Hollywood Auction 43

(Paramount Pictures, 1981) Original cloth-board bound complete revised fifth-draft script for Raiders of the Lost Ark. This incredible piece was use

(Universal, 1983) Metal skeleton key with attached “1” key ring seen hanging on the board of the Bates Motel when Anthony Perkins “Norman” returns fro

(Warner Bros., 1982) Miniature cityscape detail panel measuring 12 in. square. Constructed of wood with molded resin applied components to appear ind

(Universal, 1982) This is an extremely rare, iconic piece of film history - one of the stunt fiberglass special effects swords used by Arnold Schwarze

(Warner Bros., 1982) Matte painting was painted on top of a photo sensitive paper that was mounted on Masonite. Measures 80 in. x 38 in. Also includ

(Warner Bros., 1982) Original production material for the Esper photo analysis sequence photos, plates, paperwork, wedges and roll of completed 35mm f

(Warner Bros., 1982) Rather than shooting the models on the motion control stand, these high resolution 4 x 5 in. transparencies were animated and ref

(Warner Bros., 1982) Original concept sketches (two on one page) by director Ridley Scott (dubbed “Ridleygrams” by the Blade Runner crew) of Deckard’s

(Warner Bros., 1982) Original concept sketch by Ridley Scott (called a “Ridleygram” by the Blade Runner crew) of the advertising blimp seen at the beg

(Warner Bros., 1982) Master set of FX Storyboards from EEG “war room” - notes FX progress and status of each shot and with handwritten notes. Also in

(Warner Bros., 1982) Collection of 100+ 65mm frame blowups from FX shots. Some with written notes in greasepencil. Most measure 20 in. x 8 in., with

(Warner Bros., 1982) 20 in. x 8 in. frame blowup of FX plates, with matte painting concepts painted directly on the photo by Syd Mead. The photo blow

(Warner Bros., 1982) 6 total. 65mm frame blowups of Tyrell building miniature and Hades landscape miniature used to create concepts for matte paintin

(Warner Bros., 1982) 16 in. x 20 in. Ektacolor print of Tyrell pyramid at night with custom airbrush atmosphere work by Cy Didjurgis. Also, three (3)

(Warner Bros., 1982) 20 in. x 8 in. frame blowup of FX plates, with matte painting concepts painted directly on the photo by Syd Mead. The photo blow

(Warner Bros., 1982) 20 in. x 8 in. frame blowup of FX plates, with matte painting concepts painted directly on the photo by Syd Mead. The photo blow

(Warner Bros., 1982) 20 in. x 8 in. frame blowup of FX plates, with matte painting concepts painted directly on the photo by Syd Mead. The photo blow

(Warner Bros., 1982) 20 in. x 8 in. frame blowup of FX plates, with matte painting concepts painted directly on the photo by Syd Mead. The photo blow

(Warner Bros., 1982) 20 in. x 8 in. frame blowup of FX plates, with matte painting concepts painted directly on the photo by Syd Mead. The photo blow

(Warner Bros., 1982) Lot of original artwork (Kodaliths, and pen on paper) used by the EEG modelshop to generate acid etch brass sheets for the Tyrell

(Warner Bros., 1982) Pair of original pencil sketches of Hades landscape with Tyrell Pyramid in distance by Tom Cranham in larger storyboard size. Al

(Warner Bros., 1982) Potentially one of the most memorable costumes worn by Harrison Ford as “Rick Deckard” while he administers the Voight-Kampff tes

(Warner Bros., 1982) Padded black leather leggings with four rear buckles and foam rubber attached spikes. Worn by “Zhora,” during the iconic sequenc

(Warner Bros., 1982) Pair of custom made hats worn by actors on the streets of the city in Blade Runner. Tan “Moebius” style soft cap with padded ear

(Warner Bros., 1982) Pair of custom made hats worn by actors on the streets of the city in Blade Runner. Rigid “Moebius” style hat of pleated brown m

