Fine Art Furniture Sale

A 1920'S BERGERE THREE PIECE SUITE, with shaped mahogany backs and arms with cane infill, decorated with carved acanthus and chinoiserie lacquer...

AN EARLY NINETEENTH CENTURY MAHOGANY CANTERBURY WHAT-NOT with three square tiers and turned supports, the lower tier with double partitions for magazi

A LATE NINETEENTH CENTURY GILTWOOD THREE SEATER SOFA, the carved serpentine cresting rail with outswept arms following down to scrolled supports and c

A LOUIS XV WALNUT SIDE CHAIR, the back and seat upholstered in floral needlework on a yellow background, with carved and shaped rails standing on stif

A MID VICTORIAN MAHOGANY SECRETAIRE WELLINGTON CHEST, the thumb moulded top over a crossbanded frieze, the pilasters with carved corbels and an arrang

A VICTORIAN BURR WALNUT WRITING TABLE IN LOUIS XVI TASTE, the serpentine shaped top with multiple bandings of burr walnut and tulipwood, inset with a

AN EDWARDIAN MAHOGANY LADIES WRITING DESK IN THE FRENCH ROCOCO TASTE, the carved mirrored back with central shelf flanked by a pair of blind fretwork

AN EDWARDIAN ROSEWOOD CARLTON HOUSE STYLE WRITING DESK, the top with a pair of nests of drawers with inlaid baskets of flowers united by a bobbin turn

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the upper section with chinoiserie style fretwork supporting two graduated shelves, the base with six drawe

A FINE NINETEENTH CENTURY EAST INDIAN SATINWOOD AND ANDERMAN PADOUK BREAKFRONT BOOKCASE, the ogee moulded cornice with satinwood crossbanded frieze, o

A REGENCY MAHOGANY SABRE LEGGED ELBOW CHAIR, the bar back with brass line inlay, the lumber rail with 'C' scroll decoration, the central tab...

A WILLIAM IV MAHOGANY SINGLE CARVER CHAIR, the gadrooned carved cresting rail with a carved and pierced lumber rail, the downswept double reed moulded

A VICTORIAN MAHOGANY PARTNERS DESK, the rectangular green rexine lined top over a pair of pedestals with five drawers either side with original gadroo

A LATE GEORGE III MAHOGANY TAMBOUR DESK, the rectangular top with a tambour front opening to reveal an interior of birch fronted drawers and pigeonhol

A GEORGE I WALNUT SECRETAIRE CHEST OF DRAWERS, the quartered top with crossgrain moulding above a double panelled herringbone fall front secretaire dr

A MID VICTORIAN WALNUT WRITING TABLE IN FRENCH TASTE, the serpentine shaped top with a central green leather lined writing surface, flanked by two wal

A MID VICTORIAN SECRETAIRE BOOKCASE, the ogee moulded cornice above a pair of glazed doors flanked by flamed fronted pilasters, secretaire drawer with

AN EARLY EIGHTEENTH CENTURY AND LATER WALNUT CHEST ON STAND, the broken ogee moulded cornice with an arrangement of three short and three long, gradua

AN EARLY NINETEENTH CENTURY MAHOGANY BOWFRONT CHEST OF DRAWERS, the plain caddy top with crossbanded and black line inlaid frieze, above an arrangemen

AN EARLY NINETEENTH CENTURY MAHOGANY STRAIGHTFRONT CHEST OF DRAWERS, the boxwood edged top above an arrangement of two short and three long, graduated

AN EARLY VICTORIAN MAHOGANY LINEN PRESS, the moulded cornice with a plain frieze over a pair of round topped recessed panelled doors, opening to revea

AN EARLY EIGHTEENT CENTURY WALNUT CHEST OF DRAWERS, on later reconstructed stand, the crossgrained and moulded cornice above an arrangement of three s

AN EARLY NINETEENTH CENTURY MAHOGANY LINEN PRESS, POSSIBLY CHANNEL ISLANDS, the unusually shaped cornice above a pair of inset panelled doors, opening

AN EARLY NINETEENTH CENTURY MAHOGANY CORNER WASHSTAND, the shaped back and top with cut-out for bowls and beakers, the central tier with a drawer supp

A GEORGE I WALNUT CHEST OF DRAWERS, FORMERLY PART OF A TALLBOY, the oak top above two short and three long, graduated drawers, with ash herringbone in

AN EARLY NINETEENTH CENTURY MAHOGANY CHILDS CORRECTION CHAIR, the squared back and seat with fine rattan caneing, supported on turned legs and stretch

A GEORGE III MAHOGANY WASHSTAND-NIGHT TABLE, the flame mahogany veneered bi-fold top opening to reveal an interior with a rising mirror and cut outs f

A GEORGE IV MAHOGANY LINEN PRESS, the moulded cornice with a plain frieze, above a pair of recessed panelled doors with ebonised beaded decoration, op

A GEORGE III MAHOGANY CHEST ON CHEST, the moulded cornice with plain crossbanded frieze, the top section with two short and three long, graduated draw

A REGENCY MAHOGANY BOWFRONT POT CUPBOARD IN THE GILLOWS STYLE, the three quarter reeded gallery with pierced handles holes, above a figured mahogany d

A NINETEENTH CENTURY MAHOGANY NIGHT TABLE, the galleried top with pierced handle holes above a plain fronted door opening to reveal a void interior on

AN EARLY NINETEENTH CENTURY MAHOGANY SECRETAIRE CHEST OF DRAWERS, the plain rectangular top above a central fall front secretaire drawer opening to re

A DUTCH LATE NINETEENTH CENTURY GREEN HEART SEMANIER of typical seven graduated drawer form with circular gilt brass handles and escutcheons, the pila

A NINETEENTH CENTURY SRI LANKAN KIST IN JACKWOOD AND EBONY, the ebony moulded top with decorative hinges opening to reveal a void interior, the plain

AN EARLY NINETEENTH CENTURY MAHOGANY BOWFRONT CHEST, the satinwood crossbanded top above an arrangement of two short over three long, graduated drawer

A LATE REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS, the crossbanded top with a black line inlaid frieze, having two short and three long flame fronted

AN EARLY EIGHTEENTH CENTURY PORTUGUESE RIO ROSEWOOD BED, the elaborately turned and carved headboard with numerous barley sugar finials and foliate st

A LARGE GEORGE IV MAHOGANY BOWFRONT CHEST OF DRAWERS, the reeded top above two short and three long graduated drawers with original pressed and gilt b

A LATE NINETEENTH CENTURY FRENCH LADIES POUDEREUSE, with a cube inlaid and crossbanded top, the central portion opening to reveal a mirror with side f

A NINETEENTH CENTURY CARVED GILTWOOD CONVEX MIRROR, the eagle cresting standing on a rockwork base, with typical surround with ball decoration and ebo

A WILLIAM AND MARY STYLE MARQUETRY CUSHION MIRROR, the frame with arabesque marquetry with a crossgrained moulding, enclosing a rectangular bevel edge

A LARGE LATE NINETEENTH CENTURY PIER GLASS, the rococo gilt composition cresting with an arched top frieze, the frame with a white painted and gilt de

A NINETEENTH CENTURY GILTWOOD CONVEX MIRROR, the ho-ho bird cresting flanked by carved acanthus scrolls, with typical surround with ball decoration an

AN EARLY NINETEENTH CENTURY TOILET MIRROR, the oval back with shaped horns, the base with a broken bowfront outline, with satinwood decoration and thr

A LATE GEORGIAN MAHOGANY PIER GLASS, the broken arch shaped cresting with a crossbanded frieze and a reeded surround to the bevel edged plate, with a

A LATE GEORGE III WALNUT FRETWORK MIRROR, the shaped cresting and crossgrained moulded border to the original mercury plate, with a fretwork lower sec

A NINETEENTH CENTURY GILTWOOD CONVEX MIRROR, the reeded border with a hollow moulding with gilt ball decoration and ebonised reeded slip, with origina

A NINETEENTH CENTURY CARVED GILTWOOD MIRROR IN THE FLORENTINE TASTE, the frame profusely carved with acanthus and oak leaf decoration, with later over

A GEORGE III MAHOGANY FRETWORK MIRROR, the shaped and pierced cresting with a restored giltwood ho-ho bird, the plate flanked by carved and gilt fruit

AN EIGHTEENTH CENTURY WALNUT TOILET MIRROR, the rectangular crossgrained frame over a figured walnut base with a single drawer standing on bracket fee