Hollywood Auction 43

(Universal International, 1955) Gouache on 20 x 30” heavyweight gesso-coated Masonite, lush and richly colored design of theatrical poster art for th

(Universal International, 1954) Gouache on 20 x 30” heavyweight gesso-coated Masonite, with 5.5 x 5.5” portrait on paper affixed, for the Anthony Mann

(CBS-TV, 1957-1960) Custom-made gray, black, chocolate-brown, and mocha-brown Japanese kimono robe with horizontal stripes, a matching waist sash, and

(CBS TV, 1959-64) (64) original vintage Gelatin silver prints, 7 x 9”(standard format for television publicity stills) most with original studio desc

2 pp typed contract, on MGM letterhead stationery, dated January 12, 1960, between Rod Serling and Metro-Goldwyn-Mayer Pictures regarding screenplay w

(ITV, 1966-1967) Hat by Herbert Johnson in dark grey fur, size 7 5/8, silk lining and inner leather hatband. Signed on the inner hatband by Patrick M

(NBC-TV, 1962-1992) A large single panel of Johnny Carson’s memorable monologue curtains measuring 16 ft. tall x 13 ft. long featuring alternating bri

(NBC-TV, 1957-65) Airbrush and gouache-enhanced 19.5 x 26” browntone as camera-ready art for the credits sequence which introduces Robert Horton, co-

(NBC-TV, 1962-1992) A set of Johnny Carson white pencils measuring 8 in. long, with “The Tonight Show Starring Johnny Carson” imprinted in black ink a

(NBC Productions, 1962-92) Collection of (5) detailed set design paintings, (2) technical drawings for individual skits, (1) painted miniature prop b

(ABC-TV, 1962-1967) This iconic piece of art features Rick Jason as “Lt. Hanley” as seen in the opening credits for each episode of the popular 1960s

(CBS-TV, 1964-1966) Family home door knocker measuring 15 in. tall x 7 in. wide carved out of wood in the likeness of a ferocious lion head and aged w

(Kayro-Vue Productions, 1964) Hand painted title credit art in heavy dripping impasto for effect, for the 10/22/1964 episode of The Munsters which wa

(NBC-TV, 1965-69; CBS-TV, 1969-70). A Smith & Wesson .38 Special snub-nose revolver. Comes with a letter of authenticity from Ellis Prop &...

(CBS-TV,1965-1969) Six original large format blueprints and drawings for sets created in the production of The Wild Wild West and the two movies: Wil

ABC-TV, 1966-1968) Conceptual painting measuring 20 in. tall x 30 in. long on white illustration board featuring a long, rectangular gold banner that

(CBS-TV, 1965-1968) Complete set of scripts for all 83 episodes aired, 2 drafts for the Pilot film, and 10 working scripts that were the personal copi

(CBS-TV, 1965-1968) Pale green velour tunic with red ribbed collar and chest and front zip closure and integral dance strap worn by Guy Williams as “P

(CBS-TV, 1965-1968) Tan velour tunic with green, lavender and yellow stripes on the right sleeve and integrated yellow ribbed undertunic worn by Guy W

(NBC-TV, 1966-1968) Archive of original promotional glossy 5 x 7 in. and 8 x 10 in. photographs of Davy Jones, Mike Nesmith, Micky Dolenz and Peter To

(ABC-TV, 1967-1968) This hero spaceship navigation rack and computer chips were used in the season 2 episode, “The Saucer.” Constructed of wood, pain

(ITC, 1967-1968) Captain Grey articulated puppet head with movable eyes, constructed of resin skin, hand-painted and detailed, with real hair for the

(ABC-TV, 1967-1968) This exceedingly rare pistol was used by the alien “Invaders” in their battle against “David Vincent,” portrayed by Roy Thinnes.

