October 2008 Torex

1953 No Shoulder Fold ICCS MS-65. A pale golden toned piece that is tied with ten as the highest by ICCS

1953 No Shoulder Fold, 1958 and 1963, all ICCS MS-64, the 1963 with light-medium toning

1953 No Shoulder Fold ICCS MS-63 Cameo with light golden rim toning and 1954 ICCS MS-64 pale toned

1953 Shoulder Fold Very Choice Cameo Proof-Like. A near untoned piece

1953 Shoulder Fold ICCS MS-65. Beautifully toned in light golden ambers with overtones and accents in iridescent blues and violets. It is tied as the

1953 Shoulder Fold ICCS MS-65. A lightly toned example that is tied as the highest graded by ICCS

1953 Shoulder Fold ICCS MS-65. A lightly toned example that is tied as the highest graded by ICCS

1953 Shoulder Fold ICCS MS-65. A lightly toned example that is tied as the highest graded by ICCS

1953 Shoulder Fold ICCS MS-64 Heavy Cameo. A lightly toned example

1953 Shoulder Fold ICCS MS-64. Pale toned

1954 ICCS PL-66 Heavy Cameo. Light golden rim toning. It is tied as the fourth highest graded by ICCS

1954 ICCS PL-66 Heavy Cameo. A near untoned piece that is tied as the fourth highest graded by ICCS

1954 ICCS PL-66 Heavy Cameo. Light golden rim toning. It is tied as the fourth highest graded by ICCS

1954 ICCS PL-65 Heavy Cameo. Pale toned

1954 ICCS PL-65 Cameo. Lightly toned

1954 ICCS PL-65 Cameo. Near untoned

1954 ICCS PL-65 Cameo. Near untoned

1954 ICCS PL-64. Light golden toning

1954 ICCS PL-64. Near untoned

1954 Choice Heavy Cameo Proof-Like. Light-medium golden olive and blue toning

1954 ICCS MS-64 Cameo. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1955 ICCS PL-66 Cameo. Pale golden toning

1955 ICCS PL-65 Heavy Cameo. Near untoned but for a light amber toning accent on the reverse

1955 ICCS PL-65. Pale golden toning

1955 ICCS PL-64 Cameo. Light golden toning

1955 Very Choice Cameo Proof-Like. Pale toned

1955 and 1956, both pale toned ICCS PL-64, the 1955 with a Cameo

1955 ICCS MS-65. A light golden toned piece that is tied with five others as the highest graded by ICCS

1955 pale toned and 1958 light golden toned. Two pieces, both ICCS MS-64 Cameo

1955 and 1958, both pale toned ICCS MS-64

1955 and 1958, both pale toned ICCS MS-64

1955, 1957, 1962, 1965 Type 2, 1965 Type 3, 1965 Type 5 and 1967. Seven pale toned pieces, all ICCS MS-63

1955 Arnprior ICCS PL-66 Cameo. A near untoned piece that is tied with one other as the second highest by ICCS with only a 66 Ultra Heavy Cameo higher

1955 Arnprior ICCS PL-65. Near untoned

1955 Arnprior With Die Breaks ICCS MS-64. Light golden toned. It is tied as the highest graded by ICCS

1955 Arnprior With Die Breaks ICCS MS-64. Pale golden toned. It is tied as the highest graded by ICCS

1955 Arnprior With Die Breaks ICCS MS-64. Light golden toned. It is tied as the highest graded by ICCS

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks, Uncirculated. A very light golden toned example

1956 ICCS PL-66 Cameo. Light golden rim toning

1956 ICCS PL-66 Cameo. Very pale toning

1956 ICCS PL-65 Heavy Cameo. Light rim toning