Torex October 2006

1945C ICCS MS-64. Pale golden toning

1947C PCGS MS-63. Fully struck with great lustre and near untoned

1865 ICCS EF-40. This is a sharp example with light golden toning

1876H, VG-Fine. Pale golden toning

1885 Obverse 2 PCGS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that are wonderfully toned in a rich interplay of

1885 Obverse 2 ICCS VF-20. A sharp example of this key date with pale golden toning

1903 ICCS EF-45. Considerable remaining lustre and a pale golden toning

1904H ICCS AU-55. Very sharp and near fully lustrous with attractive light golden olive toning

1912 PCGS MS-68. This is a fully struck and superbly lustrous piece with virtually flawless surfaces that are wonderfully toned in pale golds and oran

1912 ICG MS-67. A fully struck example with great lustre and near flawless surfaces is beautifully toned in light-medium olives and orange-ambers

1912 PCGS and ICCS MS-66. Another fully struck example with great lustre and near flawless surfaces. This one has pale golden centres beautifully fram

1912 ICCS MS-64. Fully struck with great lustre and attractive pale golden toning

1912 ICCS MS-63. Fully struck with great lustre and light-medium golden mauve toning

1912, Uncirculated. Pale golden toned

1917C ICCS MS-63. A fully struck and strongly lustrous piece with pale golden toning. It is tied as the fourth highest graded by ICCS

1919C PCGS MS-64. A fully struck piece with great lustre and pale golden toning

1941C ICCS MS-65. This is a fully struck piece with great lustre and pale golden centres beautifully framed by light-medium blues and ambers. It is ti

1942C ICCS MS-62. Pale golden toning

1947C NGC MS-63. Near untoned

1947C ICCS MS-62. Untoned

1865, EF-AU. This is a very sharp, pale golden toned piece with much remaining lustre

1865, VF-EF. Light-medium rim toning

1872H ICCS EF-45. This is a very sharp piece with much remaining lustre and light rim toning. Among the ten highest graded by ICCS

1873, EF. This is a very sharp example with considerable remaining lustre and light blue rim toning

1881 Belzberg PCGS MS-62. This is a fully struck pale golden toned piece with great lustre and lightly cameoed devices on mirrored fields. It is one o

1882H PCGS EF-45. Considerable remaining lustre and medium golden olive toning

1888 ICCS EF-40. A sharp piece with light golden olive toning

1894 Obverse 1 and 2, F-VF. Plus Ten Cents 1890, VF. Three pale golden toned pieces

1896 Obverse 1, Large 96 ICCS AU-58. This is a very sharp and virtually fully lustrous pale golden toned piece. It is the solo highest graded example

1896 Obverse 1, Large 96 ICCS EF-45. This is a very sharp piece with much remaining lustre and attractive light-medium amber and blue rim toning. It i

1896 Obverse 2, Small 96, EF. A sharp example with light-medium golden toning

1896 Obverse 2, Small 96, EF, Scratches. Lightly toned with some light scratches on the obverse

1896 Obverse 2 Small 96 ICCS VF-30. This piece has considerable remaining lustre beneath medium-dark gun-metal toning

1899 Regular 99, EF-AU. A sharp example with much remaining lustre and light golden toning

1900 ICCS MS-62. This is a fully struck and strongly lustrous piece with attractive light-medium golden mauve toning. It is tied with one other as the

1904H ICCS AU-58. This is a very sharp and virtually fully lustrous pale toned piece. It is tied with one other as the sixth highest graded by ICCS

1904H PCGS EF-45. This is a sharp example with considerable remaining lustre and a light-medium mauve-gray toning

1904H, VF. Pale golden toning

1917C PCGS MS-64. This is a fully struck pale golden toned piece with great lustre. It is tied as the eighth highest graded by PCGS

1917C, Choice Uncirculated. A fully struck piece with great lustre and light rosy gold toning

1917C PCGS MS-62. Pale golden toning

1917C NGC MS-62. Pale golden toning

1917C lightly toned and Canada 10 Cents 1918 near untoned both ICCS AU-55

1919C ICCS MS-62. This is a fully struck and strongly lustrous piece with a light golden mauve toning. It is tied as the fifth highest graded by ICCS

1873, VF cleaned. Light-medium toned

1874 ICCS VF-20. Lightly toned

1881 PCGS MS-63. This piece has a slightly soft strike, with a bit of weakness on Victoria’s braid and in the centre of the reverse. It is strongly lu

1882H ICCS MS-63. This is a fully struck piece with great lustre and rather flawless surfaces that are attractively toned in light golds. It is tied w

1882H, EF lightly cleaned. This is a very sharp example with considerable remaining lustre and a light-medium mauve toning. Lightly hairlined