(Warner Bros., 1982) Black quilted polyester Police flack vest with rigid resin “armor” appliances. Attached “D68” patch at right shoulder, “Police 9

(Warner Bros., 1982) Set of 7 storyboard books featuring copies of Sherman Labby's storyboards from Blade Runner. Issued to Doug Trumbull at the begi

(Universal, 1984) Collection of six hand-drawn visual effects storyboards accomplished in pencil, ink and gouache on leaves of artist’s illustration p

(Universal, 1984) Kodan warrior equipment belt of orange cloth with metal buckle, hard rubber appliances and removable prop communicator made from res

(MGM, 1984) Collection of 25+ 65mm frame blowups from FX shots in 2010. Used primarily for publicity and stills purposes, these prints were created d

(MGM, 1984) Three original concept illustrations of Jupiter’s moon Europa from 2010. Airbrush on black matte board in 70mm aspect ratio. Each measur

(MGM, 1984) 12 b&w print copies of various Syd Mead concepts, being production used copies on high quality glossy paper. Includes renderings of the L

(MGM, 1984) This is the first study model made of the Russian space ship Leonov, meticulously following Syd Mead’s designs (copies of which are glued

Cinefex magazine began publishing in 1980, and quickly established itself as the premiere magazine of the visual effects field. In-depth coverage, in

60+ items total. Used primarily for publicity and stills purposes, these prints were created directly off of the 65mm negatives of composites and pla

(Columbia, 1984) Original Ghostbusters storyboard artwork by John Bruno featuring a Terrordog in the hallway outside Louis’ apartment. Accomplished i

(Columbia, 1984) Collection of five (5) Gozer Temple sequence concept artwork. Uses 65mm frame blowups of various plates. Used to check lineup and c

(TCF, 1985) Life preserver from Steve Guttenberg “Jack Bonner’s” boat, the Manta III. Inscribed in ink by the visual effects construction coordinator

(Paramount, 1985) Bloodletting visual effects machete used by the copycat killer in the film. Constructed of a metal blade with resin handle, the vis

(TCF, 1986) This awesome display depicts the final moments of Thunder, one of the superhuman ninjas sent to defeat Kurt Russell in John Carpenter's ma

(Wolfkill, 1985) An instantly recognizable wardrobe item from this popular comedy, this is the “Scott Howard” hairy bodysuit from the Michael J. Fox f

(Cannon Films, 1986) 1986 was Dennis Hopper’s comeback year. In addition to his Oscar-nominated role in Hoosiers and his acclaimed performance in Blu

(Paramount, 1986) Four (4) original hand-drawn storyboards, accomplished in pencil on leaves of 8 ½ in. x 11 in. artist’s vellum depicting MiGs...

(MGM, 1986) Constructed of heavy plaster and concrete, this maquette was designed and created by H.R. Giger in his Swiss studio, then shipped to the p

(TCF, 1986) Original storyboard from Aliens depicting the drop ship tumbling toward the alien world landscape. Accomplished in pencil on an 8 ¼...

(TCF, 1986) Original storyboard from Aliens depicting the drop ship approaching A.P. Station. Accomplished in pencil, ink and wash on an 8 ¼ i...

(MGM, 1986) Pair of 28 in. x 41 in. Ektacolor prints of H.R. Giger concept artwork from Poltergeist 2: The Other Side. Mounted on ¼ in. plywood.

(De Laurentiis Entertainment, 1986) Resin shackles and prop chain hand painted and detailed to look like weathered iron. Housed in a custom Plexiglas

(TCF, 1986) Pair of vehicle filming miniatures: a crane and “fruitcart” as the crew called it. Used on the miniature set of Hadley’s Hope and visible

(TCF, 1986) Pair of vehicle filming miniatures: a twin-armed robo-tractor and yellow transport. Used on the miniature set of Hadley’s Hope and visibl