Hollywood Auction 43

(M-G-M, Oct., 1929) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from The Divorcee by George Hurrell; with EASTMAN- KOD

(M-G-M, 1934) Black-and-white 8 x 10 in. copy negative on safety film of Norma Shearer from Riptide by George Hurrell; with EASTMAN-NITRATE-KODAK etch

Black-and-white 8 x 10 in. camera negative on safety film of Ann Sheridan by George Hurrell; with EASTMAN-SAFETY-KODAK etched on the border, A.S.486 i

(M-G-M, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from Riptide by George Hurrell; with EASTMAN-NITRATE-KODAK e

Black-and-white 8 x 10 in. camera negative on safety film of Ann Sheridan by George Hurrell; with EASTMAN-SAFETY-KODAK etched on the border, A.S.732 i

Black-and-white 8 x 10 in. camera negative on safety film of Ann Sheridan by Scotty Welbourne; with EASTMAN-SAFETY-KODAK etched on the border and exte

(Paramount, 1944) Two black-and-white 8 x 10 in. camera negatives on safety film of Barbara Stanwyck from Double Indemnity by Bud Fraker; with EASTMAN

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Johnny Weissmuller by Tarzan, the Ape Man; with MG-19635 MGM in India ink

(M-G-M, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Johnny Weissmuller by Tarzan and His Mate; with EASTMAN-NITRATE-KODAK etch

(CBS, 1942) Two black-and-white 8 x 10 in. camera negative on safety film of Orson Wells by Ted Allan; with EASTMAN-SAFETY-KODAK etched on the border

(Paramount, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Daughter of the Dragon by Otto Dyar; with AFGA NITR

(Paramount, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Daughter of the Dragon by Otto Dyar; with AFGA NITR

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Limehouse Blues by Otto Dyar; with EASTMAN-NITRATE-

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Limehouse Blues by Otto Dyar; with EASTMAN-NITRATE-

(Paramount, 1920) (7) Gelatin silver prints, 8 x 10” (made as contact prints at the time from 8 x 10” negatives) representing John Barrymore as both

(Universal Pictures, 1923) (2) Vintage platinum prints, 7.25 x 9.25”, depicting Lon Chaney in full character makeup, which he himself designed for th

(Universal Pictures, 1923) (16) Gelatin silver prints 8 x 10”, various glossy and matte, single- and double-weight, some sepia. Representing a range

(United Artists, 1922, 1927) (9) Gelatin silver glossy prints, 8 x 10”, including portraits of Douglas Fairbanks Sr. in Robin Hood (4), and both portr

(MGM, 1930) (2) Gelatin silver semi-gloss double-weight 10 x 13” portrait prints of Greta Garbo by George Hurrell for her second talking film, Romanc

(United Artists, 1926) (32) Silver bromide double-weight prints, (5) measuring 7 x 9” with hand-deckled edges and Mary Pickford’s own “OK” and initia