(ABC-TV, 1968-1970) Signature red tunic, red pants and epaulettes worn by Gary Conway as “Capt. Steve Burton.” The tunic has full red satin lining, f

(ABC-TV, 1968-1970) Signature beige tunic and skirt worn by Heather Young as “Betty Hamilton.” The tunic has front zip and hook-and-eye closure (one

(Thames-TV, 1969-1989) These glasses were worn on screen by Benny Hill as television producer “Fred Scuttle.” The thin style glasses were an integral

Pair of April, 1976 issues of Playbill, signed in ink by the cast of Monty Python Live! One is signed by Michael Palin and Terry Jones, the other sig

(CBS-TC, 1977-1979) “Daily Bugle Founded 1895” wooden sign painted to appear like bronze which hung outside the Daily Bugle building in The Amazing Sp

(CBS-TV, 1978-82) Collection of eight color 3 ½ in. x 4 ¾ in. and 5 in. x 7 in. on-set candid photographs of Lou Ferrigno and Bill Bixby ...

(ABC-TV, 1978-1979) Cylon Raider filming miniature built by the visual effects department and used during flying scenes, hangar docking and other shot

(ABC-TV, 1978-1979) Original Battlestar Galactica bridge crewman uniform includes a dark blue tunic with Velcro closure along the left side, pants, ca

(NBC-TV, 1979-1981) Concept artwork for Princess Ardala’s ship and bearing the notations in ink, “Ideas for: Ardala’s ship” and “Escape pod in place,”

(Fox-TV, 1987-1997) Striped green button down shirt, light blue dress pants and black leather belt worn by Ed O’Neill as “Al Bundy” throughout many ep

(Ranger Productions, 1993) Lot contains the 14 x 20” filming miniature of the key spacecraft PAX 377 known to the crew as “Lizzie”, plus (3) key prop

(Fox-TV, 1989-1990) A collection of four unique foam make-up appliances with hand-inked birthmark-like markings that were created to be worn by “Newco

(MMPR, 1993-1997) Unfinished production casting of “Lord Zedd’s” head in foam rubber. Measures 14 in. x 15 in. tall. Includes a hand-painted and det

(Fox-TV, 1993-2002) A large yellow Department of Justice envelope, measuring 13 in. tall x 10 in. long, that reads, “Rush: Sensitive Material” and “FB

(Fox-TV, 1993-2002) Special effects acid-burned skull from The X-Files episode, "The Pine Bluff Variant.”. Constructed of foam and rubber with...

(Fox-TV, 1993-2002) Wooden director’s chair for Gillian Anderson “Dana Scully” signed on the seat, “My butt was here. Gillian Anderson.” Used exten

(Warner Bros.-TV, 1993-1997) Angula mask constructed of rigid polyfoam, worn by the grotesque supervillain, Bizarro in Lois & Clark: The New Adv...

(ABC-TV, 1995-2004) 12 oz. empty bottle of Buzz Beer which Drew Carey, along with Oswald, Kate and Lewis, sell out of his garage. On the sitcom, Buzz

(ABC-TV, 2004-2010) Complete Production Draft script, dated November 16, 2005, and written by Carlton Cuse and Damon Lindelof, for the Season 2 episod

(NBC-Universal TV, 2004-2009) Adama’s bloody duty blue jacket worn in the episode, “Blood on the Scales,” with Galactica patch on left sleeve and bloo

(NBC-TV, 2006-2010) Collection of props and set dressing from the imaginative series, Heroes, includes Arlington University Psi Alpha Chi banner, Toky

(HBO-TV, 2010) Death costume worn by John Seda in his role as “Sgt. John Basilone” in the critically acclaimed HBO series, The Pacific. Includes dis

A collection of 60+ TV Guide publications from the mid-1950s through the 1970s in excellent condition, sans address labels, and presented in individua

(Walt Disney Productions, 1936) Animator’s gouache on celluloid (framed; size unknown, visible area of mat opening is 8 x 11”) for the 1936 Mickey Mo

(Walt Disney Productions, 1937) Pen & ink and animator’s gouache on 9.75 x 12” registration-punched celluloid, depicting Snow White full-figure...

