Antique Furniture and Works of Art Pictures and Books

Lucie Jones (b. 1955), Another Avenue 1988, oil on canvas, signed in pencil on the canvas verso, 60.5 x 76.5 cm bears paper label verso

Bernard Smol (20th century), Les Barques, oil on canvas, signed lower left, 38 x 55.5 cm, bears paper label verso for Fine Art Limited,

Romanian School (20th century), The Vortex, acrylic on board, bears paper with inscriptions in Romanian verso, 100 x 100cm £150-200

Pierre Combet-Descombes (1885-1966), The Haystack, watercolour, signed verso, 23 x 31.5 cm £60-80

Patrick Hughes (b. 1939), Eight Pieces, a portfolio of eight silkscreen prints and one watercolour limited edition 10/20, each leaf signed

Patrick Hughes (b. 1939), Sweet heart, limited edition silkscreen print, signed and dated 84 lower right, inscribed with title lower centr

Patrick Hughes (b. 1939), Moon vase, pen, ink and watercolour, signed and dated 85 lower right, 23 x 15.5 cm £100-150

Ronald W. Fordham Searle (1920-), Plate design for Nymolle Ceramics, Copenhagen, pen, ink and watercolour, signed with initials lower right,<

James Maconochie (20th century), Glass Island; Salt Reef, each oil on canvas, each signed and inscribed with title verso, each 51 x 51

Peter Burman (20th century), Kingsfleet Marshes after the Storm; Pin Mill Suffolk, the first oil on canvas, the second oil on board, the f

Patrick Hughes (b. 1939), Book corner, photolithograph in relief, signed in pencil lower right, inscribed A/F 4/5 lower left, 45.5 x 21

Ludlow (20th century), The road to la Digne d'Aval, oil on board, signed lower left, 42 x 52 cm £150-200

Kenneth Townsend (20th century), Tin Mines; Winter Tree III, the first oil on board, the second gouache, the first 52.5 x 72 cm, the

Boris J. Vladimirsky (1878-1950), Winter, oil on board, apparently signed and dated 1970 verso, 46.5 x 33.5 cm, Daphne Reynolds, Sno

Norman Wilkinson (1878-1971), Beach scene with gulls, oil on board, signed lower left, 25 x 34.5 cm £300-400

Donald Moodie (1892-1963), Still life with a jug of flower and a vase of fruit upon a table, oil on canvas, signed lower right, 56.5 x 76.

Brian Midlane, Still life with flowers and lemons, oil on board, 74 x 57.5 cm, bears paper label verso detailing details of exhibition

Donald Moodie (1892-1963), Autumn landscape with a gate, oil on canvas, signed lower right, 61 x 92 cm £300-500

Donald Moodie (1892-1963), Still life with a coffee pot, and bowl, a plant and a bowl of fruit upon a table, oil on canvas, signed lower righ

George Cruikshank (1792-1878), Inconveniences of a Crowded Drawing Room, hand coloured etching, s. 24.5 x 33 cm published by Thomas McLean

James Malton (1761-1803), Leinster House, Dublin; Custom House, Dublin; The Parliament House, Dublin; Royal Exchange, Dublin, each hand

A large quantity of unframed 18th, 19th and 20th engravings, etchings and lithographs, mainly of architectural and topographical subject matter, inclu

A large quantity of unframed etchings and engravings, comprising; G. Scotin after William Hogarth, Marriage a la Mode, engraving, six plat

A large quantity of 18th-20th century unframed etchings, engravings and lithographs Provenance: Lady Braye £150-200

A large quantity of unframed pictures and prints to include subjects of landscape, Classical Italy, architectural plans, maps, and varous etchings aft

Gerard Valk, Vaisseau de premier rang portent pauillon d'Admiral; Vaisseau du troisieme rong a la Voille; Coupe d'un Amiral de 104 pieces de

James Abbot McNeill Whistler (1843-1903), The Feathered Hat, lithograph, signed with monogram within the plate centre left, s 17.5 x 14.5

John Piper (1903-1992), Rural Reading, photolithograph, signed in pencil lower right, s. 63.5 x 56 cm, unframed £200-300

John Piper (1903-1992), Reading Townscape, photolithograph, signed in pencil lower right, s. 63.5 x 56 cm, unframed These prints wer

Charles Johnson Payne 'Snaffles' (1884-1967), If there is Paradise on Earth, It is this!, It is this!, It is this!, lithograph, signed in pen

Charles Johnson Payne 'Snaffles' (1884-1967), Sandown - Asking 'em the question, lithograph, signed in pencil lower left, impressed snaffl

English School (19th century), The Hampshire hunt, hand coloured lithograph, s. 39 x 77.5 cm with monogram lower centre HCC below the Prin

Blanchard after W.P. Frith, The Derby Day, hand coloured engraving, p. 61 x 120 cm bears impressed mark lower left £300-400

H. T. Ryall after Sir Edwin Landseer, Hawking party, hand coloured mezzotint, p. 70 x 96cm £80-120

Samuel and Nathaniel Buck, The South View of Warworth Castle, in Northumberland, hand coloured engraving, s. 19 x 35.5 cm, and Ganjoun(

William Hogarth (1697-1764), Canvassing for Votes, plate II; The Polling, plate III; Chairing the Members, plate IV, each hand coloured en

Charles Johnson Payne 'Snaffles' (1884-1967), Peshwar Vale, lithograph, signed in pencil lower left, impressed with snaffle bit lower left

Charlie Johnson Payne 'Snaffles' (1884-1967), The Panee, lithograph, signed in pencil within the margin lower right, inscribed the P V H l

G. Marsden Wilson (20th century), Pastoral, etching, signed in pencil within the margin lower right, p. 12.5 x 15 cm, bears paper label

J.W. Giles, The making of the Newbury Coat, lithograph, s. 58.5 x 81.5 cm, and C. Smith, A new map of Hampshire, hand coloured en

Cecil Charles Windsor Aldin (1870-1935), To Brighton, lithograph, signed within the plate lower left, 42 x 52 cm £120-180

John Piper (1903-1992), Abbeville, St. Wolfrun, screenprint, signed in pencil within the margin lower right, inscribed artist's proof with

Samuel and Nathaniel Buck, The South-East Prospect of Leeds in the County of York, hand coloured etching, p. 32 x 83 cm, and two 18th cent

Max Bruning (1887-1968), Erotic study of a girl with a whip, etching, signed in pencil within the margin lower right, p. 27 x 14.5 cm,

Max Bruning (1887-1968), Erotic lady with a whip, wearing a fur, etching, signed in pencil within the margin lower right, p. 32 x 13.5 cm,

William Russell Flint (1880-1969), The Pendant, lithograph, signed in pencil within the margin lower right, s. 53.5 x 71 cm, bears pape

William Russell Flint (1880-1969), Model for Elegance, limited edition photolithograph, numbered 386/850 within the margin lower right, s.

William Russell Flint (1880-1969), Two ladies dressed in white, lithograph, signed in pencil within the margin lower right, s. 43 x 58.5 c

William Russell Flint (1880-1969), Victorian Divertion (sic), lithograph, signed in pencil within the margin lower right, s. 58.5 x 44 cm<

William Russell Flint (1880-1969), Spanish village square, lithograph, signed in pencil within the margin lower right, s. 45.5 x 59 cm,<br