TOREX February 2008

1905 ICCS and PCGS MS-63. This piece has great lustre and is beautifully toned with peripheral ambers and iridescent blues framing pale golden centres

1905 ICCS AU-58. A near fully lustrous example with pale golden toning and light amber rim accents

1906 Large Crown, ICCS MS-63. Great lustre and attractive light golden olive toning. It is tied as the fifth highest graded by ICCS

1906 Large Crown, ICCS MS-62. A strongly lustrous piece with light golden toning

1906 Large Crown, ICCS AU-55. A near fully lustrous piece with pale golden toning

1906 Large Crown, EF lightly cleaned, planchet flaw. There is a lamination across Edward’s face

1907 ICCS MS-62. A nicely lustrous piece with an even pale golden toning

1907 Uncirculated. A strongly lustrous piece with a very attractive light golden toning with blues, ambers and violets toward the rims

1907 ICCS VF-30. Near untoned

1908 ICCS MS-62. A nicely lustrous piece with light-medium golden slate toning

1909 ICCS MS-63. A strongly lustrous piece with a very light golden toning

1909 ICCS MS-60. Lightly toned

1909, 1910 two pieces, 1911, 1917, 1919, 1929, 1930 and 1936 Dot. Nine pale to lightly toned pieces, VG to EF, mostly VF and better, and all with prob

1910 ICCS MS-62. Light golden toning

1911 ICCS MS-63. Pale golden toning

1912 ICCS MS-64. A medium golden olive toning. It is tied as the third highest by ICCS

1913 ICCS MS-62. Pale golden toning

1913 Uncirculated, rim bump. Pale golden toning with light amber and blue accents

1914 ICCS MS-64. Great lustre and an attractive light-medium golden olive toning. It is tied with four others as the highest graded by ICCS

1914 EF. Medium brown toned

1915 ICCS EF-40. A sharp example with attractive blue and amber rim toning

1915 four pieces, 1921 three pieces, 1927 four pieces and 1936 Dot three pieces. Total fourteen pale to light-medium toned key dates, Good to Fine

1916 ICCS MS-64. Pale golden toning. It is tied as the third highest by ICCS

1917 ICCS MS-64. Light golden toning

1917 AU-Uncirculated. Pale toning

1918 ICCS MS-64. Light golden toning

1918 Uncirculated. Light olive toning

1919 ICCS MS-63. Light golden toning

1919 Uncirculated. Nice rim toning

1920 ICCS MS-62. Pale golden toning

1927 ICCS MS-64. This piece has great lustre and a pale golden toning. It is tied with only three others as the highest graded by ICCS

1927 NGC AU-50. Much remaining lustre and attractive light golden amber and blue toning

1927 VF-EF Cleaned. Pale toned

1928 ICCS MS-64. Strongly lustrous with pale golden toning. It is tied fourth highest by ICCS

1929 ICCS-MS-63. Beautifully toned with pale golden centres wonderfully framed by ambers and iridescent blues toward the rims

1930 ICCS and PCGS MS-63. Strongly lustrous with light golden toning

1930 ICCS MS-62. Pale golden toning

1931 ICCS MS-63. Light golden toning

1932 ICCS MS-62. Pale golden toning

1932 two pieces, 1933 and 1935 two pieces. Five lightly toned pieces, all VF or better

1933 ICCS MS-62. Light golden toning

1934 ICCS MS-65. This is a superbly lustrous and near untoned piece. It is tied with two others as the highest graded by ICCS

1934 ICCS MS-63. Light golden toning

1934 ICCS MS-62. Light golden toning

1935 ICCS MS-63. Pale golden toning

1936 ICCS MS-65. Pale golden toning

1936 Uncirculated. Light golden toning

1936 Dot ICCS AU-50. Light golden toning

1937 ICCS MS-65. Pale golden toned. It is tied as the second highest by ICCS

1937 four pieces, 1938 two pieces, 1940, 1943 two pieces, 1944, 1949 and 1953 No Shoulder Fold four pieces. Total fifteen pale to lightly toned pieces

1938 ICCS MS-64. Attractively toned

1938 ICCS MS-63 and 1953 No Shoulder Fold ICCS MS-64. Two lightly toned pieces

1939 ICCS MS-65 Cameo. Attractive light amber and blue toning. It is tied as the third highest by ICCS

1939 ICCS MS-65. Pale golden toned. It is tied as the third highest by ICCS

1940 ICCS MS-65. Light golden toned. It is tied as the third highest by ICCS

1940 ICCS MS-65. Pale golden toned. It is tied as the third highest by ICCS

1940 ICCS MS-64 and 1956 ICCS PL-65 Cameo. Two pale to lightly toned pieces

1941 ICCS MS-65. Attractive light amber toning. It is tied as the fifth highest by ICCS

1942 ICCS MS-65 Cameo. Beautiful light amber toning. It is tied as the third highest by ICCS

1942 ICCS MS-65. Beautiful light amber and blue toning. It is tied as the third highest by ICCS

1942 ICCS MS-65. Near untoned. It is tied as the third highest by ICCS

1943 ICCS MS-65. Beautiful light golden mauve toning. It is tied as the fifth highest by ICCS

1943 and 1947 Maple Leaf two pieces, these three pieces all ICCS MS-64, one of the 1947s with a Rim Nick. Plus 1944 ICCS AU-50. Total four pale toned