(Walt Disney Productions, 1938) Genuine original animation production cel (not a limited recreation) from the legendary Walt Disney Silly Symphony ca

(Walt Disney Productions, 1940) Pencil and colored pencil on 12 x 15” illustration paper (size presumed, not inspected out of frame) of the key seque

(Walt Disney Pictures, 1940) Wanting to create the darkest and most purely evil character imaginable for the “Night on Bald Mountain” sequence in his

(Walt Disney Productions, 1941) Genuine original animation production cel (not a limited recreation) from the “How to Ride a Horse” sequence of The R

(Walt Disney, 1951) Original color styling/concept painting featuring Alice fleeing the Queen’s guards accomplished in tempera on 7 ½ in. x 8 &...

(Walt Disney, 1959) Color styling/background design painting accomplished in tempera on board depicting Sleeping Beauty in her chamber. The Visual De

(Walt Disney, 1955-1959) Original animation production cel featuring the iconic sequence of Donald Duck and the gong that started each episode of the

(Walt Disney Productions, 1959) Pen & ink and animator’s gouache on 12.5 x 16” registration-punched celluloid, depicting a key scene in the sto...

Disneyland “Casey Jr. Circus” train car ornamentation, measuring 36 in. tall x 84 in. long, constructed out of metal, wood and other materials that re

Originally conceived in 1951 by Disney artist Harper Goff, then finally completed after 7 years construction in 1969, The Haunted Mansion was not only

(Walt Disney, 1964) Original animation production cel featuring fox hunters and hounds from the “Jolly Holiday” animated sequence of classic Disney fi

(United Artists, 1961) Gouache and airbrush on 6 x 12” 8-ply illustration board, signed by Eyvind Earle (1916-2000), one of the most innovative conce

Original painting accomplished in tempera and oil on board depicting a lush stylized landscape of groves of trees, dense hedges and misty mountains in

Original production cel and background from the 1966 Chuck Jones/Dr. Seuss animated feature How the Grinch Stole Christmas. (CBS-TV, 1966) This key ma

Original production cel and background from the 1966 Chuck Jones/Dr. Seuss animated feature How the Grinch Stole Christmas. (CBS-TV, 1966) This key ma

Original painting of Vampirella flanked by two black panthers by Manuel Sanjulian. Accomplished in oils on canvas measuring approx. 50 in. x 36 in.

(United Feature Syndicate, 1994) Pen & ink and animator’s gouache on 10.25 x 12.5” registration-punched celluloid, matched with correct origina...

14 in. x 20 in. Pencil and ink on board. In the world of fantasy, and science fiction art, there is one artist that has always been cons...

Pen and ink on board, approx. 13 in. x 19 in., on board measuring 13 ½ in. x 20 ¼ in. In 1967 Spider-Man had hit his landmark 50th issue,...

Ca. 1965, pen and India ink on 4-ply illustration board, with paste-on caption balloon, and partial copyright snipe from Roth’s studio on verso, 5 x 8

Ca. 1965, pen and India ink on 8-ply illustration board, 7.5 x 7”, depicting a straggle-haired skeleton creature on a motorcycle, most likely for a wi

1968, pen and India ink with white tempera detailing on 4-ply illustration board, with Roth’s copyright snipe pasted on, depicting a wild boar in SS o

1967, pen and India ink with white tempera detailing on 4-ply illustration board, 7.5 x 8”, with Roth’s copyright snipe pasted on. This iconic angel o

Ed “Big Daddy” Roth original pen & ink and tempera illustration of leering executioner holding skull and bloody ax. 1967, pen and India ink with...

