Torex October 2006

1952 ICCS MS-65. Near untoned

1953 No Shoulder Fold ICCS MS-65. Great lustre and near flawless surfaces with wild medium toning

1953 Shoulder Fold ICCS PL-64 Cameo. Very pale golden toning

1954 ICCS PL-66 Heavy Cameo. Lightly toned. Only one PL-66 UHC graded higher by ICCS

1954 ICCS PL-66 Cameo. Untoned

1954 PCGS PL-66. Pale toned

1954 ICCS PL-65 Heavy Cameo. Untoned

1954 ICCS PL-65 Heavy Cameo. Pale

1954, 1955 and 1956, all Very Choice or Gem Proof Like with cameos. Plus 1953 Shoulder Fold, Choice Uncirculated with cameo. Four untoned pieces

1955, 1956, 1959, 1960 and 1962, all ICCS PL-64 Heavy Cameo. Five untoned to pale toned pieces

1956 ICCS PL-66 Heavy Cameo. Untoned

1956 and 1966, both ICCS PL-65 Heavy Cameo. Plus 1959, 1960 Cameo and 1963, all ICCS PL-65 and 1958 ICCS PL-64 Heavy Cameo. A total of six untoned to

1956 ICCS MS-65 Heavy Cameo. Great lustre and near flawless and near untoned surfaces

1956 and 1969 Small Date, both ICCS MS-65 and near untoned, the 1956 with a Cameo

1957 ICCS PL-65 Heavy Cameo. Pale toned. Only three 66 HCs and one 65 UHC higher by ICCS

1957, 1958, 1959 and 1960, all ICCS MS-65. Four near untoned pieces

1958 ICCS PL-65 Ultra Heavy Cameo. A superbly lustrous, untoned piece, tied highest UHC by ICCS

1958, 1961, 1965, 1968 Nickel and 1975, all ICCS PL-65 Heavy Cameo, untoned to pale toned

1962 ICCS MS-66. This is a fully struck piece with great lustre and near flawless pale toned surfaces. It is the highest graded example by ICCS

1963 ICCS MS-65 Heavy Cameo. Untoned

1964 ICCS PL-65 Ultra Heavy Cameo. Plus 1963 and 1966, both ICCS PL-66 Heavy Cameo, 1967 ICCS SP-65 Heavy Cameo, 1969 and 1973 both ICCS PL-65 Cameo a

1964 ICCS MS-65 Heavy Cameo. Untoned

1968 Silver ICCS PL-64 Cameo. Untoned, it is tied with four as the third highest by ICCS

1975 ICG SP-69. Plus 1984, 1986 and 1987, all ICG PR-69 DCam

1981 and 1987. Two pieces, both ICCS PF-68 Ultra Heavy Cameo

1991, 1992 and 1993. Three pieces, all ICCS PF-68 Ultra Heavy Cameo

1992 ICCS MS-67, Numismatic BU. Plus 25 Cents 1992 Caribou ICCS MS-66 Numismatic BU

1995, 1999 Silver and 2001 Silver, all ICCS PF-68 Ultra Heavy Cameo

1999P NGC MS-67

1858 PCGS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are very attractively toned in light-medium olives a

1858 ICG MS-61. A slightly softly struck example with nicely lustrous surfaces that are attractively toned in light golden tans with darker blues towa

1858 PCGS AU-58. A very sharp and near fully lustrous piece with attractive toning in medium blues, mauves and ambers

1858 ICCS AU-50. This is a very sharp piece with light golden toning with blues toward the rims

1858 ICCS VF-30. Light-medium toning

1858 CCCS VF-20, Cleaned, Scratches. Lightly toned with four long scratches on the reverse

1858, Fine. Light-medium mauve toning

1858 CCCS F-12, Cleaned. Plus 25 Cents 1886 Obverse 5, Long Stem Ends CCCS VG-10. Total two lightly toned pieces

1858 and 25 Cents 1870 Obverse 1, 0 Over 0 and 1880H Narrow 0, all CCCS VG-8. Total three lightly toned pieces, the 1858 with some darker accents

1870 Obverse 1 ICCS EF-40. Considerable remaining lustre and pale golden toning

1870 Obverse 1 CCCS EF-40. Considerable remaining lustre and light-medium toning

1870 Obverse 1 CCCS VF-30. Light-medium golden amber toning

1871 Obverse 2 ICCS VF-20. Light golden toned centres with medium blues at the rims

1871 Obverse 2 and 1872H Obverse 2, both CCCS VF-20. Two light golden toned pieces

1871H Obverse 2 ICCS and PCGS MS-64. This is a fully struck pale golden toned piece with great lustre on near flawless surfaces. The obverse is satiny

