICCS

1965, 1966 and 1967, all ICCS MS-65. Three untoned to pale toned pieces

1968 Silver ICCS MS-65 Heavy Cameo. A near untoned example

1968 Silver ICCS MS-65 Cameo. Pale toned

1968 Silver ICCS MS-65 Cameo. Plus 1991 and 2005P Veterans, both ICCS MS-65, near untoned

1973 Large Bust ICCS SP-65. Untoned

1973 Large Bust ANACS MS-66 PL

1973 Large Bust ICCS AU-50

1973 Large Bust ICCS AU-50, Scratch. A light scratch on the portrait

1982 and 1987. Two pieces, both ICCS Proof 68 Ultra Heavy Cameo

1982, 1991 and 1992 Caribou. Three pieces, all ICCS PF-67 Ultra Heavy Cameo

1985, 1986 and 1995. Three pieces, all ICCS MS-66, Numismatic BU

1985, 1993 and 1995. Three pieces, all ICCS MS-66, Numismatic BU

1988 and 1991. Two pieces, both ICCS Proof 68 Ultra Heavy Cameo

1991 ten pieces, all ICCS MS-64

1991 ten pieces, all ICCS MS-64

1991 fourteen pieces, all ICCS MS-63

1991 fourteen pieces, all ICCS MS-63

1992 and 1995. Two pieces, both ICCS Proof 68 Ultra Heavy Cameo

1993 and 1995, both ICCS MS-66, Numismatic BU. Plus 1999P ICCS MS-65

1997 Silver ICCS PF-64 Ultra Heavy Cameo. Plus 1967 ICCS SP-65 Heavy Cameo and 1968 Nickel ICCS PL-65 Cameo, 1999P ICCS MS-64

1998 Silver, 1999 Silver and 2001 Silver, all ICCS Proof 68 Ultra Heavy Cameo, near untoned

1999 September Overstrike ICCS MS-62. Tied tenth highest by ICCS

1999 September Mule ICCS PL-63

1999 November Mule ICCS PL-64

2000 Pride Rotated Dies 90 Degrees, ICCS MS-63. Tied sixth highest by ICCS

1870 No LCW PCGS VF-35. This piece appears to have received the soft strike typical to this variety, with a flatness in Victoria’s hair and in the cen

1870 LCW ICCS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are very attractively toned in light-medium gold

1870 LCW NGC MS-62. This is a strongly struck and nicely lustrous piece with attractive toning in medium blues ambers and magentas. It is tied with on