(Paramount, 1979) Final artwork by Birney Lettick for the Sunburn one-sheet poster featuring Farah Fawcett carrying Charles Grodin and Art Carney. Ac

(Universal, 1980) Final artwork by Birney Lettick for the Coal Miner’s Daughter one-sheet poster featuring Sissy Spacek and Tommy Lee Jones. Accompli

(UA, 1979) Final artwork by Birney Lettick for Rocky II featuring Sylvester Stallone and Talia Shire. Accomplished in oil on board, the image measure

(ABC-TV, 1966-1967) Original Final script for the episode, “Eat, Drink and Be Dead,” dated August 9, 1966, with green revision pages dated August 12,

Personal check for $20 from Bruce Lee imprinted with his address, written and signed by Lee on Feb. 3, 1967, to Van Williams, who played “The Green Ho

(ABC-TV, 1966-1967) Animation gouache on (3) sheets of acetate laid over clear plexiglas, combined into a 19.5 x 20” circular-window flat-black sand

Original wooden shingle from the very first Hollywood studio where The Squaw Man was shot in 1913, signed by Cecil B. DeMille. In 1912, a barn on the

Measuring 1.5 x 3.5 x 8” and fashioned from dark blue leatherette-covered wood, monogrammed in gold letters, “C. B. deM.”, and containing two vintage

(MGM, 1925) Collection of (15) gelatin silver 8 x 10” original and vintage copy prints from the silent version of Ben-Hur, which Oscar-winning art di

This monocle was worn by director Fritz Lang during the making of Metropolis (1926). Housed in a unique mechanical frame designed by Thomas Kuntz wit

(27) Folio size 19 in. x 25 in. photographic enlargements from 1926 which served as the Feature Players Directory of its time. Depicted in numerous c

Legendary western-film star Tom Mix wore a particular style of cowboy hat throughout most of his screen career, in fact it was the one consistent iden

6 items total. Three vintage 8 in. x 10 in. black and white production stills from replacement animation pioneer George Pal’s films of the 1940s. Thi

Pair of concept drawings on 15 in. x 20 in. illustration board, one with lower left corner removed. This well preserved concept art was rendered by J

(RKO, 1933 & 1949) (1)Silver Bromide portrait, 7.5 x 9.75” of Willis O’Brien directing King Kong, signed on recto and stamped on verso by photo...

(8) Vintage silver gelatin matte double weight 8 x 10” prints of David Allen in the Cascade Pictures studio ca. 1970. They illustrate in detail his re

(RKO, 1933) (2) wood-handled, iron-tipped spears, each 57” with fur accents, attached to a 14 x 22” raw leather shield with painted native decoration

This master scene drawing depicts a Pterodactyl attacking a woman on the Temple steps and was utilized in a pivotal scene from King Kong, when Kong br

(Warner Bros./Seven Arts, 1969) This incredible illustration is the long lost marquis color concept drawing by Willis O’Brien for his story, Gwangi.

On 15 in. x 20 in. illustration board, accomplished in pencil, some with watercolor wash. Hidden for years, this is a remarkable collection of story

This extremely rare concept art was rendered by Willis O’Brien for his story idea about a whale graveyard, and prehistoric sea monsters attacking ship

13 total, accomplished in graphite and colored pencil on leaves of 12 in. x 18 in. artist’s vellum and taped to 15 in. x 20 in. illustration board. I

20 total, accomplished in pencil, gouache on leaves of 15 in. x 20 in. artist’s illustration board. These colorful and well preserved story boards fr

(Universal, 1933) In the already rarified world of vintage horror poster collecting, this exceptional example of the beautifully designed and lithogr

(Universal, 1933) Following the enormous success of Frankenstein in 1931, Universal Studios wanted more. The powers-that-be urged famed Director Jame

(MGM, 1939) When David O. Selznick was preparing Gone With the Wind, he gathered together some of the most talented cinematic artists in Hollywood at

(MGM, 1939) This fantastic original matte painting features a stark Kansas farm road rendered in white charcoal on black illustration board with produ

(MGM, 1939) Adrian-designed jacket of bright green wool with six-button taupe wool chest design surrounded by dark green brocade and hook-and-eye clos