1871H Obverse 2 CCCS VF-20. Some remaining lustre and light to medium toning

1872H Obverse 2 PCGS MS-62. This is a fully struck piece with great lustre and a very attractive light golden amber toning

1872H Obverse 2 ICG MS-62. This is a fully struck and strongly lustrous near untoned piece

1872H Obverse 2 ICCS VF-30. Pale toned

1872H Obverse 2 ICCS VF-20 and 1894 ICCS F-12, Cleaned. Two lightly toned pieces

1872H Obverse 2 VF with rim dents and marks and 1874H, VF with a weak reverse, both pale toned

1874H PCGS MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied with two other examples as t

1874H Belzberg PCGS MS-64. This is a fully struck and strongly lustrous piece that is attractively toned in pale golds and golden light olives. It is

1874H ICCS MS-60. A fully struck and strongly lustrous pale golden toned example

1874H ICCS AU-55. A very sharp and near fully lustrous piece with attractive light to medium golden olive and magenta toning

1874H CCCS EF-40. Considerable remaining lustre and a pale golden toning

1880H Narrow ICCS VF-20. Pale golden toning with darker ambers and blues at the rims

1880H Narrow 0 Over Wide 0 ICCS F-12. Light to medium golden gray toning

1880H Narrow 0 Over Wide 0 CCCS VG-8. Medium slate toning

1880H Narrow 0 Over Wide 0 and 1889, both CCCS G-4. Two lightly toned pieces

1880H Wide 0 ICCS VG-8. Light to medium golden gray toning

1880H Wide 0 CCCS G-6. Light toning

1880H Wide 0 and 1889, both CCCS Fair, the 1880H Cleaned, Scratches. Two light toned pieces

1881H and 1882H, both CCCS F-12. Plus 1900 CCCS F-15. Three lightly toned pieces

1881H pale toned and 1883H lightly toned. Two pieces, both ICCS F-12

1882H PCGS MS-62. This is a fully struck piece with great lustre and a beautiful light golden amber toning. It is tied as the ninth highest graded by

1882H and 1892, both ICCS F-12. Two light golden gray toned pieces

1883H ICCS and PCGS MS-64. This is a fully struck piece with great lustre and rather flawless pale golden toned surfaces. It is a near first strike wi

1885 Re-engraved Straight Top 5, Pittman PCGS VF-35. Pale golden toning with light amber and blue rim accents. This is only the second example of this

1885 Curved Top 5 ICCS VF-20. This is a nice, light golden toned example

1885 Curved Top 5 CCCS VG-8. Light toned

1885 Curved Top 5 CCCS G-6 Corrosion and 1889 CCCS VG-8 Cleaned. Both lightly toned

1885 Curved Top 5 and 1893, both CCCS AG-3. Both lightly toned

1886 6 Over 3, Obverse 5, Long Bough Ends ICCS F-12. Medium slate rim toning

1886 Obverse 5, Short Bough Ends ICCS F-15. Light gold toning with medium slate accents

1887 CCCS VG-10. Light golden toning

1887 CCCS VG-8. Light-medium toning

1887 CCCS G-6. Pale toned

1887 and 1889, both CCCS G-4. Two pieces, both lightly toned

1889 CCCS G-6. Lightly toned

1889 CCCS G-6. Lightly toned

1889 CCCS G-6. Lightly toned

1889, aG. Lightly toned

1893 CCCS G-6. Lightly toned

1894 ICCS EF-45. A sharp piece with much remaining lustre and a light golden toning

1900 ICCS and PCGS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light golden tans wi

1900 PCGS MS-63. Fully struck with great lustre and rather flawless surfaces that are attractively toned in pale golds with light ambers and blues at

1900 ICCS AU-55. This is a very sharp and near fully lustrous pale golden toned piece

1900 ACG VF-35, Rim Nick. Lightly toned

1900 ICCS VF-30. Pale golden toning

1900 ICCS VF-30. Light golden toning

1902 CCCS EF-40. A very sharp, pale golden toned piece with much remaining lustre

1902H ICCS MS-63. This is a fully struck piece with great lustre and a pale golden toning

1905 PCGS MS-66. This is a fully struck and superbly lustrous piece with virtually flawless and near untoned surfaces. It is tied with one other examp

1905 ICCS VF-30. Light golden toning

1907 and 1910, both CCCS VF-30. Two pale toned pieces with considerable remaining lustre

1907 and 1909, both CCCS VF-20, the 1907 with Marks. Two lightly toned pieces

1908 PCGS MS-62. This is a strongly struck piece with great lustre and light golden rim toning

1910 ICCS VF-30. Light golden rim toning

1912, 1919 and 1932, all VF-EF and better. Plus Five Cents 1896 and 1915, both Fine or better. Total five pale toned pieces

1913 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning