Hollywood Auction 43

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Red Headed Woman by Clarence Sinclair Bull; with EASTMAN-

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Red Dust by Clarence Sinclair Bull; with B8380 in India i

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Red Dust by Clarence Sinclair Bull; with EASTMAN-NITRATE-

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Red Dust by Clarence Sinclair Bull; with EASTMAN-NITRATE-

(M-G-M, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from The Girl from Missouri by Clarence Sinclair Bull; with MA

(M-G-M, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from The Girl from Missouri by George Hurrell; with EASTMAN-

(M-G-M, 1935) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from China Seas by Clarence Sinclair Bull; with EASTMAN-NITRAT

(M-G-M, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Hold Your Man and Dinner at Eight by Harvey White; with E

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Red Headed Woman by George Hurrell; with MG23432 in India

(Columbia, 1944) Black-and-white 8 x 10 in. camera negative on safety film of Rita Hayworth from Cover Girl by Robert Coburn; with DEFENDER-SAFETY etc

(Columbia, 1946) Black-and-white 8 x 10 in. camera negative on safety film of Rita Hayworth from Gilda by Robert Coburn; with DEFENDER-SAFETY etched o

(RKO, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Katharine Hepburn from Bill of Divorcement by Ernest A. Bachrach; with EASTM

(RKO, 1934) Two black-and-white 8 x 10 in. camera negatives on nitrate film of Katharine Hepburn from Spitfire by Ernest A. Bachrach; with EASTMAN-NIT

(RKO, 1935) Black-and-white 8 x 10 in. camera negative on nitrate film of Katharine Hepburn from Sylvia Scarlett by Ernest A. Bachrach; with EASTMAN-N

(RKO, 1937) Black-and-white 8 x 10 in. camera negative on nitrate film of Katharine Hepburn from Stage Door by Ernest A. Bachrach; with KH-605 in Indi

(RKO, 1938) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Bringing Up Baby by Ernest A. Bachrach; with BU-Adv-21

(M-G-M, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Woman of the Year by Clarence Sinclair Bull; with SE

(M-G-M, 1941) Two black-and-white 8 x 10 in. camera negatives on safety film of Katharine Hepburn with Spencer Tracy from Woman of the Year by Clarenc

(M-G-M, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Woman of the Year by Clarence Sinclair Bull; with OC

(M-G-M, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Woman of the Year by Clarence Sinclair Bull; with EA

(M-G-M, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Woman of the Year by Clarence Sinclair Bull; with EA

(M-G-M, 1941) Two black-and-white 8 x 10 in. camera negatives on safety film of Katharine Hepburn from Keeper of the Flame by Clarence Sinclair Bull;

(M-G-M, 1941) Two black-and-white 8 x 10 in. camera negatives on safety film of Katharine Hepburn from Keeper of the Flame by Clarence Sinclair Bull;

(M-G-M, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Keeper of the Flame by Clarence Sinclair Bull; with

(Columbia, 1937) Black-and-white 8 x 10 in. camera negative on safety film of Katharine Hepburn from Holiday by Robert Coburn; with ©-C.P.CORP....

(Paramount, 1931-32) Eight black-and-white 8 x 10 in. camera negatives on nitrate and safety film of Miriam Hopkins from The Smiling Lieutenant and Tr

(M-G-M, 1935) Black-and-white 8 x 10 in. camera negative on nitrate film of Peter Lorre from Mad Love by Lynch; with EASTMAN-NITRATE-KODAK etched and

(Universal, 1935) Black-and-white 8 x 10 in. camera negative on nitrate film of Boris Karloff from Bride of Frankenstein by Jack Freulich; with 729-P.

(Universal, 1935) Black-and-white 8 x 10 in. camera negative on nitrate film of Boris Karloff from Bride of Frankenstein by Jack Freulich; with 729-P.

(Paramount, 1942) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from The Glass Key by Robert Richee; with EASTMAN-SAFETY-

(Paramount, 1942) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from The Glass Key by Robert Richee; with EASTMAN-SAFETY-

(Paramount, 1942) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from The Glass Key by Robert Richee; with EASTMAN-SAFETY-

(Paramount, 1942) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from The Glass Key by Robert Richee; with EASTMAN-SAFETY-

(Paramount, 1942) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from I Married a Witch by Robert Richee; with EASTMAN-SAF

(Paramount, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from I Wanted Wings by A.L. Whitey Schafer; with EASTMAN-

(Paramount, 1941) Black-and-white 8 x 10 in. camera negative on safety film of Veronica Lake from I Wanted Wings by A.L. Whitey Schafer; with EASTMAN-

Black-and-white 8 x 10 in. camera negative on nitrate film of Miriam Hopkins by Eugene Robert Richee; with EASTMAN-NITRATE-KODAK etched on the border,

(Paramount, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from Safety in Numbers by Otto Dyar; with P1202-15 in I

Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard by Otto Dyar; with EASTMAN-SAFETY-KODAK etched on the border, P1202-145 i

(Paramount, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from Sinners in the Sun by Otto Dyar; with AFGA NITRATE

(Paramount, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from The Eagle and the Hawk by Otto Dyar; with AFGA NIT

(Paramount, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from The Eagle and the Hawk by Otto Dyar; with AFGA NIT

(Paramount, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from The Eagle and the Hawk by Eugene Robert Richee; wi

Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard by Otto Dyar; with AFGA NITRATE FILM etched on the border, P1202-299 in I

Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard by Eugene Robert Richee; with AFGA NITRATE FILM etched on the border, P12

(Paramount, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from White Woman by Eugene Robert Richee; with P1202-54

(Paramount, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from White Woman by Eugene Robert Richee; with P1202-55

(Paramount, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from White Woman by Eugene Robert Richee; with P1202-55

Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard by Eugene Robert Richee; with EASTMAN NITRATE etched on the border, P1202

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from Twentieth Century by Eugene Robert Richee; with EA