Torex October 2006

1885 CCCS F-12, Letter Obverse 4, Effigy Obverse 6, a lightly toned newly discovered hybrid. Plus 1885 Obverse 4 CCCS G-6, lightly toned

1887 CCCS F-12, Corrosion. Dark toning accents

1888 ICCS MS-63. This is a fully struck piece with great satiny lustre and near flawless surfaces that are beautifully toned in light-medium golden ol

1888 PCGS MS-63. This is a fully struck and strongly lustrous piece with rather flawless surfaces that are very attractively toned in light golds. It

1892 Large 9 Obverse 6, Good. A lightly toned example of this scarce variety

1893 Flat Top 3, Obverse 6 CCCS VF-20. Light golden gray toning

1893 Flat Top 3, Obverse 6 ICCS VF-20, Scratch. A lightly toned example with a light graze on Victoria’s neck and some broad scratches on the reverse

1894 Obverse 6 ICCS VF-30. Considerable remaining lustre and a medium mauve-gray toning

1898 Obverse 5 ICCS MS-62. This is a fully struck and nicely lustrous piece with light golden toning. The scarcer of the two obverse varieties

1898 Obverse 6 ICCS EF-40. This is a very sharp, lightly toned piece with much remaining lustre

1899 Large 99 CCCS VF-30. Dark toning

1899 Small 99 PCGS MS-66. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied with two others as t

1899 Small 99 ICCS and NGC MS-65. This is a fully struck and strongly lustrous piece with near flawless surfaces that are attractively toned in light-

1899 Small 99 PCGS MS-63. This is a fully struck, pale golden toned piece with great lustre and heavy cameos on mirrored fields

1899 Small 99 CCCS EF-40. Darkly toned

1899 Small 99 ICCS VF-30, 1910 ICCS EF-40, 1911 ICCS VF-30 and 1915 ICCS VF-20. A total of four pale toned to lightly toned pieces

1900 ICCS MS-62. Fully struck and strongly lustrous with pale golden toning

1901 Norweb ICCS MS-65. This is a fully struck piece with strongly lustrous and near flawless surfaces that are toned in light golden tans with amber

1901 PCGS MS-62. Fully struck and strongly lustrous with light golden toning

1901 CCCS EF-45. Light golden toning

1901 PCGS EF-45. Lightly toned

1902 ICCS MS-63. This is a very strongly struck piece with great lustre and pale golden toning. It is tied as the eighth highest graded by ICCS

1902 ICCS AU-58. This is a virtually fully lustrous pale golden toned piece

1902H ICCS MS-60. Pale golden toned

1903 ICCS MS-65 PQ. This is a fully struck piece with great lustre and near flawless surfaces that are attractively toned in light orange golds. It is

1903 ICCS VF-30. Light golden toning

1903 and 1908, both CCCS VF-20. Two pale to lightly toned pieces

1903 ICCS and PCGS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that are attractively toned in pale golds. It is t

1903H and 1911, both CCCS EF-40. Two pale to lightly toned pieces

1904 ICCS AU-55. This is a very sharp piece with much lustre and a light-medium golden toning

1905 pale toned, 1908 pale toned and 1933 light-medium toned. Total three pieces, all CCCS VF-30, the 1908 Polished

1906 Belzberg ICCS and PCGS MS-65. This is a very strongly struck piece with great lustre and near flawless surfaces that are attractively toned in me

1906 ICCS MS-62. A nicely lustrous example with light-medium golden toning

1907 PCGS MS-62. Strongly struck with great lustre and rather flawless pale golden toned surfaces

1907 two pieces, PCGS EF-40 and ICG VF-35. Plus 1910 ICG EF-45. Total three toned pieces

1908 PCGS MS-62. A fully struck and strongly lustrous piece with light golden rim toning

1910 ICCS MS-60. Light golden toning

1911 NGC MS-64. A fully struck and strongly lustrous piece with attractive medium multi-colour toning

1911 PCGS MS-63. A fully struck and nicely lustrous piece with light golden toning

1913 Broad Leaves ANACS F-12 Details, Cleaned. Light golden-gray toning

1913 Small Leaves PCGS MS-64. A strongly struck and nicely lustrous piece with medium toning

1913 Small Leaves ICCS MS-62. A well struck and strongly lustrous piece with pale golden toning

1914 PCGS MS-65. This is a fully struck and strongly lustrous piece with light golden toning. It is tied as the fourth highest graded by PCGS

1914 ICCS AU-50 and 1929 ICCS MS-60. Two light golden toned pieces

1916 PCGS MS-64. This is a fully struck and strongly lustrous piece with light golden toning

1916 PCGS MS-63. This is a fully struck and strongly lustrous piece with light golden tan toning

1916 ICCS MS-60. Pale golden toning

1917 ICCS MS-64. This is a fully struck and strongly lustrous piece with light golden toning

1918 ICCS MS-63. Pale golden toning

1918 ICCS MS-63. Pale golden toning

1919 NGC MS-64. Dark toning accents

1919 ICCS MS-63. Light-medium toning

1919, 1938 and 1938 Doubled 3, all CCCS MS-60. Plus 1953 Shoulder Fold CCCS MS-63 Cameo. Four pieces, the 1919 medium toned, the others pale

1920 ICCS MS-63. Pale golden toning

1921 ICCS MS-62. Light rim toning

1928 ICCS MS-62. Light golden toning

1928, two light to light-medium toned pieces, both CCCS AU-55

1928 light-medium toned and 1929 pale toned, both CCCS AU-50. Plus 1919 light-medium toned CCCS EF-45 and 25 Cents 1918 pale toned CCCS EF-40

1929 ICCS MS-65. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the second highest graded by ICCS

1929 PCGS MS-64. This is a strongly struck piece with great lustre and rather flawless surfaces that are attractively toned in pale golds

1930 PCGS MS-64. This is a strongly struck piece with great lustre and rather flawless surfaces that are attractively toned in pale golds

1930 ICCS MS-63. Light golden toning

1930 PCGS MS-63. Light golden toning

1930 ICCS MS-62. Light golden toning

1931 ICCS MS-64. Light golden toning

1932 ICCS MS-63. Light-medium toning

1933 NGC MS-66. This is a strongly struck piece with great lustre beneath a medium mauve and olive toning. It is the solo highest graded by NGC

1935 PCGS MS-64. A strongly struck piece with great lustre and an attractive light golden toning

1935 ICCS AU-50. Near untoned

1936 PCGS MS-64. Light-medium toning

1936 ICCS MS-63. Light golden toning

1936 PCGS MS-63. Light golden toning

1936 PCGS MS-63. Pale golden toning

1936 ICCS MS-62. Light golden toning

1937 Mirror PCGS SP-65. Attractive light-medium multicoloured toning

1937 Mirror PCGS SP-64. Attractive medium gun-metal toning

1937 ICCS MS-65. Great lustre with beautiful light-medium golden olive and amber toning

1937 ICCS MS-65. Great lustre with beautiful light-medium amber and blue toning

1937 ICCS MS-65. Great lustre with attractive light-medium olive and blue toning

1937 ICCS MS-65. Great lustre with light-medium golden mauve and blue toning

1938 ICCS MS-63. Pale golden toning

1938 ICCS MS-63 pale toned and 1949 ICCS MS-62 with attractive light-medium toning

1939 ICCS MS-65. A fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the second highest graded by ICCS

1939 ICCS MS-65. A fully struck and strongly lustrous piece and near flawless pale golden toned surfaces. It is tied as the second highest graded by I

1939 ICCS MS-65. A fully struck and strongly lustrous piece with near flawless light-medium golden amber toned surfaces. Tied as the second highest by

1940, 1950 and 1953 No Shoulder Fold, all ICCS MS-62. Plus 1945, 1946 and 1947 Maple Leaf, all ICCS MS-63. Total six pale to lightly toned pieces

1941, 1942 and 1952, all ICCS MS-63. Total three pale to lightly toned pieces

1943 ICCS MS-65. A fully struck piece with great lustre and beautifully toned with pale golden centres framed by light-medium ambers, blues and violet

1944, 1951 and 1956 Dot, all ICCS MS-64. Plus 1999P ICCS MS-65, the 1944 with medium toning

1946 pale toned with clashed a die and 25 Cents 1945 lightly toned, both ICCS MS-63

1947 ICCS MS-65. A fully struck and near untoned piece with great lustre. It is tied highest by ICCS

1947, two pieces, both Choice to Gem Uncirculated, one with frosty lustre and pale golden toning, the other mirror and near untoned

1947 Maple Leaf ICG MS-65. Pale toned

1947 Maple Leaf ICG MS-65 pale toned plus 1983 ICG PL-68 and 2001P ICG MS-64. Three pieces

1947 Maple Leaf ICCS MS-64 and 1948 ICCS MS-63. Two near untoned pieces

1948 ICCS SP-65. Superbly lustrous and near flawless surfaces with light rim toning. It is tied as the fourth highest graded by ICCS

1949 PCGS SP-65. This is a superbly lustrous and near flawless untoned piece with nice cameos on deeply mirrored fields

1949 ICCS MS-65. Near untoned

1949 ICCS MS-65. Pale golden toned

1951 ICCS SP-63 untoned and 1967 ICCS SP-65 with light-medium gun-metal toning