1885, F-VF. Light-medium toning

1888 ICCS VF-30. This is a sharp example with considerable remaining lustre. Lightly toned

1894 ICCS and PCGS MS-62. This is a fully struck and superbly lustrous piece with first strike mirrored fields. It is beautifully toned in pale golden

1894 PCGS EF-40. A sharp, lightly toned piece with some remaining lustre

1899 Wide 99, EF-AU, scratch. This is a very sharp, pale golden toned piece with much remaining lustre. There is a dull scratch across the portrait

1899 Narrow 99 PCGS EF-45. A sharp, pale toned piece with considerable remaining lustre

1899 Narrow 99 ICCS EF-40. A sharp piece with light-medium mauve-gray toning

1900, AU-Uncirculated. This is a very sharp and virtually fully lustrous piece with pale golden toning

1900 ICCS AU-50. This is a very sharp pale golden toned piece with much lustre

1900 PCGS AU-50. This is a very sharp pale golden toned piece with much lustre

1900 ICCS EF-45. This is a sharp piece with medium dark mauve-slate toning

1900 NGC EF-45. A sharp pale golden toned piece with much remaining lustre

1900, EF-AU. Another sharp pale golden toned piece with much remaining lustre

1900, EF-AU. Another sharp pale golden toned piece with much remaining lustre

1904H PCGS MS-64. This is a fully struck piece with great lustre on near flawless surfaces that are beautifully toned in light golden mauves with irid

1904H, Uncirculated to Choice Uncirculated. Fully struck, great lustre and pale golden toning

1907 ICCS MS-63. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the third highest graded by ICCS, and was previou

1907 CCCS EF-40, Scratch. Light-medium toning with a dull scratch on Edward’s neck

1908 ICCS MS-63. This is a fully struck piece with great lustre on light golden toned surfaces. It is tied as the seventh highest graded by ICCS

1908 PCGS MS-63. This is a fully struck and strongly lustrous light golden toned piece. It is tied as the sixth highest graded by PCGS

1908, AU-Uncirculated. Near fully lustrous with attractive pale golden toning

1911 ICCS AU-58. Near fully lustrous with attractive pale golden toning

1917C PCGS MS-63. This is a fully struck and strongly lustrous pale golden toned piece

1917C PCGS MS-63. This is a fully struck and strongly lustrous piece with light medium rim toning

1918C PCGS MS-62. This is a fully struck and strongly lustrous light golden toned piece

1918C NGC AU-50. Plus Newfoundland Five Cents 1880 NGC VG-8 and 1890 ICG F-15

1919C Belzberg PCGS MS-63. This is a fully struck piece with great lustre and very attractive pale golden toning with light ambers toward the rims. It

1919C PCGS AU-53. A very sharp pale golden toned piece with much remaining lustre

Half Cent 1861 ICCS AU-55. Very sharp

One Cent 1861 Large Bud PCGS MS-63 Red and Brown. This is a fully struck and nicely lustrous piece with mirrored fields. About 25% red

One Cent 1871 ICCS MS-64 Red. Slightly softly struck on the reverse, but with fully struck obverse beads. It is about 65% red

One Cent 1871 ICCS MS-63 Red and Brown. Slightly softly struck on the reverse, but with fully struck obverse beads. It is about 40% red

1858 ICCS VF-30. Light-medium toning

1858, 1880H Obverse 1 and 1903H, all CCCS F-15. Three pale to light-medium toned pieces

1870 Wide 0 CCCS EF-40. Remaining lustre in the protected areas, light toning

1870 Wide 0 CCCS VF-20 Harshly Cleaned, medium-darkly toned obverse and 1870 Narrow 0 CCCS VF-20 Cleaned, pale toning. Plus 1872H CCCS VG-10, Small Cl

1870 Narrow 0 ICCS AU-50. A sharp, pale golden toned piece with much remaining lustre

1871 ICCS VF-30. A sharp piece with considerable remaining lustre and attractive light toning. There are two significant rim cuds from a failed collar

1871 ICCS VF-30, Scratches. A sharp piece with considerable remaining lustre and light-medium toning. The letters PP scratched into Victoria’s neck. P

1871H CCCS VF-30. Medium-dark toning

1874H ICCS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that have a pale golden toning with light amber rim accent

1874H ICCS and PCGS MS-63. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the seventh highest by ICCS

1874H CCCS VF-30 and 1888 CCCS VF-20. Two lightly toned pieces

1875H CCCS VG-10. Light golden toning

1875H ICCS G-6, Planchet Flaw. A lightly toned piece with a delamination on the obverse

1880H Obverse 1 ICCS MS-62. A fully struck and nicely lustrous pale golden toned piece

1880H Obverse 2 ICCS EF-40. A light golden toned example of the scarcer obverse variety

1882H CCCS EF-40. Light gray toning

1883H ANACS VF-35. Lightly toned

1884 CCCS VG-8. Lightly toned

1884 PCGS VG-8. Medium toning