1944 ICCS MS-65. Pale golden toned. It is tied as the third highest by ICCS

1944 ICCS MS-65. Beautiful light rosy gold toning. It is tied as the third highest by ICCS

1944 and 1946. Two lightly toned pieces, both Choice Uncirculated

1945 ICCS MS-65. Very pale golden toned. It is tied as the second highest by ICCS

1946 ICCS MS-65. Pale golden rim toning. It is tied as the third highest by ICCS

1947 Maple Leaf, PCGS SP-64. Light-medium magenta toning with iridescent blues

1947 Maple Leaf ICCS MS-65. Near untoned. It is tied as the second highest by ICCS

1948 PCGS SP-67. A superbly lustrous and near untoned piece with heavy cameos. It is tied with three as the highest graded by PCGS

1948 ICCS MS-66. Very pale golden toned. It is tied as the fourth highest by ICCS

1950 ICCS MS-65. Very pale golden toned. It is tied as the fifth highest by ICCS

1951 High Relief ICCS SP-66 Pittman. Very pale golden toned. It is tied as the highest by ICCS

1951 Low Relief ICCS PL-65. Very pale golden toned. It is tied as the seventh highest by ICCS

1951 High Relief ICCS MS-65. Light golden toning with amber and blue accents. It is tied as the highest graded by ICCS

1952 Low Relief ICCS MS-64 with beautiful light-medium magenta toning and 1952 Low Relief Doubled HP ICCS MS-60 untoned. Two pieces

1952 High Relief ICCS MS-64. Near untoned. Tied as the third highest attributed by ICCS

1953 No Shoulder Fold ICCS MS-65. Attractive light golden olive toning. Tied as the highest by ICCS

1953 Shoulder Fold ICCS MS-64 Heavy Cameo. Near untoned. Tied as the seventh highest by ICCS

1953 Shoulder Fold Doubled Date ICCS MS-63. Light amber toning

1954 and 1955. Two pale toned pieces, both Very Choice Cameo Proof-Like

1954 ICCS MS-65. Very pale golden toning. It is tied with only five others as the highest by ICCS

1954 ICCS MS-64 Cameo. Light golden toning. It is tied as the sixth highest by ICCS

1955 ICCS MS-65 Ultra Heavy Cameo. Pale golden toned. It is tied as the highest by ICCS

1955 ICCS MS-65. Light golden olive toning. It is tied as the highest by ICCS

1955 Double 1955, ICCS MS-65. Near untoned. It is tied as the highest of the date by ICCS

1955 ICCS MS-64. Attractively toned

1955 Double Date ICCS MS-63. Pale toned

1956 ICCS PL-66 Cameo. Light golden toning with iridescent blues on the reverse

1956 ICCS PL-65, 1958 ICCS PL-65 Cameo, 1959 ICCS PL-65 Heavy Cameo, 1959 ICCS PL-64 Heavy Cameo, 1960 ICCS PL-64 Cameo, 1962 ICCS PL-65 Cameo and 196

1956, 1957, 1959, 1960, 1962, 1963 and 1964. Seven pale to lightly toned pieces, all Choice to Very Choice Proof-Like with light to heavy cameos

1956 ICCS MS-65. Near untoned. It is tied as the second highest by ICCS

1957 pale toned and 1958 near untoned, both ICCS MS-65. The 1957 is tied second, the 1958 is tied as the highest graded by ICCS

1959 ICCS PL-67 Ultra Heavy Cameo. Very pale golden toning. It is the solo highest by ICCS

1959 ICCS MS-65. Very pale golden toning. It is tied as the highest by ICCS

1960 ICCS MS-65 Cameo. Very pale golden toning. It is tied as the highest by ICCS

1961 ICCS MS-65 Cameo. Very pale golden toning. It is tied as the highest by ICCS

1962 ICCS MS-65. Pale golden toning. It is tied as the highest by ICCS

1962 ICCS MS-65 Ultra Heavy Cameo. Superbly toned with Elizabeth white, surrounded by medium blue fields and iridescent magentas at the rims, offering