Debbie Reynolds: The Auction, Part II

(TCF, 1955) Green raw silk pajamas with oriental styling. Handwritten label “A-746 J #27 J. Jones” and Fox cleaning tags. Exhibits a one inch hole on

(TCF, 1955) U.S. 27” x 41” one-sheet poster on linen, Very Fine with minimal retouching.

(MGM, 1955) 41”x 77” U.S. three-sheet poster for the Vincent Minnelli musical version of an oft-filmed tale. Linen-backed, in Fine, slightly used cond

(MGM, 1955) Tan nubby linen jacket with cloth buttons and sewn in linen sleeves. Western Costume label typed “9-2800-1 Howard Keel 43 Ch#1”. Coordinat

(Columbia, 1955) Black wool dress. Columbia label handwritten “MAUREEN O’HARA”. Designed by Jean Louis. Worn by Maureen O’Hara as “Mary O’Donnell” in

(TCF, 1955) Nude leotard covered with raspberry and pink sequins accented with pink and clear rhinestones with pink bugle bead fringe. Handwritten lab

(MGM, 1955) Green suede high lace up sandals. Handwritten label “Ed Purdom”. Exhibits typical wear. Worn by Edmund Purdom as “Micah” in the opening of

(TCF, 1955) Ivory satin ribbed period dress with pale grey satin thread decoration, small metal beads, toffee velvet trim and delicate lace collar. Ha

(Columbia, 1956) Aqua dress covered with iridescent bugle beads. No label. Exhibits bead loss and small stain on back. Designed by Jean Louis. Worn by

(Columbia, 1956) Gold lace dress accented with gold thread. Columbia label handwritten “Kim Novak” with Columbia cleaning tag. Designed by Jean Louis.

(Paramount, 1956) Pale yellow chiffon dress with delicate embroidery and flowers with self belt. No label. Designed by Edith Head. Worn by Katharine H

(MGM, 1956) Pale pink chiffon and lace gown with velvet accents. Handwritten label “1688 4911 June Allyson”. Exhibits minor tears and pulls. Designed

(TCF, 1956) This is the signature costume for Marilyn’s character “Cherie”, the naïve yet determined saloon singer heading for Hollywood in Jos...

(TCF, 1956) Beige jersey leotard covered in nude chiffon with criss cross gold sequins and bugle beads accented with yellow, ivory and orange feathers

(TCF, 1957) Ivory, grey and black striped wool dress with red accent. Belt is missing. 20th Century Fox label handwritten “A-785-08 K. HEPBURN”. Desig

(TCF, 1957) U.S. 22” x 28” half-sheet poster for one of Jayne Mansfield’s two top titles, both of which are delightfully directed by Frank Tashlin. Fo

(MGM, 1957) U.S. approx. 81” x 81” six-sheet poster folded in unused condition, with minor storage wear. Very Fine.

(TCF, 1957) Pale pink silk gown with ivory lace overlay accented with iridescent sequins. 20th Century Fox label handwritten “A-792-17 J. MANSFIELD”.

(Allied Arts, 1957) Pale blue and lilac lace gown with floral netting covered with iridescent clear and purple sequins, bugle beads and small round pe

(UA, 1957) Elaborate and exceedingly authentic full suit of Medieval-period French armor. Designed in 1910 by the Keeper of the King’s Armory, Sir

(MGM, 1957) Nude wool leotard adorned with silk flowers and fuchsia velvet ribbon. No label. Exhibits minor stains and loss of flowers. Designed by Or

(MGM, 1957) Long sleeve scoop neck gown in varying shades of champagne chiffon. Handwritten label “1707 5617 Taina Elg”. Exhibits a few tears in chiff

(Columbia, 1958) Wine velvet dress with deep V back. No label. Exhibits spotting. Designed by Jean Louis. Worn by Kim Novak as “Gillian ‘Gil’ Holroyd”

(Allied Artists, 1959) Ivory and gold satin leotard with clear sequins and rhinestones. Handwritten label “K. GRANT”. Few of the sequins and rhineston

(TCF, 1959) Green, black, pink and yellow cotton print wraparound dress with beige collar. 20th Century Fox label handwritten “F-08-12 Ethel Waters”.

