Debbie Reynolds: The Auction, Part II

(TCF, 1966) Dark brown three piece wool suit. Ernie Tarzia label handwritten “L. J. Cobb March 1965” and Pathe cleaning tags in all three pieces. Desi

(Columbia, 1968) White swan ballerina costume accented with swan feathers, sequins and bugle beads. Headpiece made of iridescent beads and swan feathe

(Columbia, 1968) Red, navy and ivory two-piece sailor outfit. Columbia cleaning tag. Also included is an ivory long sleeve blouse with neck scarf. Des

(TCF, 1968) Turquoise and ivory harem outfit of raw silk heavily beaded with gold and green bugle beads accented with faux turquoise stones and coordi

(TCF, 1968) Silver lamé wide pant outfit and black velvet cape with stand up collar adorned with clear plastic stars and rhinestones. No label....

(TCF, 1968) Dark blue satin short robe with black lapel and tasseled belt. Peppino label typed “Daniel Massey”. Designed by Donald Brooks. Worn by Dan

(TCF, 1968) Pair of white and gold painted French replica metal coal heaters. Measuring 99” tall, 29” wide and 16” deep. One has damage to a leg that

(MGM, 1969) Serial number 6552. Comes with 4 magazines, 4 Panavision lenses: 28mm Super 70 T.3, Super Panatar 100mm T2.3, and two other miscellaneous

(MGM, 1968) Artist Robert McCall was called upon by director Stanley Kubrick to create a range of futuristic space-themed designs for his seminal film

(TCF, 1969) Light blue period dress with bows, ivory chiffon covering, wool cape with ivory embroidery with matching purse. No label. Designed by Iren

(TCF, 1969) Pale pink satin ribbed gown with shoulder sash and iridescent beading on sleeves and collar. No label. Matching shoes with ON-STAGE Fashio

(Columbia, 1969) Goldie Hawn was notorious during her TV Laugh-In and early film roles for showing off her gamine frame in the shortest skirts and dre

Seven fiberglass Grecian female statues painted white and gold and used at the 1960s/1970s Academy Awards. These figures were lining the red carpet as

(TCF, 1970) Extra large-scale original concept scene painting by David J. Negrón depicting the celebration festivities in the streets following...

(TCF, 1970) Black & white check tweed knickers worn by Sutherland as “Hawkeye Pierce” and Elliott Gould’s “Trapper John” red and gold plaid wool golfi

(Columbia, 1970) Cinnamon wool coat with brown fox trim and coordinating hat. Coat has no label. Hat has Columbia label handwritten “8907 I. BERGMAN”.

Mitchell 65mm 5-perf model AP-65, serial number AP-3, Mitchell beam splitter reflex. Lightweight handheld system and two 400 ft. magazines...

(TCF, 1970) Signature naval officer’s uniform jacket and pants of ivory crinoline with gold buttons and 3-bar epaulets, with matching cap and 2 identi

(United Artists, 1971) Complete 1930’s ensemble consisting of a pepper-brown wool overcoat, a two-tone chocolate wool and mocha satin long-sleeve butt

(United Artists, 1971) U.S. 27” x 41” linen-backed one sheet poster for one of Debbie Reynolds’ sexiest film roles, and a cult horror title as well by

(United Artists, 1971) Two silk dressing-robes, one mauve and the other gold and black (second one with matching slippers), both with elaborate and el

(United Artists, 1971) Navy and white wool two piece dress suit with white thread diamond pattern, stylized military cuffs, large white lapel bow, and

(United Artists, 1971) Brandied-apple chiffon party dress with white embroidered flowers and large white shoulder ruffles, together with matching hors

(Warner Bros., 1975) Teal blue velveteen period coat. Handwritten label “MR. O’NEAL”. Ivory satin vest with shades of pink floral embroidery. No label

(Warner Bros., 1975) U.S. 27” x 41” linen-backed one sheet poster for what is unquestionably Ryan O’Neal’s finest work on film, thanks to legendary au

(Paramount, 1981) Black wool cutaway jacket, pants and ivory satin ribbed vest. All three pieces have Eaves Costume Co. label. Jacket has handwritten

(Warner Bros., 1983) Striking science-fiction themed prop for Natalie Wood’s final film, Brainstorm, completed without her following her untimely and

Panavision PSR 35mm camera with matching serial numbers: PSR-153. Used by George Lucas for principal photography in Star Wars: Episode IV – A New Hope

(TCF, 1977-80) Six different posters from the first two films of the Star Wars saga: original soundtrack album poster 22” x 33”; teaser 1-sheet’B’ (fo

(TCF, 1980) U.S. 41” x 77” three-sheet poster (printed in a single sheet) folded, in unused condition with minor storage wear.

(TCF, 1983) French approx. 63” x 94” two-panel billboard display in folded, unused condition, Very Fine.

(Paramount, 1990) Two-piece charcoal-brown wool double-breasted suit by Verri Uomo of Italy, together with cream silk shirt by Santiné of Rome,...

(Touchstone, 1994) Stylish and contemporary with a kitschy flair, a 2-piece suit of ivory raw silk with single-breasted jacket and double-pleat front

(Columbia, 1997) Navy wool suit with three button jacket and matching pants. Cerruti 1881 label. Jacket has studio distressing on left sleeve. Ivory

(Universal, 1997) Matching pair of ensembles consisting of two piece double-breasted olive green suit, pinstriped dress shirt, and Audrey Buchner neck

(Paramount, 2001) Tailored specifically for Mr. Brando’s significant girth by Vincent Pastena Haute Couture, Montreal, under the direction of designer

(Warner Bros., 2000) Black iridescent two piece alien costume. Handwritten label “TERL”. Designed by Patrick Tatopoulos. Worn by John Travolta as “TER

(MGM) Set of four painted gold and black Torchieres. Measuring 66 ½” tall and 27” wide. One is original and the other three are casts of the or...

(MGM, 1936) Set of four black French parlor chairs with gold metal and paint accents. Measures 34” tall, 18” wide and 15” deep. One pair covered in pi

Antique wooden sedan chair in the French Revolutionary style, painted green and gold, with gold fabric curtains, opening front door for entry, and ful

(MGM, 1936) Suite of three teardrop shaped chandeliers with cut glass pendants and faux candle sleeves. One measures 47 in. tall x 21 ½ in. wid...

(MGM, 1936) Set of four French gold screen panels covered in red damask. Each panel measures 95” tall and 26” wide. Material has been replaced. All ex

(MGM, 1938) Pair of gilt bronze filigree three arm electrified sconces with candle sleeves. Exhibits cracks in the candle sleeves, normal wear and som

(MGM, 1937) Pair of French silver painted console tables with faux marble top. Measuring 75” wide, 39” tall and 23 ¼” deep. Handwritten label “...

(MGM, 1938) Monumental 20th century Rococo style cut glass chandelier with scrolling arms, faceted pendants and swags, electrified with faux candle sl

(MGM, 1938) Monumental 20th century Rococo style cut glass chandelier with scrolling arms, faceted pendants and swags, electrified with faux candle sl

(MGM, 1937) Set of six (6) bronze filigree six arm sconces with faux candle sleeves and long rectangular pendants. Measuring 25” tall, 19 ½” de...

Pair of French candelabras with cut glass drops. Each measures 41” tall and 21” wide. One has green discoloration on base. Seen on top of the Torchier

(MGM) French gold console table with original parts and replacement faux marble top of pink and green. Measures 35” tall, 71” wide and 22” deep. Exhib

(MGM, 1948) Suite of five French wash pieces of furniture covered in pink and ivory needlepoint fabric with floral design. Consisting of a settee meas