(MGM, 1959) Teal chiffon off one shoulder gown. Handwritten on seam “Debbie Reynolds Started with a Kiss”. Chiffon is frayed in spots. Designed by Hel

(TCF, 1959) Five-piece “Can-Can” style cabaret dance ensemble designed by Adele Balkan, and worn by May Britt for her introduction number “Lola-Lola”

(TCF, 1960) Black velvet jacket with gold lamé and trimmed in black satin. Western Costume label typed “2255-1 / Yves Montand / 42”. Gold lam&#...

(TCF, 1960) Pale green silk pleated strapless dress adorned with rhinestones (a few of which are missing). TCF label handwritten “F-13 M. Monroe”. Des

(TCF, 1960) U.S. 27” x 41” linen-backed one sheet poster for Marilyn Monroe’s penultimate (completed) film, and though slightly overweight, still one

(TCF, 1960) U.S. 41” x 81” three-sheet poster folded with minor tattering at folds from handling, generally Very Good to Fine.

(TCF, 1961) Raspberry chiffon flapper dress accented with rhinestones. 20th Century Fox label handwritten “D-13 Lee Remick”. Exhibits minor tears in c

(TCF, 1961) Fascinating group of matching costumes to illustrate the illusion of movie-making: Debbie Reynolds’ pale green dotted-swiss with ecru flor

(TCF, 1961) Two-piece period dress of heavy burnt-sienna wool with black-dot pattern, double row of self-covered buttons down front, and black braid a

Mitchell BNCR 35mm motion picture camera with Universal Pictures stickers present circa late 1950s vintage. Serial number 232. This camera became the

(MGM, 1962) Peach velvet leotard with pouf skirt accented with rhinestones and pink satin sash. Designed by Morton Haack. No label. Skirt is fraying a

(MGM, 1962) Pink and cream period clown dress accented with ivory chiffon cuffs, orange velvet ribbon and white daisies. Handwritten on bias ”Doris Da

(MGM, 1962) Pink wool leotard accented with pink sequins, silver bullion, rhinestones and gold tassels with matching belt. Leotard has no label. Belt

(MGM, 1962) Orange wool tail coat accented with red velvet collar and cuffs and white satin rope and buttons. MGM label handwritten ”J DURANTE / 1796

(MGM, 1962) Ivory wool jacket accented with gold bullion and rhinestone buttons with coordinating sash with gold metal medallion. No label. Exhibits m

(MGM, 1962) Ivory wool jacket accented with gold bullion and rhinestone buttons, coordinating sash with gold metal medallion. No label. Faux Persian l

(MGM, 1962) Orange two-piece lion outfit accented with hot pink silk bow. Includes coordinating gloves, briefs and wig. No label. 1 in. hole on right

(TCF) Pair of period standards, one on a pole, attributed to Cleopatra and other period productions. Constructed of wood and painted gold. One on pole

(Columbia, 1963) To bring boyfriend Dick Van Dyke's attention back to her previously subdued sex appeal, Janet Leigh as “Rosie DeLeon” wears this skim

Oil painting of Eva Gabor by Americo Makk circa 1965 and housed in a painted gold wooden frame. Measures 90” tall and 48” wide. Included in the lot is

(Paramount, 1964) Elaborate, heavily pearl and bullion accented and embroidered champagne and gold silk cape, worn over heavy sand-colored jacquard tu

(Paramount, 1964) One of the signature “casual” outfits for Peter O’Toole as “King Henry II”, Thomas Becket’s best friend and ultimate executioner, an

(MGM, 1966) U.S. 41” x 81” three-sheet poster folded in unused condition, with minor storage wear. Very Fine.

(MGM, 1966) Mermaid outfit consisting of a peach lace bra adorned with plastic leaves painted in varying shades of salmon and yellow. Acceptuette Chif

(TCF, 1966) Richard Crenna, much better-remembered today for numerous small-screen roles, had one of his best big-screen appearances as Steve McQueen’